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Dissertations |
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1
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MATEUS SANTOS AGUIAR
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The Cognitive Aspect of the Literary Text: Literature as a Source of Knowledge
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Advisor : RAFAEL LOPES AZIZE
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COMMITTEE MEMBERS :
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IMACULADA MARIA GUIMARÃES KANGUSSU
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NABIL ARAÚJO DE SOUZA
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RAFAEL LOPES AZIZE
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TADEU BRUNO DA COSTA ANDRADE
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Data: Jan 27, 2025
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Show Abstract
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The aim of this paper is to investigate, through Wittgenstein's notion of aspect-seeing, what might be the case, from the reader's point of view, for the literary text to be seen as a way of articulating knowledge.
The problem at hand is linked to the debate undertaken by contemporary philosophy of literature about the cognitive value of literary art, mostly centered around the question of whether or not literary discourse is capable of providing relevant orientation in the life-world. John Gibson's literary humanism is taken as a starting point, for theoretical context.
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2
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JORGE RICARDO DA SILVA VALOIS
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Accidents and Individuation — Argumentative Ways: Identity, Order and Hierarchy. Analysis based on Ordinatio II, Duns Scotus.
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Advisor : MARCO AURELIO OLIVEIRA DA SILVA
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COMMITTEE MEMBERS :
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ANTONIO JANUNZI NETO
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MARCO AURELIO OLIVEIRA DA SILVA
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ROBERTA MAGALHAES MIQUELANTI
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Data: Jan 31, 2025
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Show Abstract
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The present study has as subject the principle of individuation of Duns Scotus’ Metaphysics, aiming to understand what is and how such principle is part of composition of something for generating a unique being. Therefore, it studies the concept of common nature, from which one can understand the principle of individuation. Indeed, a being is not individuated from nothing, but from a common nature, that this same being shares with others beings of the same species.Thus, common nature is the basis in which the individuation occurs. The element that provides such individuation is called haecceity, because it is something unique and unrepeatable. Haecceity is something positive, since it is added to common nature; in view of this, it isn’t something negative, which would be characterized by the absence of something. Neither, haecceity is not a kind of accident or existence, but it is a key and indispensable element for the constitution of an individual being. Furthermore, for a more accurate understanding of this principle of individuation, it’s necessary not only to see the basis (common nature) upon which fall haecceity, but also as common nature and haecceity relate to each other to generate an individual being. The relationship between both elements is characterized by formal distinction, in which there is inseparability of the elements and conceitual independence between them. For all these reasons, to the comprehension of the Scotist principle of individuation, it’s necessary the study of the common nature, which enables the individuation, since it is like a base material to do so; it’s required also to understand the relation between common nature and individuation, in which there is not a process of assimilation or overlap.
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3
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LARISSA FERNANDEZ DE ANDRADE SANTOS
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Beacoming a woman in Beauvoir: formation, situation and liberation
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Advisor : VINICIUS DOS SANTOS
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COMMITTEE MEMBERS :
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SILVANA DE SOUZA RAMOS
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LUIZA HELENA HILGERT
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VINICIUS DOS SANTOS
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Data: Feb 13, 2025
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Show Abstract
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Throughout this dissertation, we seek to develop an investigation of the existentialist theses developed by Simone de Beauvoir, seeking theoretical support to understand the problem of gender as a social construction, expressed in her famous statement: "no one is born a woman, they become a woman" (BEAUVOIR , 2016b, p. 11). Furthermore, we seek to discuss possible paths for women's liberation from the limitations imposed by the facticity of their existence, towards transcendence, as developed by Beauvoir in The Second Sex. We understand that the philosopher criticizes the imposition of gender roles, arguing that inequalities are not biological, but social and cultural, an original philosophical idea, since, although Beauvoir did not use the term "gender", she separates sex and of what we understand today as gender, anticipating discussions about identity and social roles. The research analyzes how Beauvoir's philosophy proposes an ethics of ambiguity, in which freedom and limitation coexist, and how her existentialist feminist theory questions the destiny imposed on women and the biological and psychoanalytic myths that perpetuate this oppression. The author also explores gender phenomenology, highlighting the transformations of the female body and how social roles restrict their freedom. The dissertation aims to highlight Beauvoir's impact on feminist theory and the importance of her ideas for understanding gender inequalities and the struggle for women's liberation.
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4
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Flávio Rocha de Deus
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Albert Camus, Metaphysical Revolt, Modernity, Artistic Creation
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Advisor : VINICIUS DOS SANTOS
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COMMITTEE MEMBERS :
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JUAN BLANCO ILARI
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JARLEE OLIVEIRA SILVA SALVIANO
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VINICIUS DOS SANTOS
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Data: Feb 14, 2025
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Show Abstract
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This work contributes to Camusian studies by exploring the complexity of metaphysical revolt through the taxonomy of its yes and no, highlighting its ethical, aesthetic, historical and metaphysical aspects. Initially, we analyze the meaning of yes and no as movements intrinsic to revolt and their relationship with the creation of values through the imposition of limits arising from human experience. Then, based on Camus's commentary on Scheler, we distinguish Camusian revolt from resentment: the latter, purely reactive and destructive; the former, articulating a solidary ethics based on reason and sensitivity. At the same time, we advance in the specialized literature by explaining Camus's Hegelian Occidentalism in the historical conception of revolt and, through Deleuzian categories, we demonstrate that Camusian absurdism differs from nihilistic philosophies, proposing to overcome them. To better understand the metaphysics of the theory of revolt, we instrumentally compared Camus’s epistemology with Kantian theory of knowledge and made explicit the distinction between the empirical face of revolt and its metaphysical aspect. We then introduced the concept of “theogonic resentment” to identify the No of metaphysical revolt, characterized by the denial of the absurd and the tension between the rejection of the created world and dependence on divine transcendence. Philosophers and writers such as Epicurus, Lucretius, Sade, Milton, Baudelaire, and Dostoevsky helped us analyze the dangers of misdirected revolts. Finally, we integrated the research by organizing the foundations of Camus' theory of art, present in his youthful essay Art and Communion (1931) and in the ideas presented in his mature essay The Rebel (1951): in this analysis, we verified how the most diverse artistic languages (architecture, music, sculpture, painting, literature and theater) dialogue with the general theory of art as rebellion proposed by Camus. What we highlighted, to highlight the nature of the Yes, is that for Camus art is a metaphysical demand for unity, in which men, rejecting the world as it is, without wishing to escape it, simultaneously exalt and deny reality, highlighting the role of art as a form of affirmation and overcoming of the absurd. Here, artistic creation emerges as a creator of universes where man can reign and effectively know
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5
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JONATHAN NIGER AMORIM SANTANA
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The Relations Between Ideology and Philosophy in Louis Althusser
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Advisor : LEONARDO JORGE DA HORA PEREIRA
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COMMITTEE MEMBERS :
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WÉCIO PINHEIRO ARAÚJO
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DANIEL TOURINHO PERES
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LEONARDO JORGE DA HORA PEREIRA
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Data: Feb 21, 2025
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Show Abstract
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This research aims to examine Althusser's theory of ideology and its reflections on philosophy, investigating the interrelations between these concepts throughout his intellectual production. Althusser's theory of ideology can be conceived from two distinct moments: the first, of an epistemological nature, addresses ideology in relation to scientific knowledge, defining it as the "pre-history" of science. The second moment is characterized by a socio- political analysis, in which ideology plays a central role in the reproduction of relations of production, with the materiality of ideology, carried out through the Ideological State Apparatuses (ISAs), as its original and central element. Simultaneously, Althusser develops his theory/conception of philosophy in general and Marxist philosophy—or the Marxist position in philosophy—in particular. These studies evolve throughout the philosopher's intellectual trajectory, initially conceiving philosophy in general as fully identified with ideology, while Marxist philosophy is closer to a scientific discipline. These understandings undergo successive reformulations, eventually leading to the comprehension of philosophy as, ultimately, class struggle in theory. The results of this study indicate that although Althusser's conceptions of ideology and philosophy initially develop in parallel, they progressively intertwine. Philosophy emerges as a "theoretical laboratory," playing a crucial role in unifying various secondary ideologies into a dominant ideology.
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6
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Milena Oliveira Pires
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EPISTEMIC INJUSTICES AND OPPRESSIONS: Black women as agents of knowledge
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Advisor : JULIANA ORTEGOSA AGGIO
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COMMITTEE MEMBERS :
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HALINA MACEDO LEAL
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BRENO RICARDO GUIMARÃES SANTOS
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JOSÉ LEONARDO ANNUNZIATO RUIVO
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JULIANA ORTEGOSA AGGIO
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Data: Mar 7, 2025
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Show Abstract
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The object of this research is the philosophical problem related to the production of knowledge by black women and the way in which this production is discredited or silenced. The aim of this research is to analyze, based on Miranda Fricker's theory of epistemic injustice (2023) and Kristie Dotson's theory of epistemic oppression (2011; 2012; 2014), how this exclusion manifests itself in epistemic discussions and in the production of knowledge by these women. For this investigation, we will use black feminist epistemology, based on the works of Patricia Hill Collins (2019) and Sueli Carneiro (2023), to examine how black women are affected as knowers. This analysis leads us to question: (i) which criteria are used to validate knowledge; (ii) who holds the power to establish these criteria; and (iii) which perspectives are privileged and which are marginalized in this process.
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7
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Lúcia Luz Spinola
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TRUTH IN HEIDEGGER: ITS PERSPECTIVES AND FOUNDATIONS
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Advisor : ACYLENE MARIA CABRAL FERREIRA
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COMMITTEE MEMBERS :
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ACYLENE MARIA CABRAL FERREIRA
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DIOGO CAMPOS DA SILVA
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THIAGO ANDRE MOURA DE AQUINO
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Data: Mar 24, 2025
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Show Abstract
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Our main issue is focused on asking which is the ground of the multiplicity of world perspectives that support our day-to-day assertions on anything, as well as the general knowledge. Considering the assumption that such assertions are perspectives, which become truths of a certain time, we take the conception of truth established by Heidegger. His viewpoint is that our assertions about the world come from a “primordial truth” or alētheia. Our objective is to investigate how the primordial truth was formed and how its nexus happens in true and false enounces. We focused our research process on Being and Time (1927) and on texts of the 1930’s. Once the primordial truth is defined on these texts as an opening, we show how this opening is a source of comprehensibility and interlacing of the Dasein with the world. As follows, we ask which could be the ground of the truth as alētheia. Based on Heidegger’s philosophy, we expose that this ground is freedom, understood as a state-of- mind [Stimmung], in other words, with an opening of the Dasein to the world, in which it allows the being becoming what it really is. Such as the truth, freedom is primordial, once it opens the possibilities of becoming to the Dasein, through which it encompasses the truth of the beings. We conclude that primordial freedom grounds the primordial truth, and both ground the appearance of beings and, simultaneously, the world perspectives which substantiate knowledge.
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8
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ANA PAULA DE JESUS CARVALHO
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From number to logos: the formation of mathematical thought and its influence on the dialectical method in the Theaetetus
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Advisor : GISLENE VALE DOS SANTOS
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COMMITTEE MEMBERS :
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ALESSANDRA CARBONERO LIMA
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GISLENE VALE DOS SANTOS
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JOVELINA MARIA RAMOS DE SOUZA
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Data: May 30, 2025
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Show Abstract
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This research is driven by two central themes: mathematics and the dialectical method in Theaetetus, investigating how Plato mobilizes mathematical concepts in formulating the fundamental question of the dialogue: What is knowledge (tí estí epistéme;)? Initially, we analyze the history of ancient mathematics to identify the elements that influenced the development of Plato’s dialectical method. This approach adopts a decolonizing perspective, aiming to incorporate new fields of study into ancient philosophy, rethinking the traditional narrative and considering the presence of epistemologies that are not exclusively Hellenic in the formation of Platonic thought. Thus, we explore Egyptian and Greek mathematical traditions and their resonance in Plato’s philosophy. In this context, we examine Plato’s place within this mathematical tradition, his reflections on the science of numbers, and how mathematical problems of the time appear in the structure of the Theaetetus.It is important to note that, in the Theaetetus, mathematics does not appear merely as a field of knowledge but as part of the very structure of philosophical discourse. One example of this relationship is passage 148d, in which Plato describes Theodorus demonstrating geometrically the powers of irrational numbers, such as “those of three and five feet, which are incommensurable, in length, with that of one foot,” until reaching seventeen feet, where he stops. This passage leads us to the following question: How can something that, from a mathematical perspective, cannot be expressed in an integral form—such as irrational numbers—be translated into a unity? Understanding this mathematical context in the work requires at least a minimal grasp of the influence of mathematical traditions that shaped Plato’s understanding of mathematics, considering that the concept of dialectic present in the Theaetetus is closely linked to the mathematical framework of the dialogue.In this sense, this dissertation is structured in three parts: (1) The traditions of mathematical thought; (2) Plato and mathematics; and (3) The composition of the dialectic in the Theaetetus.
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9
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Stefano Dazzi
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QUEER AS AN ETHICAL-POLITICAL POSTURE IN THE PROCESS OF MAKING ONESELF
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Advisor : JULIANA ORTEGOSA AGGIO
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COMMITTEE MEMBERS :
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VIRGINIA HELENA FERREIRA DA COSTA
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CLEITON ZÓIA MÜNCHOW (NOME SOCIAL: ZÓIA)
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JULIANA ORTEGOSA AGGIO
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Data: Jun 2, 2025
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Show Abstract
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The aim of this paper is to develop the idea that it is possible to adopt a deviant stance in the process of self-making, one that leads to the subversion of the norms that give rise to the subject, rather than merely reproducing them. This will be achieved through a theoretical exploration of what is commonly referred to as Queer Studies, with a focus on the theories of Judith Butler and Paul B. Preciado and their interpretations of Michel Foucault's writings on power relations and regimes of truth. We will then examine some of the criticisms this theory has faced, aiming to update it and enable its use with reservations. The goal is to highlight both the strengths and weaknesses that should be considered when critically applying these Queer Studies to the context of Brazil and Latin America.
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10
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MARIA CÂNDIDA NERES BATISTA
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Beyond what is seen: An analysis of convergences between cinema and thought based on Virginia Woolf and Gilles Deleuze
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Advisor : ROSA GABRIELLA DE CASTRO GONCALVES
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COMMITTEE MEMBERS :
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EDUARDO ANÍBAL PELLEJERO
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ALEX SANDRO CALHEIROS DE MOURA
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ROSA GABRIELLA DE CASTRO GONCALVES
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Data: Jun 11, 2025
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Show Abstract
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In 1926, Virginia Woolf wrote a premonitory essay about a cinema that was still in
its infancy. Inspired by the ideas postulated in this short but significant essay, we are
concerned with questioning: what is cinema’s potential for aesthetic experience? What does
it possess that is expressively its own? What is the relationship between cinema and thought?
Thus, the aim of this study is to carry out an ontological investigation of cinema as a power
of creation and singular expression. Therefore, in order to elucidate the questions that gave
rise to this dissertation, it is necessary to delve deeper into philosopher Gilles Deleuze’s
theories on cinema, emphasizing his divergence from traditional notions of images as
carriers of intrinsic meaning. In this sense, we sought to analyze Deleuze’s distinction
between the movement-image and pure optical-sound images, exemplified here mainly by
Italian neorealism and the French Nouvelle Vague. We realize that, for Deleuze, cinema
creates its own reality, images that become a suis generis world. Thus, in the
cinematographic experience, just as in the real world, the images to which we are exposed
affect each subject in a subjective way, transcending rational limits and directly invoking
the senses and aesthetic appreciation of the viewer. Thus, we start from the Deleuzian
principle that meanings are not pre-defined in the object, but are generated through the
dynamic interaction between the viewer and the image and that the universe resembles
cinema, since everything is an image in perpetual motion. Anchoring the discussion in the
broader context of the impact of art, Deleuze argues that cinema, as an art of vision,
transcends rational thought and provokes an essentially sensual and emotional aesthetic
experience. At its core, this dissertation is a conceptual investigation, proposing that cinema
has the power to affect viewers in profound and unique ways.
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11
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Pedro Teixeira de Castro Pêpe
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Eros and Dionysus. The problem of Will in Freud and Nietzsche.
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Advisor : ANDRÉ LUÍS MOTA ITAPARICA
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COMMITTEE MEMBERS :
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ANDRÉ LUÍS MOTA ITAPARICA
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CARLOTA MARIA IBERTIS DE LASSALLE CASANAVE
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EDUARDO RIBEIRO DA FONSECA
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Data: Jun 11, 2025
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Show Abstract
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The present work aims to investigate the notion of will and its foundations in the theories of Freud and Nietzsche, focusing more specifically on what these authors identify as the foundations of human will, that is, the tendencies that drive the subject to action and guide their psychodynamics. In doing so, we propose a comparative analysis between their respective theories of the Trieb: the doctrine of the will to power and the theory of drives. To this end, we used both the authors’ own writings on the respective topics and those of some of their commentators, as well as the existing literature on the possible relationships between these theories. As a result, we found in the literature a range of opinions regarding the relationship between Freud’s theory and Nietzsche’s theory: some categorically deny the plausibility of considering their ideas as compatible or sympathetic to one another, while others affirm a very significant convergence between them. From our own reading of both authors’ texts, we conclude that the convergence between their theories of Trieb appears to be significant, aligning with the latter group of theorists and disagreeing with the former. We then seek to justify this assertion based on textual evidence that supports this interpretation.
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12
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RICARDO GUSMÃO MACHADO
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Sketch for the conception of an ethical subject from Psychoanalysis
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Advisor : VINICIUS DOS SANTOS
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COMMITTEE MEMBERS :
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JARLEE OLIVEIRA SILVA SALVIANO
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JOÃO GABRIEL LIMA DA SILVA
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VINICIUS DOS SANTOS
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Data: Jul 21, 2025
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Show Abstract
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This dissertation investigates the possibility of formulating a conception of the moral subject based on the psychoanalytic paradigm. To this end, it begins with a confrontation between the main modern philosophical theories of morality, notably the proposals of Descartes, Kant, Schopenhauer, and Nietzsche, and the psychoanalytic models of subjectivation developed by Freud and Lacan. The research argues that the hypothesis of the unconscious, by dismantling the idea of an autonomous and self-transparent subject, imposes new limits and challenges to traditional ethics. At the same time, it seeks to identify whether, and to what extent, psychoanalysis offers viable alternatives for rethinking the moral subject. It concludes that, although psychoanalysis destabilizes the classical foundations of morality, it allows for the elaboration of a new understanding of the ethical subject, less centered on reason and more attentive to subjective division and to the place of desire in the ethical constitution of the subject.
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13
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EMERSON COSTA FARIAS
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Critical attitude and practices of freedom: Aufklärung and parrhesia in Michel Foucault
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Advisor : JULIANA ORTEGOSA AGGIO
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COMMITTEE MEMBERS :
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JULIANA ORTEGOSA AGGIO
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CRISTIANE MARIA MARINHO
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GIOVANA CARMO TEMPLE
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Data: Aug 20, 2025
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Show Abstract
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This dissertation investigates the relationship between critical attitude and practices of freedom in Michel Foucault's thought, with an emphasis on his problematization of contemporary forms of subjection. Drawing on the notion of Aufklärung, understood as a critical stance toward forms of government and power, and on parrhesia, conceived as an ethical-political practice of truth-telling, the study analyzes how the subject can resist the excessive conduct of their behavior under modern regimes of governmentality. The first part examines the relationship between critical attitude, governmentality, and the liberal conception of freedom, highlighting critique as a mode of resistance. The second part analyzes Foucault’s reflections on parrhesia, exploring its articulation with the notions of care of the self, government of self and others, and especially the idea that the history of ancient philosophy can be interpreted through the lens of parrhesiastic practice. Finally, the study investigates the articulation between the meanings of Aufklärung and parrhesia, with the aim of understanding the role of philosophy as a critical attitude and a practice of interrogating the present. By articulating critical attitude and practices of freedom, this dissertation argues that critique does not reveal an inner essence, but inaugurates a continuous process of self-constitution. In doing so, it not only deepens the debate on Foucault’s philosophy but also offers an reflection on the possibilities of reinventing modes of existence in the contemporary world.
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14
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GABRIEL SOUSA SUZART
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THE PERSONALISM OF EMMANUEL MOUNIER: A PHILOSOPHY OF ACTION IN RESPONSE TO A PERIOD OF HUMANITARIAN CRISIS
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Advisor : LEONARDO JORGE DA HORA PEREIRA
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COMMITTEE MEMBERS :
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LEONARDO JORGE DA HORA PEREIRA
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VINICIUS DOS SANTOS
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ROBERTO ROQUE LAUXEN
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Data: Sep 26, 2025
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Show Abstract
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This dissertation examines the thought of Emmanuel Mounier, focusing on the emergence of personalism as a philosophical response to European nihilism, which was marked by the humanitarian and moral crises that dominated the first five decades of the 20th century. This period—characterized by world wars, economic crises, and technological advancements—contributed, according to Mounier, to the degradation of human dignity. Based on this, the study seeks to understand how Mounier and his personalism position themselves in the face of this decline, proposing a renewal of human and communal relations centered on the person and their dignity. Aiming to highlight the uniqueness of personalism in comparison to other schools of thought of the time, the research also seeks to show how Mounier criticized nihilism and its consequences, such as police states, wars, and spiritual alienation, developing personalism as an active alternative to confront these crises. Thus, the overall goal of this research is to examine the humanitarian fragility identified by Mounier at the beginning of the 20th century—a period already influenced by conflicts and transformations since the previous century. Personalism is presented as a philosophical response to these crises, offering an alternative in the face of the challenges of the era. Furthermore, the research will explore the philosophical structure of personalism, encompassing its anthropology and political philosophy. The study has three specific objectives: (i) to analyze the historical context of the early 20th-century crises and their impact on human relations from Mounier's perspective; (ii) to investigate how personalism can restore human dignity and promote communal coexistence; and (iii) to explore the influences and distinctiveness of Mounier’s personalism, culminating in the proposal developed throughout its formulation. Finally, the methodology adopted is bibliographical and exploratory, with critical analysis of the works of Mounier and other thinkers, contextualizing the development of their ideas amidst the sociopolitical and humanitarian crises of the 20th century.
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15
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ALEXANDRE LOHMANN OLIVEIRA
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ENACTIVISM AND ITS PATHS TOWARDS A POST-COGNITIVIST APPROACH TO LANGUAGE
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Advisor : GIOVANNI ROLLA
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COMMITTEE MEMBERS :
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MARCOS ANTONIO DA SILVA FILHO
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FLAVIO VIEIRA CURVELLO
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GIOVANNI ROLLA
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Data: Dec 8, 2025
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Show Abstract
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Cognitivism is a research program that takes the comparison of the mind to a computer seriously. This program is based on the idea of mental representations and computations on representations to explain how cognitive processes can occur. Post- Cognitivism is a proposed research program that arises in contrast to Cognitivism and consists primarily of two independent lines of research, namely enactivism and ecological psychology. These lines of research share a common core commitment to define the nature of cognition, emphasizing the role of the body in cognitive processes, the role of the environment in which the organism develops its cognitive abilities, and the non- representational character of cognition. A criticism often leveled at post-cognitivist approaches is how they can explain cognitive performances considered “representation- hungry”, such as imagining, planning, calculating, inferring, and also the use of language. In this sense, this research presents two enactivist theories, Radical Enactivism and Ecological Enactivism, and how each of them propose a theory of language. The present research aims to explore a solution to the explanatory integration challenge (i.e., the separation or not of cognitive performances between higher and lower levels) in order to establish a possible reconciliation between Radical Enactivism and Ecological Enactivism.
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16
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MANOEL ABREU FERNANDES
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COGNITIVE AGENCY AS A QUESTION: EPISTEMIC DIVERGENCES FROM ENACTIVISM
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Advisor : GIOVANNI ROLLA
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COMMITTEE MEMBERS :
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FREDERIK MOREIRA DOS SANTOS
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GIOVANNI ROLLA
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JEFERSON HUFFERMANN
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Data: Dec 9, 2025
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Show Abstract
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This dissertation deals with the epistemic divergences within the enactivist research program for the philosophy of mind and cognitive sciences. To do that, we start with a focus on the comparison between the Autonomist and Radical brands of Enactivism regarding how they understand cognitive agency. In Chapter I, the relationship between Cognitivism and Enactivism is explored, making explicit the foundational concepts of this program. While cognitivists proposed to explain cognition through a representational model centered on the agent's internal structures, enactivists assume that the characteristic locus of cognition is not internal but expresses the inseparable interaction between agents' bodies and the environment. Furthermore, we seek to understand how this principle relates to the notions of autopoiesis and sense-making. Following the argument built from the Autonomist brand, we explore how such notions are taken as a consequence of the idea of embodiment and, therefore, indispensable to Enactivism. Based on this discussion, Chapter II addresses the critique made by Radical Enactivism against the Autonomists, centered on the so-called “hard problem of content”. This debate exposes the divergences between those two brands, based on how they conceive the relationship between cognition, in a broad sense, and human cognitive agency, in particular. Finally, Chapter III proposes an interpretation that promotes a theoretical complementarity between Radical and Autonomist Enactivism, emphasizing how both their arguments for explaining cognitive agency relate to the notions of intentionality and biological autonomy.
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17
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Luis Antonio Barbosa da Silva
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HANNAH ARENDT AND EXPLOITATION IN WORK: REFLECTIONS ON THE EXISTENCE OF A LABOR COMMUNITY ABSTRACT
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Advisor : LEONARDO JORGE DA HORA PEREIRA
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COMMITTEE MEMBERS :
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LEONARDO JORGE DA HORA PEREIRA
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PAULO EDUARDO BODZIAK JUNIOR
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PEDRO LINO DE CARVALHO JUNIOR
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Data: Dec 16, 2025
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Show Abstract
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Work has increasingly revealed itself as a stage for multiple forms of violence. Accidents, illness, harassment, and discrimination are phenomena that have come to occupy a prominent position in the media. The place that should serve as a stage for personal fulfillment and human emancipation has instead become a setting of violence and oppression. Much has been written about violence in the world of labor, its causes, and its harmful effects on workers’ health. One may indeed find in work what is worst, but it is also possible to extract from it what is best in us. Work is a place in which the subject is revealed and where the potentialities of acting in concert come to light.
Our understanding is that Hannah Arendt’s thought offers significant insights for thinking about the world of work through the potentialities of the human being who labors in this privileged and plural space. Although, in Arendt’s view, modernity is marked by the triumph of the animal laborans and work has become merely a means of earning a living, starting from the premise that the human condition is a triad—composed of labor, work, and action—it is possible to believe that the workplace is not only the site of survival, but also a place for the realization of higher values, such as the ingenuity of homo faber and the potentialities of human actors.
In contrast to Marx’s thought, Arendt seeks to recover the dignity of politics, which disappears when Marx reduces human beings to animal laborans. Therefore, in light of these considerations, we aim to reflect on Arendt’s concept of labor in contrast with the diverse forms of human work present in the modern world, on the viability of political freedom within the work environment, and especially on the possibility that workers, in human intercourse and by assuming their plural human condition, may form political bodies, struggle for better living and working conditions, and confront all forms of violence that occur in the workplace.
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18
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FILIPE EMANUEL SOARES SILVA
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The Art of Crisis: Walter Benjamin and the Loss of Aura
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Advisor : PEDRO AUGUSTO DA COSTA FRANCESCHINI
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COMMITTEE MEMBERS :
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DANIEL ALVES GILLY DE MIRANDA
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PEDRO AUGUSTO DA COSTA FRANCESCHINI
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Rodrigo Oliveira de Araujo
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Data: Dec 18, 2025
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Show Abstract
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This dissertation examines Walter Benjamin’s concept of the loss of aura as an aesthetic and cultural phenomenon resulting from the technological reproducibility of the artwork. Taking the essay The Work of Art in the Age of Its Technological Reproducibility (1935–1939) as its central axis, the study analyses how technical processes of production and reproduction transform aesthetic experience and become historically consolidated in modernity. The argument then moves back to Benjamin’s reflections on the urban experience of the masses and metropolitan shock, before returning to the context of the historical avant-gardes and photography, where the destruction of aura gives rise to new perceptual and creative regimes. In cinema, the phenomenon reaches its most radical expression: technique ceases to serve cult value and assumes an emancipatory function, instituting a tactile and collective mode of perception. By distinguishing a first, ritualistic technique from a second, liberating technique, Benjamin outlines the possibility of a politicised art capable of training human senses to meet the demands of modern life.
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19
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JOSE ADRIANO SANTANA DE JESUS
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FROM SELF-CARE TO SELF-RENUNCIATION: THE EMERGENCE OF EARLY CHRISTIAN SPIRITUALITY
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Advisor : MALCOM GUIMARÃES RODRIGUES
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COMMITTEE MEMBERS :
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GIOVANA CARMO TEMPLE
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KLEVERTON BACELAR SANTANA
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MALCOM GUIMARÃES RODRIGUES
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Data: Dec 19, 2025
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Show Abstract
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With the title “From care of the self to renunciation of the self: the emergence of early Christian spirituality,” the research carried out aimed to investigate how modes of subjectivation occurred in the context of Greco-Roman and Hellenistic culture and in early Christianity, using as a guiding thread the care of the self and the techne tou biou. In the particular case of early Christian spirituality, the investigation focuses on the processes of desubjectivation and subjectivation resulting from Christian technologies of the self, taking as a reference the thought of the French philosopher Michel Foucault. It is therefore a Foucauldian reading of the modes of production and the constitution of Christian subjectivity. From the perspective of practices of the self, the renunciation of the self in Christian practices is verified through the essential paradox existing in these practices, insofar as the process of constitution of subjectivity entails the imperative requirement of desubjectivation. The processes of individuation, subjectivation, and desubjectivation were the main focus of this work. The perspective of this research retrieves Christian practices of the self and their knowledge-power dispositifs in an effort to understand the fundamental particularities of the genesis of the “Christian” subject.
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Thesis |
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1
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Rafael de Sousa Pinheiro
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NAUSEA AND SARTRE'S CREATIVE UNIT
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Advisor : ACYLENE MARIA CABRAL FERREIRA
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COMMITTEE MEMBERS :
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Thiago Rodrigues
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ACYLENE MARIA CABRAL FERREIRA
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LUCIANO DA SILVA FACANHA
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MALCOM GUIMARÃES RODRIGUES
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VINICIUS DOS SANTOS
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Data: Mar 28, 2025
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Show Abstract
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This thesis investigates the place and function occupied by the novel Nausea in the philosophical context of the 1930s in Sartrean thought. To this end, we initially address the specificities of the relationship between philosophy and literature in Sartre, as well as his notion of “creative unity”. Then, when we analyze the subjectivity of philosophical construction and the existential phenomenology project, we note that when Sartre criticizes Husserl's conception of the ego, the motivations and justification of Epoché, he realizes that this suspension is not an intellectual method, but an anguish, this leads us to elucidate an internal need of Sartre's philosophy in relation to literature, which is to understand human reality in its ambiguity and contingency, since they are not reducible to philosophical conceptual expression. Finally, by examining the novel Nausea considering the philosophical background and literary problems belonging to the Sartrian phenomenological-existential construction, we explain that the novel function is the literary idealism deconstruction in face of the bourgeois spirit, as well as the subject idea, and that the place occupied by the novel in Sartrian creative unit is a double of Sketch for a Theory of Emotions.
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2
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Rafael de Sousa Pinheiro
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NAUSEA AND SARTRE'S CREATIVE UNIT
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Advisor : ACYLENE MARIA CABRAL FERREIRA
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COMMITTEE MEMBERS :
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ACYLENE MARIA CABRAL FERREIRA
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LUCIANO DA SILVA FACANHA
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MALCOM GUIMARÃES RODRIGUES
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Thiago Rodrigues
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VINICIUS DOS SANTOS
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Data: Mar 28, 2025
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Show Abstract
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This thesis investigates the place and function occupied by the novel Nausea in the philosophical context of the 1930s in Sartrean thought. To this end, we initially address the specificities of the relationship between philosophy and literature in Sartre, as well as his notion of “creative unity”. Then, when we analyze the subjectivity of philosophical construction and the existential phenomenology project, we note that when Sartre criticizes Husserl's conception of the ego, the motivations and justification of Epoché, he realizes that this suspension is not an intellectual method, but an anguish, this leads us to elucidate an internal need of Sartre's philosophy in relation to literature, which is to understand human reality in its ambiguity and contingency, since they are not reducible to philosophical conceptual expression. Finally, by examining the novel Nausea considering the philosophical background and literary problems belonging to the Sartrian phenomenological-existential construction, we explain that the novel function is the literary idealism deconstruction in face of the bourgeois spirit, as well as the subject idea, and that the place occupied by the novel in Sartrian creative unit is a double of Sketch for a Theory of Emotions.
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3
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Ana Lúcia dos Santos e Santos
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From cynical parrhesia to the raising of voice by bell hooks
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Advisor : JULIANA ORTEGOSA AGGIO
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COMMITTEE MEMBERS :
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MARIA FERNANDA NOVO
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ÉRICO ANDRADE
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DIEGO LUIZ WARMLING
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GIOVANA CARMO TEMPLE
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JULIANA ORTEGOSA AGGIO
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REGIANE LORENZETTI COLLARES
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Data: Apr 30, 2025
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Show Abstract
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The present thesis seeks to analyze the realization of a practice of freedom in the present day, namely: the act of raising one's voice, presented by bell hooks, which resembles parrésia as a practice, based on the interpretation that Foucault develops of parrésia in Antiquity, especially the cynical aspect, in terms of resisting governability through truth. This resistance occurs through mechanisms and procedures aimed at guiding individuals, that is, through modes of opposition to behavioral direction. In effect, raising one's voice and speaking freely constitutes a practice of freedom in the face of the exercise of modern power, which manifests in truth discourses and produces subjugation. This power is exercised in the form of governance, that is, it is through it that behaviors are controlled. However, it is also in this context that the possibility of resistance to this governance emerges, which limits us, interpellates us, and dictates how we should or should not act. Governance that shapes itself within the raciality device, coined by Sueli Carneiro, and seeks to enhance the status quo of groups that oppress and undermine struggles involving gender, race, and class. Thus, we will take as a theme for analysis the courage to speak freely as a strategy of resistance, considering it a process of transformation that allows the individual to turn the tables and subvert truth discourses, as well as the pursuit of an ethics that renews itself and aids in the creation of other ways of selfconstruction in both individual and collective spheres. It is a practice in which the individual encounters a field of action possibilities, resisting and subverting through free speech. Our hypothesis, therefore, is that parrésia can be understood as a confrontation, a discomfort directed at individuals and groups that occupy the position of oppressors. In contemporary times, this practice can be associated with what bell hooks termed "raising one's voice": the courage to speak freely and confront the modes of domination that reduce us to the condition of submission and subjugation.
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4
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CAROL ANE MUTTI PEDREIRA
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A Philosophical Foundation of the Judicial Decision-Making
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Advisor : RAFAEL LOPES AZIZE
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COMMITTEE MEMBERS :
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RAFAEL TOMAZ DE OLIVEIRA
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FERNANDO AUGUSTO DA ROCHA RODRIGUES
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CARLOS ROBERTO GUIMARÃES
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CARLOTA MARIA IBERTIS DE LASSALLE CASANAVE
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FLAVIO VIEIRA CURVELLO
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RAFAEL LOPES AZIZE
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Data: May 14, 2025
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Show Abstract
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This research was guided by the objective of structuring a theory of judicial decision-making that acknowledges the inseparable and necessary relationship between philosophical and legal hermeneutics. For this reason, it is a legal-philosophical theory. This theory is grounded in the urgency of elucidating the presuppositions of the interpretative act concerning facticity, the hermeneutic circle, and understanding as fundamental modes of being, according to Martin Heidegger's thought. The proposal situates the hermeneutic procedure of judicial decision-making within its ontological foundation, where authentic existence and the freedom of choice become central to the act of judging. The analysis begins with the understanding that the judge, as a being-in-the-world, is inevitably immersed in facticity—that is, in the set of historical, cultural, and social conditions that constitute the context of their existence and actions. This facticity, far from being an obstacle, is the starting point for understanding and interpretation within the legal domain. Our theory highlights that judicial decision-making must be understood as an interpretative act embedded in the inescapable hermeneutic circle, which is not a logical flaw but the very structure of understanding. We aim to demonstrate the elasticity of understanding as a space of choice, although it is often obstructed by Dasein's inauthentic condition. This dynamic reveals that the act of judging is never neutral or solitary but is constructed in collaboration with other Daseins. In other words, judicial decision-making always stems from being-with. The theory also emphasizes the role of anxiety as a privileged mode of being that can lead the judge-Dasein to break away from the impersonal. In the experience of anxiety, the act of deciding becomes an expression of Dasein's freedom, an escape from arbitrariness, and a more responsible condition for utilizing the space of its fullest potential for being.
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5
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David Barroso Braga
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Kant and the Problem of the Real World
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Advisor : ANDRÉ LUÍS MOTA ITAPARICA
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COMMITTEE MEMBERS :
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ANDRÉ LUÍS MOTA ITAPARICA
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IVÂNIO LOPES DE AZEVEDO JÚNIOR
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JARLEE OLIVEIRA SILVA SALVIANO
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PLINIO JUNQUEIRA SMITH
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WALDOMIRO JOSE DA SILVA FILHO
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Data: May 23, 2025
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Show Abstract
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In order to resolve the conflicts of reason with itself, conflicts that manifest in the contradictions (Widersprüche) of metaphysical castles, Kant undertakes a self-analysis of reason to determine what it can or cannot know independently of the senses and experience. As a result of this self-analysis, he concludes that human reason can only know a priori the form of knowledge, that is, its peculiar way of knowing objects. This leads to a new way of conceiving the real world, as human beings cannot know things as they are in themselves, but only things as they appear (als Erscheinungen), thus modified by the human way of knowing. Although this new way of conceiving the real world fully expresses Transcendental Idealism, the fundamental thesis of the Critique of Pure Reason, it seems to rest on another real world that does not appear but is presupposed as the guarantor of phenomenal reality: the world of things in themselves (Ding an sich selbst). However, as presupposing the reality of things in themselves means both engaging in Transcendental Realism (transzendentaler Realismus) and resurrecting the conflicts of reason, Kant, in the Fourth Paralogism of the first edition of the Critique (1781), argues that the reality of external objects can be testified by mere consciousness (immediate perception), since human beings do not deal with things in themselves but only with phenomena. As, from this perspective, it is not necessary to leave mere consciousness (bloßen Selbstbewußtsein) to prove the reality of external phenomena (KrV, A370; A375), critics of Transcendental Idealism (transzendentalen Idealismus) saw in this thesis a striking similarity between this idealism and Berkeleyan idealism, from which they accused Kant’s philosophy of being solipsistic. In response, Kant, in the Refutation of Idealism, a text included in the second edition of the Critique (1787), states that the empirical determination of existence (internal experience) presupposes something permanent (Beharrliche) external (which is not a representation) as its condition of possibility. From this, he concludes that “the consciousness of my own existence is, simultaneously, an immediate consciousness of the existence of other things exterior to me (anderer Dinge außer mir)” (KrV, B276). Considering this manifest oscillation between defending the external real world now as being constituted exclusively by phenomena (Fourth Paralogism of 1781), now as presupposing things in themselves (Refutation of Idealism), and thus also implying the existence of an external world constituted by things in themselves, the present thesis aims to highlight a conflicting conceptual structure at the core of Transcendental Philosophy (Transzendentalphilosophie) that prevents it from effectively determining the existence of a world of real external objects. This implies concluding that Kant’s theoretical philosophy inevitably and involuntarily leads to skepticism, as it does not allow for a secure judgment about truly external real objects.
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6
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Pedro Miguel Sousa Santos
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BETWEEN GOD AND REASON: MORALITY AS NATURAL RELIGION IN VOLTAIRE
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Advisor : GENILDO FERREIRA DA SILVA
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COMMITTEE MEMBERS :
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MARIA DAS GRAÇAS DE SOUZA
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ANTONIO CARLOS DOS SANTOS
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RODRIGO BRANDÃO
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LUIZ FELIPE NETTO DE ANDRADE E SILVA SAHD
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GENILDO FERREIRA DA SILVA
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VLADIMIR DE OLIVA MOTA
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Data: Nov 6, 2025
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Show Abstract
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This doctoral thesis analyzes the concept of natural religion in Voltaire’s philosophical thought, with particular attention to its role as the rational foundation of morality. Within the context of the Enlightenment, Voltaire shifts the foundations of traditional religion based on revelation, dogma, and divine providence to a rational morality grounded in human nature and in the universal principles of reason, justice, and benevolence. By rejecting both supernatural revelation and the existence of innate ideas, Voltaire proposes a religion purified of dogmatic elements, understood as a moral system common to humankind. The investigation begins with Voltaire’s critique of traditional theology, moves through his reflections on the problem of evil, and emphasizes the value of science as a means of accessing nature and the order of the world. Finally, it argues that, for Voltaire, natural religion constitutes a philosophical alternative to theology, in which morality assumes a central normative and guiding role in social life. Drawing on modern science, particularly Newtonian physics, Voltaire adopts a conception of nature based on rational and stable laws, which makes it possible to uphold the idea of a morality independent of Revelation. Based on an understanding of human nature as endowed with reason and sociability, Voltaire proposes a universal morality accessible to all people. Thus emerges a form of practical theism in which God, though not intervening in the world, serves as a rational principle of order and social cohesion. Natural religion, therefore, turns not toward dogma but toward the moral and political utility of belief in God. It is concluded that, in Voltaire, religion is not abolished but redefined as a rational support for morality and the common good.
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7
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Rui Benevides Prates
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Continuities and Discontinuities Between Emil Cioran’s Romanian and French Works
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Advisor : KLEVERTON BACELAR SANTANA
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COMMITTEE MEMBERS :
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FRANÇOIS ARNAUD
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ANDRÉ LUÍS MOTA ITAPARICA
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Bruno Martins Machado
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JARLEE OLIVEIRA SILVA SALVIANO
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KLEVERTON BACELAR SANTANA
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Data: Nov 24, 2025
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Show Abstract
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This thesis seeks to defend, through a proposed periodization, the hypothesis of a substantial inflection (or Kehre) in Emil Cioran's philosophy. Scholarship on Cioran's philosophy frequently relies on dividing his work into phases, justified primarily by the shift in the languages the author employed throughout his life—his first five works were written in his native Romanian, while the subsequent ten were expressed in French. Additionally, biographical or, at best, stylistic reasons are often cited, yet from a philosophical standpoint, these fail to provide a solid basis for concluding that there is a discontinuity in his thought. At the core of this fragile periodization lies, therefore, a significant hermeneutic insufficiency, evidenced by the difficulty specialists face in discerning within his philosophy either its core theoretical elements or its overarching, most prominent tendencies. Despite the challenge posed by Cioran himself—who, even while engaging with metaphysics, ethics, and epistemology, attacked the "formalism" and impersonality of philosophy (especially academic philosophy)—we argue that his ideas, at different times, formed distinct philosophical projects, structured in a manner consciously divergent from doctrine and system, termed here "philosophical programs." Building on this framework, we explore the recurring conceptual structures throughout Cioran's oeuvre and identify, for the first time, his early and mature projects, guided respectively by the ideas of "transfiguration" and "the fall." It is therefore through identifying this fundamental discontinuity, represented by two irreducible (and mutually opposing) programs, that we support the hypothesis of a Kehre in Cioran's philosophy and, consequently, the existence of two distinct philosophical periods in his work. Our study thus offers both a general overview of Cioran's thought in its key expressions and establishes an interpretive paradigm intended to aid future research.
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8
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ERICA COSTA SOUSA
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NIETZSCHE AND THE ETHICS OF AFFECTS: EGOISM AS A CREATIVE POWER OF THE SELF
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Advisor : ANDRÉ LUÍS MOTA ITAPARICA
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COMMITTEE MEMBERS :
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CARLA SILVIA SOUZA DA ROCHA
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GUSTAVO BEZERRA DO NASCIMENTO COSTA
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ANDRÉ LUÍS MOTA ITAPARICA
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JARLEE OLIVEIRA SILVA SALVIANO
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KLEVERTON BACELAR SANTANA
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Data: Dec 19, 2025
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Show Abstract
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This dissertation investigates the concept of egoism in Friedrich Nietzsche’s philosophy, proposing its transvaluation as an affirmative principle of self-creation rather than as a moral vice or ethical deviation, as it is traditionally understood by Christian morality and modern philosophy. From a critical analysis of the metaphysics of the subject and of moral doctrines that associate egoism with the negation of the other, it is argued that, in Nietzsche, egoism is an expression of the will to power, that is, of the individual’s capacity to affirm their singularity, interpret affects, and create their own values. By displacing the center of subjectivity from reason to affects, the German philosopher reformulates the foundations of moral evaluation, showing that all valuation is inseparable from an affective dynamic. The theoretical path of the thesis is organized in three moments: the deconstruction of the idea of the subject as a moral substance; the critique of the morality of resentment and compassion as forms of repression of affects; and, finally, the elaboration of an affirmative ethics in which egoism emerges as self-care and a style of existence. Drawing on commentators such as Gilles Deleuze, Gianni Vattimo, Roberto Machado, and Scarlett Marton, the thesis maintains that Nietzschean egoism is a condition for individuation and resistance to the normative regulation of life. It is, therefore, a matter of understanding egoism not as a rejection of ethical life, but as its highest form of affirmation and as a creative power of the self.
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