SUBVERSIONS AND CHANGES: SUBALTERNITIES IN THE CONTEMPORARY BRAZILIAN CINEMA
Subalternities; Subversion; Contemporary Brazilian Cinema.
This research aims to analyze the repetition of discursive regimes of subalternity by Contemporary Brazilian Cinema in the decades of 1990 to 2010, having as a theoretical-critical contribution the Studies of Brazilian Cinema, Cultural Studies and the Studies of Subalternity in its relation to Theories Post-structuralists. It begins with the idea that films like Os Matadores (BRANT, 1997) and O Som ao Redor (MENDONÇA, 2012), invent discursive regimes of subalternity and, given the circumstances of production articulated to the social and historical context, provide possibilities for reflection, subversion and weakening of dominant discourses and established relations of power.