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Dissertations |
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1
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BETH LEITE SOARES
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Advisor : ERICA DE SOUSA CHECCUCCI
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COMMITTEE MEMBERS :
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ANA PAULA CARVALHO PEREIRA
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ARIVALDO LEAO DE AMORIM
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ERICA DE SOUSA CHECCUCCI
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NATALIE JOHANNA GROETELAARS
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Data: Feb 6, 2023
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Show Abstract
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In recent years, the development of studies and projects for cities has started, with the objective of meeting the demands of growth and the need to create more environmentally sustainable solutions, allied to technological progress. The concept of Smart Cities emerged, which is related to the sensitivity and interaction of urban space with its users and systems, with some variations in its definition by different authors. This concept later gave rise to interest in more restricted environments, but no less complex, such as university campuses. Smart actions, whether urban, in universities, or in other environments, is related to the integration and availability of information (of the space, or what happens in it), to the encouragement of innovation, and the effective participation of its users. Therefore, one of the characteristics of a Smart Campus is that its activities must encourage innovation and development, not only in the physical space but also among the university's public. The general objective of this research was to elaborate a model of organization and implementation of the transition project from a traditional Campus to an intelligent Campus. For the development of the model, a bibliographic review of the topics covered was used and for the study of UFBA as an example of application, the method of the project by scenarios was used. Despite the many challenges that the development, deployment, and maintenance of a smart campus demands, its benefits are clear. More efficient use of limited or scarce resources, integration of different departments (reducing the bureaucracy currently needed), and support for university management. It is necessary to have an overview of the system, covering people and facilities. As a contribution, this research developed a Technological Maturity Model for Smart Campus enabling it to classify universities and plan their development.
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2
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Caio Anderson da Silva de Almeida
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The role of allotments in Salvador's urban expansion.
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Advisor : GLORIA CECILIA DOS SANTOS FIGUEIREDO
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COMMITTEE MEMBERS :
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SARAH FELDMAN
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ANA CAROLINA DE SOUZA BIERRENBACH
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ANA MARIA FERNANDES
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GLORIA CECILIA DOS SANTOS FIGUEIREDO
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Data: Feb 15, 2023
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Show Abstract
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This dissertation aims to characterise the urban expansion process of the city of Salvador, capital of the State of Bahia, from the implementation of urban allotments in the 1950's. The city of Salvador experienced an intense population growth in the first half of the twentieth century, especially in the 1940's, a moment that coincided with the arrival of large migration flows attracted by the installation of the first industrial parks in the city. The rapid urban and population growth resulted in various transformations in the urban fabric, in terms of the modernization of the existing infrastructure and the acquisition of new areas for housing, meeting the demand for housing of the new population contingent. Based on this, this paper analyses the process of occupation and physical and territorial development of the city, understanding the new urban dynamics, its transformations, agents and factors that culminated in the movement of urban expansion resulting from the implementation of subdivisions, the main form of occupation of the territory and alternative to the housing issue. Through the literature review it is discussed the urban expansion process and its relationship with the urban legislation that regulated the parcelling of land in the city. For the description and analysis of this process and its relationship with the existing planning instruments, the analysis of official documents allowed the construction of a general panorama of thelocal experience by providing on the dynamics of the city that implied in its growth, whether physical, populational, economic and others.
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3
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JULIA PELA MENEGHEL
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An investigation into design language - repertoire and design process in the architectural work of Maria do Carmo Schwab
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Advisor : ANA CAROLINA DE SOUZA BIERRENBACH
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COMMITTEE MEMBERS :
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ANA CAROLINA DE SOUZA BIERRENBACH
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MARCIO COTRIM CUNHA
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RENATA HERMANNY DE ALMEIDA
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Data: Apr 24, 2023
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Show Abstract
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The design language is understood as a systematized set that structures and identifies a certain architecture, characterized by its specific design strategies and solutions. Unlike the architectural language, usually apprehended from the final image of a building and its meanings, the design language is constituted in the design act, in the synthesis process carried out by the professional. As a method for investigation, here experienced in the production of the capixaba architect Maria do Carmo Schwab, a reading from a double methodological lens is proposed. In the first dimension, with a closer perspective, the aim is to better understand her repertoire and design process, as well as the continuities and transformations presented in the analysis of her architectural production; while in the expanded scale, we seek to trace conceptual, technical and visual relations to other architectures. Supported by the critical analysis of projects, in the first place specific to the architect's work, and then combined with other contemporary productions, indicated in the reassembly of her trajectory, it is intended to recognize and systematize her design language. Based on a syntactic reading, four are the subsystems that guide the discussion – Building-Site, Programmatic-Functional, Material-Technical and Aesthetic-Formal – and contribute to the decoding of this architecture. Thus, one observes not only an operation of analysis and synthesis in its design, revealing a rational and analytical process, but also the manipulation of a system of references, linked to formative relationships, to parallel experiments and even to the construction technologies themselves. Such a reading, therefore, reveals itself as a possible approach to different productions, in the investigation of the design language of a given architecture.
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4
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THAYSE DA SILVA INVENÇÃO
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Housing Precariousness and Special Social Interest Zones - ZEIS: Definitions and Applications in Salvador
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Advisor : GILBERTO CORSO PEREIRA
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COMMITTEE MEMBERS :
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GILBERTO CORSO PEREIRA
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LAILA NAZEM MOURAD
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MARIA DAS GRACAS BORJA GONDIM DOS SANTOS PEREIRA
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Data: May 19, 2023
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Show Abstract
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The complex Brazilian housing precariousness has its formation grounded in the segregationist historical process of the formation of Brazilian society. Without the proper public interventions, this reality triggered some ills, one of which was social and urban vulnerability, the result of exclusionary urban planning and management policies. And as a Brazilian reality, this tragic situation would not fail to affect the Salvadoran population. The Special Social Interest Zones are a type of zoning that aims to alleviate this social disparity, since it aims to include this population in the right to the city and urban land, provided with equipment and infrastructure. According to a study, this population residing in ZEIS areas in the capital of Bahia reaches the amount of more than half of the population, 58.36% of the total population of the municipality of Salvador is inserted in areas with precarious housing conditions and without land regularization. This situation leads us to a series of questions: how do these people live? What is the context of housing fragility in the city of Salvador where they are inserted? Does the precariousness only extend in these demarcated polygons? Thus, this dissertation proposes to discuss and understand the format of this precariousness in the municipal scenario, with the help of cartography and geospatial data to understand the territory.
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5
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Vanessa Alves Cordeiro
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The head thinks it knows, but it is the hand that reminds the way.
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Advisor : THAIS TRONCON ROSA
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COMMITTEE MEMBERS :
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THAIS TRONCON ROSA
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GABRIELA LEANDRO PEREIRA
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CINTIA GUEDES BRAGA
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RENATA MOREIRA MARQUEZ
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Data: May 25, 2023
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Show Abstract
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This paper intends to tension the production of knowledge within universities by disputing narratives based on the stories of women from the countryside that show geographies of power on different scales. In bringing together my mother's and grandmother's memories with my own, in a production of knowledge in community, I try to make room to establish an epistemological ground and the alliances I want to strengthen. Together we are witnesses of extended temporalities and territorialities - from the 1940s, from small towns in the backlands of Ceará and Piauí, to large Brazilian capitals such as Fortaleza, São Paulo, and Salvador. To conduct this research, or let myself be conducted by it, I gathered our memories from the documental and archival material that they contain in themselves and in the various papers, photographic or not, that they kept, composing a collection from the presence, from the encounter, from the body, from orality, and from material fragments that support them. The methodological construction was undisciplined, being traced at each step in an intuitive path led by affections. Methodological deconstructions and epistemological destabilizations are foundational to a work as intimately implicated as this one. And from these migrant memories, I deal with care networks, doings, and daily practices that weave life and exceed the perspective of work, reproductive or not, the right to land, and territorialities-more-than-human. To understand these issues from the perspective of women from the countryside gives the field of urban studies references to the diversity of ways of making and inhabiting territories in Brazil that have been flattened by the single history and which the canon does not help to understand.
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6
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Mayara Almeida de Paula
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COUNTER-COLONIALIST SCRIPTS in Western-world spatialities of black women
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Advisor : THAIS DE BHANTHUMCHINDA PORTELA
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COMMITTEE MEMBERS :
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FLAVIA DE SOUSA ARAUJO
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GABRIELA LEANDRO PEREIRA
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THAIS DE BHANTHUMCHINDA PORTELA
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THAIS TRONCON ROSA
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Data: Jun 20, 2023
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Show Abstract
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The thesis entitled “Counter-colonialist narratives in Western-world spatialities of black women”, aims, through writings (conceptualized in Portuguese as escrevivências) produced from stories lived and told by black women from the author’s family, to express spatialities, resistance strategies and science in the invention of technologies to deal with the environment in the face of the challenges experienced by black people in Brazilian society arising from a racist, classist and cis-hetero-patriarchal structure. In these stories, created from the investigation of family photographic records, memories, storytelling and fiction, perceptions of the world that go beyond the western modus operandi are evidenced and, therefore, bring to light elements such as ancestry and healing technologies in the midst of their construction. Then, counter-colonialist narratives about black experiences are built from the experiences of family members and ancestors, establishing a panorama through the family axis about similar experiences among black Brazilian families. Stories about displacements, rural exodus, relationship with nature and home, ancestral cosmoperceptions and means of healing in relation to the daily challenges experienced are evidenced. Spatialities are also identified in the narratives, evoked through memories that allow finding different relationships with the environment, established either by transit, by belonging, permanence, ancestry or other relationships with time. They are spatial impressions marked by icons that form arrangements of different spatial natures and represent one more tool for reading the writings that can be used as a basis for cartography and the idealization of urban guidelines.
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7
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LAIS DE MATOS SOUZA
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Functional upgrading and cultural values of Santa Terezinha Sanatorium : challenges and conflicts in the conservation of Antituberculosis Modern Architecture
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Advisor : NIVALDO VIEIRA DE ANDRADE JUNIOR
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COMMITTEE MEMBERS :
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RENATO DA GAMA-ROSA COSTA
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ANTONIO PEDRO ALVES DE CARVALHO
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LIDIA QUIETO VIANA
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NIVALDO VIEIRA DE ANDRADE JUNIOR
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Data: Jul 12, 2023
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Show Abstract
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The fields of conservation of the built heritage and architecture for health care facilities have their specific norms that often do not dialogue among themselves. Considering the recent efforts to value and conserve modern architecture, intensified worldwide in the last decades, it is possible to observe countless hospitals built during this period that have unique cultural values, many times not even acknowledged. Within the few examples inventoried and safeguarded, the antituberculosis architecture assets stand out, which contributed with its hygienic and therapeutic principles to the establishment and dissemination of the modern language worldwide, and has recently been valued, despite the several challenges and conflicts faced in the conservation of its cultural values. Therefore, the general purpose of the present case study is to analyze, from the understanding of its historical course, the physical space transformations resulting from the needs of functional updating of the Santa Terezinha Sanatorium, the only example of this type built in Bahia, considering the obstacles and clashes for the conservation of its cultural values. Thus, the methodology included bibliographical survey, field research, besides the documental analysis regarding the original project, its construction, reforms and new projectual proposals until the present moment. The data discussion and the comparative study were developed based on the historical and architectural analysis of the building. Finally, a follow-up of the recent processes of struggle for the conservation of the worth of the old sanatorium was carried out. As a result, the cultural values of the object connected to the production of the antituberculosis architecture were identified and analyzed, summarized and distributed in five categories: 1) historical-social value; 2) aesthetic-projectual-functional value; 3) technical-scientific value; 4) remarkable-exemplarity value; 5) and authenticity-integrity / conservation value. The Santa Terezinha Sanatorium, currently Octávio Mangabeira Specialized Hospital, inaugurated in 1942, was the pioneer building of modern architecture in Salvador, having international notoriety and an emblematic aesthetics. In eighty years, it has experienced moments of degradation and reforms to conserve its hospital use, incorporating new activities that demanded adaptations in its spatiality. Despite the lack of heritage protection and the recent threats of mischaracterization, the continuity of the sanatorium typology is noted, with a reading of the volumetry, the form, and the antituberculosis architectural solutions that were typical of the first phase of modern architecture in Salvador. Thus, it is possible to reach the conclusion that the building endowed with cultural values and about to get a historic property designation is not an object that must be mummified in order to be conserved; on the opposite, it must remain in use, serving society, and can be adjusted to new functions without necessarily suffering changes that may deconfigure its primordial essence.
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8
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LAIS DE MATOS SOUZA
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Functional upgrading and cultural values of Santa Terezinha Sanatorium : challenges and conflicts in the conservation of Antituberculosis Modern Architecture
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Advisor : NIVALDO VIEIRA DE ANDRADE JUNIOR
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COMMITTEE MEMBERS :
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NIVALDO VIEIRA DE ANDRADE JUNIOR
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ANTONIO PEDRO ALVES DE CARVALHO
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LIDIA QUIETO VIANA
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RENATO DA GAMA-ROSA COSTA
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Data: Jul 12, 2023
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Show Abstract
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The fields of conservation of the built heritage and architecture for health care facilities have their specific norms that often do not dialogue among themselves. Considering the recent efforts to value and conserve modern architecture, intensified worldwide in the last decades, it is possible to observe countless hospitals built during this period that have unique cultural values, many times not even acknowledged. Within the few examples inventoried and safeguarded, the antituberculosis architecture assets stand out, which contributed with its hygienic and therapeutic principles to the establishment and dissemination of the modern language worldwide, and has recently been valued, despite the several challenges and conflicts faced in the conservation of its cultural values. Therefore, the general purpose of the present case study is to analyze, from the understanding of its historical course, the physical space transformations resulting from the needs of functional updating of the Santa Terezinha Sanatorium, the only example of this type built in Bahia, considering the obstacles and clashes for the conservation of its cultural values. Thus, the methodology included bibliographical survey, field research, besides the documental analysis regarding the original project, its construction, reforms and new projectual proposals until the present moment. The data discussion and the comparative study were developed based on the historical and architectural analysis of the building. Finally, a follow-up of the recent processes of struggle for the conservation of the worth of the old sanatorium was carried out. As a result, the cultural values of the object connected to the production of the antituberculosis architecture were identified and analyzed, summarized and distributed in five categories: 1) historical-social value; 2) aesthetic-projectual-functional value; 3) technical-scientific value; 4) remarkable-exemplarity value; 5) and authenticity-integrity / conservation value. The Santa Terezinha Sanatorium, currently Octávio Mangabeira Specialized Hospital, inaugurated in 1942, was the pioneer building of modern architecture in Salvador, having international notoriety and an emblematic aesthetics. In eighty years, it has experienced moments of degradation and reforms to conserve its hospital use, incorporating new activities that demanded adaptations in its spatiality. Despite the lack of heritage protection and the recent threats of mischaracterization, the continuity of the sanatorium typology is noted, with a reading of the volumetry, the form, and the antituberculosis architectural solutions that were typical of the first phase of modern architecture in Salvador. Thus, it is possible to reach the conclusion that the building endowed with cultural values and about to get a historic property designation is not an object that must be mummified in order to be conserved; on the opposite, it must remain in use, serving society, and can be adjusted to new functions without necessarily suffering changes that may deconfigure its primordial essence.
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9
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ATAILON DA SILVA MATOS SILVA
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Infrastructure in dissent: the railroad and the monorail in the production/expropriation of life in the Subúrbio Ferroviário de Salvador/BA
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Advisor : THAIS TRONCON ROSA
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COMMITTEE MEMBERS :
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MARIANA CAVALCANTI ROCHA DOS SANTOS
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GABRIELA LEANDRO PEREIRA
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GLORIA CECILIA DOS SANTOS FIGUEIREDO
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JOSÉ EDUARDO FERREIRA SANTOS
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THAIS TRONCON ROSA
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Data: Aug 22, 2023
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Show Abstract
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This research seeks to carry out a discussion about the intervention of the monorail and the deactivation of the train in the Subúrbio Ferroviário de Salvador from the act of following the conflict established by this project proposed by the Government of the State of Bahia through a Public Private Partnership (PPP). In order to conduct this research, I intend to monitor and, above all, collaborate with the collective actions of residents and their alliances in order to influence the project in question. In view of this, I mobilize tools to follow the conflict from the point of view of those who live in the territory and are subject to the threats invoked by the intervention, whether following the public debate, hearings, meetings and conversations with residents, which lead me to public and personal documents, news and other sources triangulated here to apprehend the dimensions of the meeting of the production of this infrastructure with the way in which people make the city in the territory. It is following the conflict that I face dissent as a creative and political force in which the residents tension the meanings and effects of infrastructure policies, evidencing development and progress as ways of differentially managing their lives and their racialized territories. Infrastructure is observed as an image that promotes the visualization of the operation of governmental rationality and offers this rationality to the political debate. It was by mobilizing dissent in the face of the promises of this rationality that the residents stimulated and repositioned the conflict in the public debate, and thus, even in the face of absent spaces for participation, they built politics by confronting the development discourses sustained by expropriation and racial banning in their territories and demand to be included in the future announced by the new infrastructure. Even though this announced future is now in ruins, the residents continue to remind us on a daily basis that the city is made by its movements in space and time, beyond the urban plans of the State and private agents.
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10
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JOHNIERY ALMEIDA SILVA
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PROTESTANT RELIGIOUS ARCHITECTURE: RELATIONSHIPS BETWEEN IMAGINARY, SYMBOLOGY AND THE CELEBRATIVE-LITURGICAL SPACE IN CALVINIST CONFESSION CHURCHES IN BAHIA
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Advisor : JULIANA CARDOSO NERY
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COMMITTEE MEMBERS :
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JULIANA CARDOSO NERY
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LUIZ ANTONIO FERNANDES CARDOSO
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ZÓZIMO ANTONIO PASSOS TRABUCO
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Data: Oct 11, 2023
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Show Abstract
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The research entitled “Protestant sacred architecture: relations between imaginary, symbolism and the celebratory / liturgical space in the churches of the Calvinist confession in Bahia”, has as main thematic axis the study between liturgical procedure, artistic expression and architectural language, addressing the analysis Protestant religiosity based on their understanding of the sacred through the relationship established between the individual and the organization and structure of the space for liturgical practices. The research seeks to analyze the constitutive and identity aspects of the Protestant sacred space; aiming to understand how the space for celebratory practices is configured and how the symbolic content measurements are made in the Protestant liturgical place. And, how does the art expressed in this culture reflect the Protestant imagination as it is understood by its strands of Christianity? The study contemplates the historical nature of the process of insertion of Protestantism in Brazil, taking as object the churches built between the 19th century and the beginning of the 20th century, in particular the Presbyterian Churches of the interior of Bahia, from the Central Brazil Mission of the Presbyterian Church of United States; relating imagery, symbology and the Protestant sacred architecture, aiming to trace relations between the spirituality and the aesthetics of the temples, the mystical with the architecture.
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11
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LORENA CORREIA DE JESUS
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JARDIM DAS MANGABEIRAS E CHÁCARA DO MONTE: UM ESTUDO SOBRE A REQUALIFICAÇÃO URBANA EM SALVADOR.
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Advisor : HENRIQUE ANTUNES CUNHA JUNIOR
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COMMITTEE MEMBERS :
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GISELLY BARROS RODRIGUES
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ANY BRITO LEAL IVO
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FABIO MACEDO VELAME
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HENRIQUE ANTUNES CUNHA JUNIOR
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Data: Nov 16, 2023
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Show Abstract
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This dissertation aims to analyze the impacts of urban redevelopment promoted by CONDER on the dynamics of the Jardim das Mangabeiras and Chácara do Monte communities, located in the Cajazeiras VIII neighborhood in the city of Salvador, Bahia. Since 2005, the State Government, through the public company Companhia de Desenvolvimento Urbano do Estado da Bahia (CONDER), has been carrying out physical interventions in the region. The analysis will be based on the accounts provided by the community residents. To highlight the transformations in this predominantly black space, the accounts will be supplemented with data from maps, the available census from IBGE, socioeconomic diagnoses, social projects, and reports developed within the scope of CONDER, as well as materials produced by the Jardim das Mangabeiras Residents' Association.
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12
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EUNICE GONÇALVES QUEIROZ
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ORIXÁS – EXPLANATORY COURSE ABOUT DESIGN, ARCHITECTURE AND URBANISM AND ART AT TERREIRO AXÉ ILÊ OBÁ IN SÃO PAULO.
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Advisor : HENRIQUE ANTUNES CUNHA JUNIOR
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COMMITTEE MEMBERS :
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ARIADNE MORAES SILVA
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HENRIQUE ANTUNES CUNHA JUNIOR
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MARIZILDA DOS SANTOS MENEZES
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Data: Nov 17, 2023
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Show Abstract
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The terreiro is a multiple place of religion, but also of culture, of passing on knowledge through everyday life, of the cult of ancestry, of reverence for the orixás. There are a significant number of factors that need to be understood. Lack of knowledge among others that strengthens racism and exclusion against black people, demonizes them and makes them invisible, in the meantime more specifically Brazilians. This dissertation work aims to analyze the patrimonialization of the Candomblé terreiro Axé Ilê Obá, more specifically during the period of Mãe Sylvia de Oxalá's management between the years 1986 to 2014, a time in which the place was recognized as the first listed Candomblé space by CONDEPHAAT - Council for the Defense of Historical, Archaeological, Artistic and Tourist Heritage in the state of São Paulo. A black and Candomblé group that, due to all the systemic complexity that exists in its experience, it is necessary to understand its structure and history; trajectory of Africans and people of African descent, existing for more than 6,000 years with all the culture and strategy of living that is perpetuated in the diaspora. Through this work, it is also intended to generate material that expands possibilities within Law 10,639, which establishes the mandatory teaching of Afro-Brazilian history and culture, and expands understanding and social balance through knowledge. The terreiro is a space with multiple functions, for practicing religion, learning culture, and realizing the life of a community. The terreiro can be understood in scales of its materiality, between objects, buildings and their insertion in an urban territory. In this dissertation we carried out transdisciplinary research, focusing on systemic complexity within the Axé Ilê Obá Candomblé terreiro, located in the Jabaquara neighborhood in the city of São Paulo.
The research ranged from the history of Candomblé to the meaning and representation of the Orixás. It works with memory and representations expressed in this terreiro and problematizes issues related to the symbols of the city of São Paulo, a city largely structured by Africans and their descendants, without, however, this fact being evidenced by the means of information and publicity in the city. . The city's Candomblés are little known and their insertion in the city's production is little discussed and little problematized. This dissertation explains the different aspects of this terreiro and problematizes its urban insertion. It addresses several factors that are necessary to understand Candomblé and the terreiro in question. It is noteworthy that the lack of knowledge about Candomblé and the terreiros operates in the strengthening of racism and the exclusion of the black population and our culture. Due to racism, the demonialization of terreiro and Candomblé exists, as well as its invisibility. This dissertation work aims to analyze the patrimonialization of the Candomblé terreiro Axé Ilê Obá, more specifically during the period of Mãe Sylvia de Oxalá's management between the years 1986 to 2014, a time in which the place was recognized as the first listed Candomblé space by CONDEPHAAT - Council for the Defense of Historical, Archaeological, Artistic and Tourist Heritage in the state of São Paulo. A black and Candomblé group that, due to all the systemic complexity that exists in its experience, it is necessary to understand its structure and history; trajectory of Africans and people of African descent, existing for more than 6,000 years with all the culture and strategy of living that is perpetuated in the diaspora. Through this work, it is also intended to generate material that expands possibilities within Law 10,639, which establishes the mandatory teaching of Afro-Brazilian history and culture, and expands understanding and social balance through knowledge. This is an original work regarding the joint and articulated study of the design, art, architecture and urbanism of this terreiro.
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13
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CAMILA PITHON RAYNAL
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FINANCED SELF-MANAGEMENT IN HOUSING, THEORY AND PRACTICE: the case of Condomínio das Mangueiras, from the Minha Casa Minha Vida Entidades Program, in Salvador, Bahia.
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Advisor : ALINE MARIA COSTA BARROSO
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COMMITTEE MEMBERS :
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ALINE MARIA COSTA BARROSO
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DANIELA ANDRADE MONTEIRO VEIGA
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HELIANA FARIA METTIG ROCHA
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Paula Adelaide Mattos Santos Moreira
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Data: Dec 5, 2023
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Show Abstract
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Formal housing production in Brazil, historically, is linked to the capitalist logic that considers housing as an expensive commodity in the real estate market. Given this, financed self-management in housing is part of public policy and is one of the demands of social movements for housing. It is about the viability of housing, understood by the housing unit, through the management of public financial resources guided by future residents with the possibility of collective construction. The Minha Casa Minha Vida Program, which has been in force since 2009, stands out in its “entity” modality (PMCMV-E), which includes financed self-management. In this context, this research project addresses the production of new financed self-managed housing units that presupposes building fairer and more democratic cities. Funded self-management programs are directly linked to relationships between actors (State, technical assistance and organizing entities) and need to function as a “tripod of equality” like the São Paulo municipal program FUNAPS-Comunitário (1989-1992), seen as a example in Brazil. However, the federal self-management programs financed in the country have criticisms regarding the construction of public policies, mentioned by their contradictions in the unequal relationships between the actors, and due to this, they do not enable what they propose, the construction of decent housing. In view of this, the aim is to fill a gap by analyzing the processes that existed to create the Condomínio das Mangueiras in Salvador, Bahia, which was part of the PMCMV-E. Bibliographical and documentary research and semi-structured interviews were carried out with actors who were part of the viability of the project to understand how from a municipal program that has become a reference in the country, the sense of self-management in the processes of making housing viable seems to have been deconstructed.
Formal housing production in Brazil, historically, is linked to the capitalist logic that considers housing as an expensive commodity in the real estate market. Given this, financed self-management in housing is part of public policy and is one of the demands of social movements for housing. It is about the viability of housing, understood by the housing unit, through the management of public financial resources guided by future residents with the possibility of collective construction. The Minha Casa Minha Vida Program, which has been in force since 2009, stands out in its “entity” modality (PMCMV-E), which includes financed self-management. In this context, this research project addresses the production of new financed self-managed housing units that presupposes building fairer and more democratic cities. Funded self-management programs are directly linked to relationships between actors (State, technical assistance and organizing entities) and need to function as a “tripod of equality” like the São Paulo municipal program FUNAPS-Comunitário (1989-1992), seen as a example in Brazil. However, the federal self-management programs financed in the country have criticisms regarding the construction of public policies, mentioned by their contradictions in the unequal relationships between the actors, and due to this, they do not enable what they propose, the construction of decent housing. In view of this, the aim is to fill a gap by analyzing the processes that existed to create the Condomínio das Mangueiras in Salvador, Bahia, which was part of the PMCMV-E. Bibliographical and documentary research and semi-structured interviews were carried out with actors who were part of the viability of the project to understand how from a municipal program that has become a reference in the country, the sense of self-management in the processes of making housing viable seems to have been deconstructed.
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14
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KLEBER DOS SANTOS CARVALHO
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Berbert & Peixoto's architecture
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Advisor : MARCIO COTRIM CUNHA
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COMMITTEE MEMBERS :
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NIVALDO VIEIRA DE ANDRADE JUNIOR
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MARCIO COTRIM CUNHA
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JOSE CARLOS HUAPAYA ESPINOZA
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WYLNNA CARLOS LIMA VIDAL
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Data: Dec 13, 2023
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Show Abstract
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The present study aims to analyze the architectural production of the Berbert & Peixoto Arquitetos Associados firm, founded through the partnership of architects Emmanuel de Nascimento Berbert (1929-2016) and José Álvaro Peixoto (1925-1993). The main objective is to conduct a survey and systematization of the works conceived by this prolific firm, which ranks among the most enduring of its time. Furthermore, the study aims to carry out an analysis guided by a panoramic approach, segmenting the works into distinct categories in order to discern how this contribution manifested itself in the realm of urban development and the intrinsic character of the city of Salvador. The period of investigation spans from the 1950s until the closure of the firm. Although the professionals in question were educated at the School of Fine Arts, it is worth noting that they were part of the avant-garde of the first generation of architects trained at the Federal University of Bahia. The federalization elevated the course to a higher level, increasing its visibility among Bahian society. Influenced by the EPUCS (Office of Urban Planning of Salvador) and consequently by the Rio de Janeiro school, the firm developed over a hundred projects, many of which left a mark on the architecture of their time, contributing to the urban development and landscape of the city. They incorporated premises inherited from the Rio de Janeiro school, along with the materiality and specific conditions of the place, and knew how to take advantage of the opportunities presented by the economic, cultural, and social conditions imposed on them. The result is a diversity of uses and a geographic scope in their portfolio, perhaps one of the reasons for the firm's longevity. To analyze their production, it was necessary to employ foundations that facilitated graphic analysis, as technical plans, sketches, perspectives, and photographs form the raw material of this research. Combined with the contextual insertion of specific time and place, this allowed for the establishment of qualitative parameters based on quantitative ones in the search for identifying noteworthy works deserving of case study, using a methodology that seeks to understand the work through the analysis of diagrams as an auxiliary tool. To do this, it was necessary to present a specific chapter that explores authors who use the same form of analysis of architectural works, mainly due to the scarcity of publications regarding their works or access to textual data about the firm, the architects, and their architecture. In addition to the theoretical foundations explored to discern the essence of the design intentions, groupings emerged based on usage, time, and geographical position, enabling an approximation of the architects' design thinking and architectural approach. The grounded investigation and the classifications segmented into categories played a crucial role in directing the selection of works for specific case analyses. These case studies facilitated substantial in-depth analysis, enabling a more accurate understanding of the underlying essence of the works designed and/or constructed under the auspices of the mentioned firm, resulting in a true panorama of the entire production and providing indications of necessary further developments that can be explored through suggested focal points.
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15
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CHRYS DE ARAÚJO OLIVEIRA
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URBANITIES OF THE RIVERSIDE: VILA ELESBÃO AND DECOLONIALITY AS AN EPISTEMOLOGICAL HORIZON TO THINK ABOUT THE RIVERINE AMAZON IN AMAPÁ
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Advisor : JOSE CARLOS HUAPAYA ESPINOZA
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COMMITTEE MEMBERS :
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JODIVAL MAURICIO DA COSTA
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JOSE CARLOS HUAPAYA ESPINOZA
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KARINA OLIVEIRA LEITÃO
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Data: Dec 13, 2023
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Show Abstract
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Based on the decolonial theory, this dissertation proposes to think how the devices of domination and social hierarchization that comes from the modernity/coloniality relationship, since the invasion of the Americas, relegated to certain territories and bodies a peripheral place within the conceptions of modern ways of life. That is, from the Decolonial Turn, it is possible to understand how the riverside territories, on the banks of the rivers, are seen from a perspective of stigmatization and primitiveness, also understanding the fundamental importance that the idea of race has in the relationship of superiority and degradation of cultures, especially in the Amazon region, which is still seen as a land to be explored. From a theoretical approach, linked to field research, interviews and imagetical analysis, it was possible to know and understand the territory to be studied: Vila Elesbão. Located in Santana city, in Amapá, the Elesbão neighborhood translates the reflections taken by the theoretical contribution, demonstrating the experience of a territory permeated by water, that it stills little discussed by the field of Architecture and Urbanism. Thus, it was possible to understand a riverside stilt building that, in its minutiae and singularities, demonstrates the pertinence of thinking about the urbanities that arises from the banks of rivers in the Amazon.
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16
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CHRYS DE ARAÚJO OLIVEIRA
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URBANITIES OF THE RIVERSIDE: VILA ELESBÃO AND DECOLONIALITY AS AN EPISTEMOLOGICAL HORIZON TO THINK ABOUT THE RIVERINE AMAZON IN AMAPÁ
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Advisor : JOSE CARLOS HUAPAYA ESPINOZA
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COMMITTEE MEMBERS :
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JOSE CARLOS HUAPAYA ESPINOZA
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JODIVAL MAURICIO DA COSTA
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KARINA OLIVEIRA LEITÃO
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Data: Dec 13, 2023
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Show Abstract
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Based on the decolonial theory, this dissertation proposes to think how the devices of domination and social hierarchization that comes from the modernity/coloniality relationship, since the invasion of the Americas, relegated to certain territories and bodies a peripheral place within the conceptions of modern ways of life. That is, from the Decolonial Turn, it is possible to understand how the riverside territories, on the banks of the rivers, are seen from a perspective of stigmatization and primitiveness, also understanding the fundamental importance that the idea of race has in the relationship of superiority and degradation of cultures, especially in the Amazon region, which is still seen as a land to be explored. From a theoretical approach, linked to field research, interviews and imagetical analysis, it was possible to know and understand the territory to be studied: Vila Elesbão. Located in Santana city, in Amapá, the Elesbão neighborhood translates the reflections taken by the theoretical contribution, demonstrating the experience of a territory permeated by water, that it stills little discussed by the field of Architecture and Urbanism. Thus, it was possible to understand a riverside stilt building that, in its minutiae and singularities, demonstrates the pertinence of thinking about the urbanities that arises from the banks of rivers in the Amazon.
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17
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PEDRO VITOR MONTE RABELO
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Fortaleza in dispute: Contradictions of urban policy and processes of re-existence in Serviluz and Cais do Porto.
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Advisor : GLORIA CECILIA DOS SANTOS FIGUEIREDO
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COMMITTEE MEMBERS :
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THAIS TRONCON ROSA
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GLORIA CECILIA DOS SANTOS FIGUEIREDO
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ANA MARIA FERNANDES
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JOISA MARIA BARROSO LOUREIRO
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CLARISSA FIGUEIREDO SAMPAIO FREITAS
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Data: Dec 15, 2023
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Show Abstract
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From an engagement in the city of Fortaleza as a popular technical advisor, I mobilize throughout the research these territorial insertions in order to assist in the understanding of processes of dispute and resistance against the logic of institutional urban planning that operates under the gears of capitalism and the city's development and modernization project. I thus incorporate the approach of militant research as a method. Two territories on the East coast of Fortaleza are studied in more detail, namely Serviluz and Cais do Porto. I adopt an approach where the research process is not detached from the researcher's involvement; rather, the research is mobilized precisely because it is immersed in these processes. Dialogues are established between the concepts of resistance and re-existence (PORTO-GONÇALVES, 2006) to provide analytical keys for the web of conflicts and disputes that take place in these two territories. Through the territorial insertions in Serviluz and Cais do Porto, it was possible to perceive powerful processes of popular and insurgent planning, led by the residents. Carving alternative paths and denouncing the capitalist logic imposed on their territories and bodies, pointing to other possibilities of planning and existence. The resistance of the territories of Serviluz and Cais do Porto has historically and geographically presented itself much more as re-existence than as resistance, in epistemic, political, economic, and cultural terms, challenging the imposed urban planning and order for the territory, conceived and strengthened in the alliance between capital and the State.
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Thesis |
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1
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CICERO MENEZES DA SILVA
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Dos Santos, the pizza guy: an proscribed in the impossible city
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Advisor : PASQUALINO ROMANO MAGNAVITA
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COMMITTEE MEMBERS :
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ARIADNE MORAES SILVA
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BRENO LUIZ THADEU DA SILVA
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JOSÉ CARLOS FÉLIX
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JUNIA CAMBRAIA MORTIMER
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PASQUALINO ROMANO MAGNAVITA
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WASHINGTON LUIS LIMA DRUMMOND
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Data: Mar 10, 2023
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Show Abstract
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This thesis approaches the proscription of pizza guys throughout the dromological city, how dromology is for them, both a hypothetical imperative and, already in anti-Kantian terms, a categorical imperative. That is, how much it subjugates them and how much it exponentializes them to an almost innate propensity. To do so, it starts with the urban situation of a particular pizza guy (Dos Santos), making use of the notion of “monad”; so soon it could be said that the city of each one is imbricated in the city of all, being that, at the same time, in the city of all the city of each one is also imbricated. The idea is, therefore, more than addressing pizza guys as contemporary proscribed throughout such a monadic city, after all, an impossible city, to also highlight the disruptive potentialities of this urban imbrication not only in the face of urbanism, but also in the face of the state of affairs through which urbanism consolidates its episteme.
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2
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Isadora Novaes Schefler Barbosa Costa
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MUSEUM OF SCIENCE AND TECHNOLOGY OF BAHIA: a possible instrument for urban and sociocultural transformation in the city of Salvador.
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Advisor : GRISELDA PINHEIRO KLUPPEL
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COMMITTEE MEMBERS :
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CLAUDIA SUELY RODRIGUES CARVALHO
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ELOISA PETTI PINHEIRO
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GRISELDA PINHEIRO KLUPPEL
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MARCELO NASCIMENTO BERNARDO DA CUNHA
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MARY WEINSTEIN
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Data: Apr 17, 2023
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Show Abstract
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n this thesis, it is proposed to discuss the importance of implementing and maintaining public equipment for education and culture, not only as transforming spaces in these fields, but as agents of social, cultural and territorial transformations. As a case study, the Museum of Science and Technology of Bahia - MCT-BA, the first facility of its kind in Latin America, is analyzed through the analysis of its different planning cycles, from project design, through its implementation, maintenance and management. In addition, through the comparative investigation of four other museological facilities – Museum of Astronomy and Related Sciences – MAST (Rio de Janeiro), “Espaço Ciência” (Recife/Olinda) and Catavento Museum (São Paulo), in Brazil, and the Parque Explora, in Medellín, Colombia, constitute a repertoire for analyzing the differences and similarities in the implementation, management, maintenance, public policies, programs and actions developed by the State and, by the museums themselves, showing results or benefits, notably for the communities located in your surroundings. The research was consolidated after surveying a considerable volume, within the time frame from 1975 to 2022, of documents, interviews, graphic materials, and information, mainly coming from news and reports from the main newspapers in Bahia, relating them to the theoretical foundation that is based on the analyzes and literature already produced on the subject of public policies, aimed at producing and stimulating knowledge of science and technology, as well as related to studies on cultural policies, museums, and science centers, in addition to existing references on the right to the city, cultural capital, habitus, among others. The theme brought to the center of this discussion is the relationship between the existence of museums and contemporary urban processes related to cultural, political, and economic aspects of the country, throughout its history. It also seeks to understand the role of the State in the creation and maintenance of cultural public policies and incentives for science and technology, regardless of political parties, interests, and personal disagreements of managers, enforcing the implementation of State policies that permeate a period of government. Finally, in the final considerations, the main points of similarity and divergence between the museums studied were unrolled, trying to answer whether the Museum of Science and Technology of Bahia would have been a possible instrument of urban and sociocultural transformation in the city of Salvador if it had a history of continuity, maintenance and operation, as well as in its investments.
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3
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FABIANO MIKALAUSKAS DE SOUZA NOGUEIRA
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Digital reconstructions: virtual narratives and a new place for memory
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Advisor : ARIVALDO LEAO DE AMORIM
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COMMITTEE MEMBERS :
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MÔNICA SANTOS SALGADO
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PEDRO MURILO GONÇALVES DE FREITAS
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ARIVALDO LEAO DE AMORIM
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CARLOS ALBERTO ETCHEVARNE
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MARCIA GENESIA DE SANT ANNA
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NATALIE JOHANNA GROETELAARS
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Data: Jun 19, 2023
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Show Abstract
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The evolution of digital technologies and recent episodes of the destruction of cultural heritage assets have been determinants for the large production of digital reconstruction models of monuments, sites, and historical artefacts. Also, the contemporary hybrid condition of the real and virtual world has demanded digitising the physical world and the construction of digital models applicable to various uses. The position of heritage protection agencies has often encouraged reconstruction as a form of political reaffirmation against extremists and strengthening the resilience of communities. Less controversial and reversible, digital reconstruction aims to represent disappeared monuments and objects, visually restoring them to a given moment in their history. It is also widely used as scientific documents in virtual archaeology, as a promotion of tourism and museum dissemination, as well as a form of resilience in overcoming the loss of destroyed heritage. This research starts from the hypothesis that the understanding of digital reconstruction models is a component of historical and archaeological narratives constructed by a narrator-modeller who makes choices, prioritises aspects and defines the story to be told. Thus, it aims to understand and demonstrate the dimension of digital reconstruction as a digital method and product and propose an extension of the concept of digital reconstruction from the perspective of understanding it as an interpretive process dependent on the interpreter and creator. To achieve these objectives, this thesis proposed to execute a practical project of digital reconstruction and develop digital reconstruction models of the buildings of the historical site of the Convent of Santo Antônio do Paraguaçu, proposing a form of registration and access to paradata and developing virtual narratives to contemplate the theoretical constructions raised. From the proposed developments, it was possible to identify that there is a conceptual simplification of digital reconstruction, as it does not comprehend all of its aspects. It was evidenced that digital reconstruction results from a series of interpretations and decisions, characterising the digital model produced as a cognitive object, a synthesis of an intellectual process based on references to the physical object it represents, while at the same time being a repository of knowledge and a synthesis of this knowledge, by bringing with it the knowledge of heterogeneous sources. Nevertheless, the importance of reco rding this intellectual process as a guarantee of transparency and scientific reliability has become a requirement of heritage institutions, and despite what many authors have proposed, the feasibility of simple solutions for these records (paradata) has been verified, once it is noted that the heart of this issue lies more in the ethical stance of the researcher-modeller than in the technology itself. In the conclusion of this research, it was verified that the virtual narratives developed serve as an arena for the constitution of different versions of history. These have been configured as the primary support for disseminating heritage and investigative, interpretive, and decision-making intellectual work that produces knowledge, not restricting but opening up new possibilities for interpreting history.
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4
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MARIA ANGELA BARREIROS CARDOSO
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INSTITUTION AND PERMANENCE OF URBAN GREEN AREAS: The legacy of PLANDURB in Salvador, Bahia (1975-1985)
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Advisor : ANGELA MARIA GORDILHO SOUZA
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COMMITTEE MEMBERS :
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SAIDE KAHTOUNI
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ANGELA MARIA GORDILHO SOUZA
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ANTONIO HELIODORIO LIMA SAMPAIO
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EDGARD PORTO RAMOS
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MARIA LUCIA ARAUJO MENDES DE CARVALHO
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Data: Jul 3, 2023
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Show Abstract
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The city of Salvador, since its foundation in 1549, brings with it legacies of Renaissance landscaping of the fortress city, backyards, orchards, vegetable gardens, cloisters, gardens, the acropolis of Bahia de Todos os Santos, as determinants for the condition of salubrity, sociability of the modernized city of the nineteenth century. With the idealization of the civilized city and the nation state, urban landscaping reflects according to the ideals of modern urbanism, in sanitarism, hygienism, salubrism, progressivism, culturalism, naturalism, as inheritances of the Urban Cultural Landscape. The landscape is an indicator of the processes of anthropization of the environment and a tool for analysis pertinent to the spatial dynamics at the interface nature-society. Observing the landscape from the viewpoint of green areas inspires creativity and urbanity, and constitutes an important indicator of urban health, being more sensitive and vulnerable than people, condition, however, insufficient as a guarantee of its permanence, which requires effective public actions. This study brings as a question the limits and possibilities of the institution of a system of urban green areas, as well as the planning instruments, in guaranteeing its permanence. The general objective was to elucidate how the urban green areas exercise their social function in the quality of life in the contemporary city, seeking to historize the process of suppression, permanence and preservation of the Green Areas of Salvador. The focus is on the Study of Green Areas and Open Spaces elaborated by the Central Planning Body (OCEPLAN) of the Municipality of Salvador da Bahia, and its subsequent incorporation into the Master Plan of Systemic Urban Development - PLANDURB (1975-1985), outlining its consequent institutional derivations today. Relying on an extensive inventory that comprised the Green Areas System of the Municipality of Salvador (Law 2.549/73) and a legal corollary for preservation of this system, it is observed that different contexts will impact the results obtained. The thesis develops a landscape-historical narrative, outlined by the analysis of the urban landscape and by mappings of the instituted areas, based on primary sources (documents, testimonials, iconography), on secondary data from existing studies, as well as on the author's experiences in the analyzed context. Throughout the analysis process, it demonstrates the effectiveness of the institution of the instruments that guarantee the permanence of the urban green areas, however, they are permanently threatened by speculative interests, with successive subtractions exercised in their delimitations and afforestation, recognizing the parks as the main reserve of resistance.
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5
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JANAÍNA CHAVIER SILVA
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Rua Chile: shards of a moving street
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Advisor : PAOLA BERENSTEIN JACQUES
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COMMITTEE MEMBERS :
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Rita de Cássia Lucena Velloso
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JANAINA BECHLER
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LUIZ ANTONIO DE SOUZA
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MARGARETH APARECIDA CAMPOS DA SILVA PEREIRA
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PAOLA BERENSTEIN JACQUES
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WASHINGTON LUIS LIMA DRUMMOND
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Data: Jul 3, 2023
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Show Abstract
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What is the writing of the city that is consistent with its multiple temporalities, its multiple spatialities, its diversity? What is the writing of the city that makes coherent its fragmented and dispersed spatiality, its different plots?
In the quest to understand and write a space, a street in transformation, where tractors, pickaxes and shovels turn over its soil, letting various pieces and shards emerge, we chose to look at the materiality that makes up Chile – its buildings, its stones, its bricks – in another way. One of the challenges that this street poses to us, among many others, is that of thinking about matter in a globalized world dominated by immaterial productions of value, such as financial capital, which operates on the materiality of the world, as if it were just a product to be consumed and discarded.
Dealing with the vitality of matter in space, and here we focus on a street in the Historic Center of one of the most touristic cities in Brazil, is also a quest to understand the role of materiality in na increasingly impalpable world, converted into images ready to be consumed as soon as possible. The constant movement of looking at Rua and being looked at by it was and is that of collecting and gathering shards, splinters, fragments, and assembling them into momentary configurations. These configurations are open to anyone willing to play the game, to play the game. The story of Rua Chile is not just one, and can be told at any time from another or other perspectives that generate new and/or possible other Ruas Chiles.
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6
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ANDREA VERRI BASTIAN
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Urban Morphology and Photovoltaic Solar Energy Generation in Salvador
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Advisor : ARIVALDO LEAO DE AMORIM
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COMMITTEE MEMBERS :
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ANDRE LUIZ DE CARVALHO VALENTE
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ARIVALDO LEAO DE AMORIM
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ERICA DE SOUSA CHECCUCCI
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MARIA DAS GRACAS BORJA GONDIM DOS SANTOS PEREIRA
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NATALIE JOHANNA GROETELAARS
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Data: Jul 21, 2023
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Show Abstract
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This work addresses, demonstrates, and evaluates the relationship between urban morphology and photovoltaic solar energy generation, considering the legislation and urban planning parameters of the Urban Development Master Plan (PPDU - 2016) and the Laws of Zoning, Land Use, and Occupation (LOUOS - 2016) in Salvador. The research includes theoretical studies on photovoltaic technology, photovoltaic systems in buildings, and numerical models of cities related to energy. A literature review is also conducted on urban design, urban form parameters, and solar radiation availability. The experimentation involves creating generic models of urban sections based on the land use parameters that have the greatest impact on solar radiation in buildings (plot ratio, occupancy index, and building height). The modeling is done using the Rhinoceros software, and simulations of solar radiation on building surfaces are evaluated using the ClimateStudio plug-in. The simulations consider different scenarios, varying the plot ratio, occupancy index, and building height. These simulations were initially conducted with isolated buildings and later inserted into blocks without the surrounding context, highlighting the importance of considering the urban context in the analysis. Subsequent simulations maintained the same building standards but varied the distribution of buildings, including uniform distribution, non-uniform distribution, and random distribution within the block. The impact of urban density on solar generation potential was observed, with higher-density development having a greater impact. Additionally, in terms of individual buildings, lower-height buildings have a smaller impact on block positioning. A fourth scenario includes parameters for the Zone of Municipal Centrality 2 (ZCMu) with different building typologies. In this experiment, when taller buildings were positioned at the center and three corners of the block, the average and maximum values of average radiation were closer. Scenario 5 was based on the Occupation Pattern of Salvador, which represents existing patterns in the city's urban fabric, using the same block base as before. The analysis suggests that a balance between building density and height can result in better utilization of solar radiation. The last proposed scenario was based on a small section of the Pituba neighborhood, chosen for its potential for urban redevelopment and high level of verticalization. This case study demonstrated that altering the urban form, considering the current parameters, would have a negative impact on the average incident radiation for all buildings in the block.Thus, the research shows the need to establish stricter urban regulations that ensure urban form is designed to favor photovoltaic solar energy generation.
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7
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Lucía Riba Hernández
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"Critique of Cultural Landscape as a conservation strategy for landscape heritage in Costa Rica: policies and strategies, the Case of Golfito City".
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Advisor : MARCIA GENESIA DE SANT ANNA
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COMMITTEE MEMBERS :
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MARCIA GENESIA DE SANT ANNA
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NIVALDO VIEIRA DE ANDRADE JUNIOR
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ALINE DE FIGUEIROA SILVA
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EVERALDO BATISTA DA COSTA
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ROSA ELENA MALAVASI AGUILAR
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Data: Sep 29, 2023
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Show Abstract
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This dissertation endeavors to challenge the prevailing discourses and practices surrounding landscape heritage conservation in Costa Rica, by critically examining the concept of cultural landscape, as defined by the 1972 Convention Concerning the Protection of the World Cultural and Natural Heritage. Utilizing sociological imagination and critical discourse analysis, this study delves into the colonial implications of the UNESCO designation, which serves as a centralized and universalized reference point, shaping doctrinal notions about heritage and landscape. Through a self-critical approach, the research explores the possibilities and importance of decentering the cultural environment, sustainable development, and the global and regional political systems, which perpetuate the principles of the world system, upon which Western Conservation Theory is still based. The research demonstrates the landscape's dilution between ecological and scenographic dimensions within Costa Rica's national norms on the environment, urban planning, and heritage. The case study in Golfito, located in Costa Rica's South Pacific, was where these perspectives collided. An examination of the imprint left by the United Fruit Company's Banana Enclave, which operated between 1938 and 1985, accomplished this. The identification of enduring marks, visible heritage activations in state declarations, and narratives romanticizing the lush tropical landscape framed between the mountains and the sea, reconstructed by progress but concealing the violence inflicted on the territory, bodies, and memories, all played a role. From Golfito, multidisciplinary discussion sheds light on the complexity of landscape heritage, which includes social values, conflict, and territorial use strategies. The study suggests that landscape heritage can challenge preconceived conceptions and give a variety of interpretations of history when it is activated through participatory practices, honoring local institutions and community voices in identifying a diverse and dynamic image.
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8
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CAROLINE MARTINS PEREIRA
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Open Cadastre: Paths and reflections on the current Brazilian urban territorial cadastre
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Advisor : GILBERTO CORSO PEREIRA
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COMMITTEE MEMBERS :
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GILBERTO CORSO PEREIRA
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ARIVALDO LEAO DE AMORIM
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PATRICIA LUSTOSA BRITO
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PABLO VIEIRA FLORENTINO
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YSE MARIA VINHAES DANTAS
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Data: Oct 6, 2023
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Show Abstract
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The Brazilian urban land registry has a historical and evolutionary implementation path closely related to the municipalization and territorial occupation of the country. The decentralization of this process and the transfer of the Brazilian urban land registry from the municipal headquarters to their respective municipalities provides a heterogeneous scenario regarding the effective application of a functional urban land registry over the last decades. In parallel, in the international sphere there are studies on citizens' contributions - in an open environment within Information and Communication Technologies - that may provide additional and/or complementary offers to develop alternative cadastral systems or to update already existing cadastral systems. This discussion is opportune for the national context, once the analysis resulting from the study of the urban territorial cadastral evolution in Brazil has pointed out that there are few municipalities that have an urban territorial cadastre implemented and the Bibliometric Analysis topic brings quantitative results that research in the Opencadastre sphere is still insipient worldwide, especially in Brazil. Thus, this doctoral research aimed to systematize the national and international framework on the application of Opencadastre, seeking to characterize in a panoramic way the management of the work currently developed by the main institutions around the world and point to a proposal of Opencadastre with possibilities of preliminary collaborative participation in Brazil - even if it does not completely replace the official data or can serve as a simplified urban land registry. However, the proposal for the implementation of a strictly technical platform cannot point to a complete solution, for this reason, the topic of Cartographic Literacy, Use of Digital Geotechnologies in Teaching and Informal Movements in the international and national spheres comes to the fore as fostering elements for the implementation of cartography in a continuous and perennial way. The relationship between OpenCadastre, Smart Cities, Voluntary Geographic Information and Cartographic Literacy is very relevant and potent to the current context, because it helps in the understanding of the current Brazilian urban cadastral state and guides the search for future perspectives for the national cadastral sphere, thinking about the promotion of cartographic culture - central element for solid changes. Thus, this research contributes through a propositional awareness for the insertion of collaboration within the urban territorial cadastre in the short and medium term, as well as performs analysis of citizen training regarding cartographic literacy, importance of informal mobilizations and their challenges that, ultimately, reflect on the political potency for change of the current cartographic scenario and, specifically, cadastral in the long term.
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9
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FLAVIO MARZADRO
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Situation of Art: an interpretative method of apprehending the city (excluding)
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Advisor : FRANCISCO DE ASSIS DA COSTA
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COMMITTEE MEMBERS :
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FRANCISCO DE ASSIS DA COSTA
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PASQUALINO ROMANO MAGNAVITA
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LUIZ FERNANDO MACEDO BESSA
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FRANCESCO CARERI
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MARCO CREMASCHI
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Data: Nov 13, 2023
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Show Abstract
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Through the study of different methods that seek to build unconventional knowledge of apprehending cities, this thesis proposes an interpretivist method for understanding urban territories that are perceived as opaque, socially abandoned, and marginalized by the State. This method, called Situation of Art, uses art to construct micropolitical and plural contexts of interpretation, focusing on how practitioners of these territories interpret the city under conditions of high social vulnerability. Assuming the partiality of the knowledge it seeks to produce, which is seen as arguments that present themselves or launch themselves into specific territorial discursive conformations, the method is developed in five moments of investigation: urban catabolism, interpretive activation, recognition dispute, own art action, collective art action, and reflexive interpretation.
The thesis is structured into five chapters. In the first chapter, the introduction, I sought to present the contours and nature of the research problem and the thesis objectives. Continuing, I presented the analytical mapping of a set that I considered expressive of interpretivist methods of apprehending the city, organizing them among those more centered in the field of art, in the field of urbanism and planning, and in the field of sociology and anthropology (Chapter 2); to then present the method itself (Chapter 3), in which I also sought to explain its main anchorages and its construction dynamics (chapter 4); and to detail its use in a recent experience in Rome, called "Human, Inhuman, Rome Capital - Situation of Art" (Chapter 5). I concluded with the conclusions (Chapter 6), in which I presented some final reflections, including the limits of this work and a new research agenda.
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10
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Marcos Olegario Pessoa Gondim de Matos
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RODELAS AND THE HYDRONAUT: THE CONTAINMENT AS A MEMORIAL DEVIATION IN SÃO FRANCISCO.
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Advisor : PASQUALINO ROMANO MAGNAVITA
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COMMITTEE MEMBERS :
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PASQUALINO ROMANO MAGNAVITA
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PAOLA BERENSTEIN JACQUES
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ARIADNE MORAES SILVA
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THIAGO MOTA CARDOSO
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AYRSON HERACLITO NOVATO FERREIRA
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WASHINGTON LUIS LIMA DRUMMOND
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Data: Nov 17, 2023
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Show Abstract
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From the Sobradinho complex to its mouth, the São Francisco river has a tense relationship with the containment and opening mechanisms in the design of its course, such as dams, transposition projects, canalizations, among other folds that are extensive to the modern project of civilization. Even with all the deviations of a different origins, the São Francisco escapes and flows into the sea. The effects felt by populations and cities submerged by the strangulation of the river in this process, are permanent and semanticize transformations, displacements, and by chain, guide the production of new meanings and subjectivities, memories and stories. The spaces freed by the friction of these forces, especially in the region of Rodelas, swallowed by the São Francisco River due to the Itaparica Dam, raise some questions. How are spatial senses established? How and who has the power to transform spaces into places? How is the landscape of a submerged city mirrored with the reconstruction of its spaces and memories in another place? In the midst of dealing with these problems, the pandemic nightmare collapses on research as yet another containment regime where everything seems to collapse. The compulsory shadow of this interdiction completely deviates the course of its progress by inserting the variable of sensations and imagination as a methodological hope in the face of the impossibility of field work. Between deaths and resurrections, the research decides to put itself at risk and experiment. It conflicts with the object of study and its relations of forces in the investigated space, getting lost in a spiral of temporalities and landscapes, by reinventing a temporal machine disarmed by the pandemic and entering, from a distance, into the memorial universe of Rodelas. In an atypical approach, but attentive to the pertinence of stories, signs and directions, the research performs in the superposition of two Rodelas, their symmetries and contradictions, producing an affective mapping of this space by bringing other perspectives and approaches through imagination in front of the dam.
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11
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MARIA ALICE PEREIRA DA SILVA
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SPIRITUAL GOVERNANCE: THE SACRED AFRO- BRAZILIAN IN THE BUILDING OF THE PARK MEMORIAL XANGÔ STONE
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Advisor : FABIO MACEDO VELAME
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COMMITTEE MEMBERS :
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ERIKA FERNANDES PINTO
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FRANCISCO VERAS QUINTANILHAS VERAS
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FABIO MACEDO VELAME
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HENRIQUE ANTUNES CUNHA JUNIOR
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LEONARDO DOS PASSOS MIRANDA NAME
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MARCIA GENESIA DE SANT ANNA
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Data: Nov 24, 2023
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Show Abstract
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In African societies and in African philosophy, the formation of everything that exists is governed by the existence of vital energy. The world, including humanity, is represented by the existence of visible and invisible energies, which must be in harmony and balance. Beings have mind, spirit and soul, jointly and harmoniously. You invisible beings, spirits are part of a world in interaction with the visible world. Within this African universe of knowledge, religion and life, the concept of Spiritual Governance. In great opposition to Western hegemony, the views of the Eurocentric world, the concepts of vital energy and Spiritual Governance are postulates of African and Afro-descendant religions and philosophies that rule out dichotomy between human beings and nature. The Spiritual Governance of Sites Sacred natural resources are also part of indigenous cultures. Through their rituals and their way of living, thinking and feeling life, the original peoples protect and defend the biodiversity in the world. African and Afro-Brazilian religions have always started from the belief of pluriversal and pluripresent deities materialized and represented by the elements of nature. Thus, the main theoretical source of the thesis is the Afro-Brazilian Spiritual Governance, that is, the concept contained in Candomblé and what is known about. Candomblé as a theory of life conception. In addition to the factor religious, the conception of how the world operates. Paradigm of African science, the Afro-Brazilian Spiritual Governance is the energy of Axé (vital energy), the energy of deities in the decision process, in the case under study, of (Ori) entations of actions urban planning and architecture. Given these meanings, the scope of the thesis is to understand the importance of Afro-Brazilian Spiritual Governance as a founding element for the construction of support equipment for Pedra de Xangô Park.As for the objectives specific ones consist of: I- investigating how Xangô inspired and convinced the power public, technicians and academics involved in the conception of the architectural project for the implementation of support equipment at Parque Pedra de Xangô to carry out their orders; II - identify the strategies used by adherents of matrix religions Afro-Brazilian communities to enable the construction of a park prospected from their cosmoperception of the world, with an emphasis on the histories, cultures and values of black people in diaspora; III - describe the project’s differences, explaining the meanings and reasons of the various elements that make up the architecture of buildings. Methodologically, the route was woven, in a combined way, and followed the following paths: methodology of Afro-descendant research, observant system (inspired by systemic thinking); technique of cartography of controversies (based on theoretical- methodological aspects of Actor-Network Theory — ANT); bibliographic and documentary research; daily virtual field; interviews; systematization, analysis of speeches and content. You results? It is what has been built and what is to come. Founding element, address of orixás, voduns, inquices, caboclos and enchanted ones, the Stone of Xangô, enchanted nature through the flow of axé, through festivals and rituals, in the relationship between territory and terreiro, it wove and conceived his own contemporary architecture, the architecture of Justice of Xangô, allowing the terreiros, paths and crossroads to become sacred places in network. (In)conclusions: Pedra de Xangô Park is a fluid, circular architecture, in trance, itinerant, in movement, in constant transformation. In summary, a architecture of re-enchantment, sacred, counter-hegemonic that questions hermeneutics Western, Eurocentric narratives and chooses as aesthetics of ambiance the norms of Axé's power.
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12
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DILTON LOPES DE ALMEIDA JUNIOR
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Brasília Fantasma: the contemporary taba and the refavela - intellectual nebulae between Brazil and Nigeria based on Lucio Costa (1963-1977)
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Advisor : PAOLA BERENSTEIN JACQUES
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COMMITTEE MEMBERS :
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GUILHERME TEIXEIRA WISNIK
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OTAVIO LEONIDIO RIBEIRO
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FABIO MACEDO VELAME
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MARGARETH APARECIDA CAMPOS DA SILVA PEREIRA
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PAOLA BERENSTEIN JACQUES
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Data: Dec 1, 2023
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Show Abstract
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At the crossroads between Brazil and Nigeria, we will try to present the construction of Brasilia and its phantasmatic images based on two unrealised projects by Lucio Costa - the unrealised exhibition L'art au Brésil: la taba contemporaine de Brasilia for the Petit Palais in Paris in 1963 and the unrealised urban planning proposal for the new capital of Nigeria, Abuja, in 1976. We will try to create a nebulae (Pereira, 2022) of relationships between discourses, actors and institutions situated in time, in a kind of wandering and deviant prosopography. To this end, we will bring these two unfinished projects together with two other projects that were not conceived by Lucio Costa, but which were carried out in synchronous efforts with those of the Brazilian architect-urbanist: the Imagem Africana exhibition held in Brazil in 1963 and the FESTAC Town urban project by Doxiadis Associates inaugurated in Lagos, Nigeria, in 1977 for the 2nd World Festival of Black and African Arts and Culture. We have chosen to present these projects from the perspective of non-architects: the Brazilian resident in Lagos, Romana da Conceição, and the musician Gilberto Gil. In this way, in the transit between the two countries, the professional and intellectual paths of architects and urban planners are crossed by dictators, filmmakers, chancellors, intellectuals, anthropologists, artists, musicians, journalists, theatre-makers, diplomats, yalorixás and obás.
At the crossroads between progress and catastrophe, had Nigeria dreamed of a racial democracy, just like Brazil, through the construction of new capitals and urban transformations in modernising uprisings? Have these dreams collapsed? Which futures were interrupted and remain in time as traces? How can we glimpse their flashes of counter-power (Didi-Huberman, 2013a) or the appearance of their ghosts? In Brasília Fantasma we set out to map how racial democracy became a political operator for architecture and urbanism in transatlantic transit and how the colonial project of segregation and exclusion of certain bodies, contradictorily, persevered within the developmentalist and nationalist experiences of these two nations, however emancipatory they aimed to be. We also want to reclaim, in the sense of Isabelle Stengers (2012), the insurgent and counter-colonial experiences that survive and persevere in time and space despite all the violence imposed, and to reconstitute other possible histories (Hartman, 2022) from the transatlantic diasporic experiences (Gilroy, 2002) of reunions between the familiar and the strange in their subjective dimension of urban affections between Brazil and Nigeria. In this way, we are betting on a decentred and polyphonic narrative that excels in the accumulation, complexity and ambivalence of intersecting times and spaces.
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13
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PATRICIA MARINS FARIAS
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Architecture to support the fight against tuberculosis in Salvador (Bahia) in the first half of the 20th century
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Advisor : ANTONIO PEDRO ALVES DE CARVALHO
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COMMITTEE MEMBERS :
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ANA CAROLINA DE SOUZA BIERRENBACH
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ANTONIO PEDRO ALVES DE CARVALHO
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MARIA ELISA LEMOS NUNES DA SILVA
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NIVALDO VIEIRA DE ANDRADE JUNIOR
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PAULO GILVANE LOPES PENA
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Data: Dec 14, 2023
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Show Abstract
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Antituberculosis architecture emerged as a coordinated therapeutic network to combat the disease on a global scale. Salvador, with a high incidence of tuberculosis, erected buildings aligned with the international movement aligned with the international movement, innovating in the composition of its network. This research addresses the influence of architecture in supporting the fight against tuberculosis in Salvador, Bahia, throughout the first half of the 20th century, considering it a highly lethal disease in the region. The hypothesis underlying this research posits that the architecture developed to support the fight against the epidemic in the capital of Bahia played a strategic and distinctive role in controlling and preventing the spread of the disease. Thus, the proposed study sought to understand architecture as a tool to support the fight against the disease in the context, delving into both international influences and regional characteristics that influenced the conception and construction of buildings designed for epidemic control. Analyzing the historiographic construction of antituberculosis architecture in the region, the research highlights the city’s relevant role in the national context. Through the analysis of international scientific and architectural literature, the research reveals Salvador’s importance in this scenario and the contribution of its network of buildings to disease contagion containment. The study emphasizes the uniqueness of the antituberculosis network in Salvador, encompassing sanatoriums, dispensaries preventorium, teaching hospitals, and research institutes. At the same time, it emphasizes the scarcity of comprehensive records documenting the history of tuberculosis from the city’s perspective and expands on this approach. The primary focus of the research lies in the historiographic construction of the architecture of the antituberculosis buildings that constituted the tuberculosis assistance network in the city and its regional particularities. These included the Ramiro de Azevedo Dispensary, the Santa Terezinha Preventorium, the Santa Terezinha Sanatorium Complex (with emphasis on the Santa Terezinha Sanatorium Hospital), the Brazilian Institute for Tuberculosis Research, and the Tisiologic Clinic Hospital. The conception and adaptation of these structures to meet the specific needs in combating tuberculosis are highlighted. This research not only constructs an understanding of the historiography of antituberculosis architecture in Salvador but also underscores the importance of interdisciplinary approaches to integrate the complex interactions between health, architecture, and society. The study contributes to the safeguarding of history, cultural memory, and historiographic recognition of the antituberculosis network built in Salvador in the 20th century. Furthermore, by recognizing the legacy left by these strategies for combating tuberculosis contagion, foundations are laid for addressing contemporary challenges in public health and architectures geared toward tackling epidemic diseases.
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14
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FLAVIO CARDOSO DOS SANTOS JUNIOR
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THE (RE) MEANINGS THAT THE FESTIVAL OF IEMANJÁ EXPRESSES TO THE NEIGHBORHOOD OF RIO VERMELHO-SALVADOR-BAHIA: AFRO-BRAZILIAN CULTURE AND RELIGION AS VECTORS OF URBAN (TRAS)FORMATION
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Advisor : ANY BRITO LEAL IVO
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COMMITTEE MEMBERS :
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ANY BRITO LEAL IVO
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PASQUALINO ROMANO MAGNAVITA
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HENRIQUE ANTUNES CUNHA JUNIOR
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FABIO MACEDO VELAME
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LUIS VITOR CASTRO JUNIOR
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JANIO ROQUE BARROS DE CASTRO
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Data: Dec 19, 2023
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Show Abstract
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Rio Vermelho neighborhood, Salvador, Bahia. This is the scenario where the present study takes place. Before the arrival of European colonizers, it was home to the Tupinambá ethnic group. After that, it went through several processes and gradually gained new guises: from a fishing village to a summer resort, it became a subject of desire for real estate speculation and at the same time it became popular among the artistic class and became a stronghold of local bohemia. As it has a fishing tradition, it gave way to paying homage to Iemanjá, the Orixá favored by the fishing community who, at the beginning of the last century, began to celebrate the day of the Queen of Waters on February 2nd, despite friction with the Catholic Church. What began in an unpretentious way became popular with the local population, gaining power and national fame, whether through the lyrics and music of Dorival Caymmi, the novels of Jorge Amado, the paintings of Caribé and so many others that we could mention. Until then, the party took place in an intimate and improvised way, but there came a point where the organizers no longer had the resources to cope with the growing demand from the public and in the 1960s the fisherman Flaviano decided to ask the City Hall for support. The process of organizing the celebration would begin there, where the State gains the status of producing and organizing agent of the festival. Parallel to these events, the state government promotes a policy of “valuing” local culture, making it profitable, which would be the beginning of Cultural, Ethnic or Roots Tourism. Not far from this, from the 1990s onwards, Salvador City Hall (PMS) began to establish partnerships with large Breweries, where they would begin to have exclusivity in the sale of their brands. Then, together with the hotel chain and other industries, the new protagonists of the “commodification” of the Festa de Iemanjá emerged. Therefore, in order to understand the vast field (which receives more than a million people on February 2nd, according to the PMS) to be studied, I understood that a cut would need to be made and so I did: One of temporal order and another space. They would be the vectors of the party. The first data is based on time where there are two notable points, which are the festive Dawn in the early hours of the morning and the delivery of the “Main Gift” in the late afternoon where a maritime procession leaves. The second vector is related to spatiality, where I choose three sites: the “asphalt”, the “sand” and the “sea”. Each with its specificities. In this way, the study seeks to establish the relationships between: festival, Afro-Brazilian ritual and the city of Salvador and its hypothesis and thesis proposition is the fact that the festivities bring urban and cultural elements to the neighborhood that influence the landscape and social, religious and affective dynamics of the place, whether through memory and other devices such as the changes and transformations of Salvador's architecture. Thus, I propose that the party brings new elements and textures to the neighborhood, as on the day of the celebration it gains new configurations and outfits that leave residue after February 2nd. Thus, I use the Ethnographic Method using a description that I call “self-participatory”, where I use the devices of “Participant Observation” and “Autoethnography”. Through dialogue with interlocutors, I seek to unveil the city based on an aesthetic language analyzed using maps, photos, footage and drawings, whether of processions, people, monuments, facades of houses and buildings and images of Iemanjá. Finally, the paintings, statues, clothing and others are artistic productions made from the imagination in order to carry out the cult of Iemanjá which, in addition to coloring the neighborhood, make up the aesthetic and ethnic image of Salvador.
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