LITERATURA E INTERNET:
Práticas literárias contemporâneas
Authorship; Non-creative writing; Contemporary literature; Internet.
This work aims to investigate whether some works produced in the 21st century can incorporate the dominant logic of the digital age, as well as its ways of doing so, considering that the technique of each period can affect the modes of production, diffusion and fruition of literary works. Recognizing that some of these works have been produced from processes that depict the decentralized and collaborative way in which programmers deal with open source softwares, or by using common gestures among Internet users (such as copy and paste), we suspect that practices may give rise to a peculiar logic to the literature produced in the present, allowing us to think of new configurations for authorship, oeuvre and fruition. In order to achieve this goal, we we based this research on the digital works of Süssekind (1987), Murray (2003), Laddaga (2012, 2013) and Goldsmith (2015), besides submitting our hypothesis to the analysis of some digital productions, namely: É preciso aprender a ficar submerso (2011), by the poet Alberto Pucheu and the visual artist Danielle Fonseca; Sonata dos espectros [2018], by Cínthia Marcelle et al.; Dois palitos [2013], by Samir Mesquita; Um estudo em vermelho (2009), by Marcelo Spalding; Como piedra y martillo (2018), by Carolina Mendonça; and non-digital works, such as Traffic (2007) and Trânsito (2016), written by Kenneth Goldsmith dubbed by Leonardo Gandolfi and Marília Garcia, and Sessão (2017) by Roy David Frankel.