Banca de DEFESA: LEIDIANE SANTOS OLIVEIRA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : LEIDIANE SANTOS OLIVEIRA
DATA : 22/09/2020
HORA: 10:00
LOCAL: virtualmente
TÍTULO:

Whoever was born to be King never loses Majesty: Gerson King Combo's artistic trajectory

PALAVRAS-CHAVES:

Gerson King Combo; Identity; Soul; Success; Break.

PÁGINAS: 120
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Música
RESUMO:

This work brings a look on the construction of identities from the trajectory of the artist Gerson King Combo, focusing on the musical and imaginary productions of this and about this artist, Soul and Black music, present in audiovisual documents and websites. The narratives based on the proposal of valorization of black men and women, costumes, gestures, voice intonation and the reality of minorities are some of the themes that touch Gerson's production and outline a path that invites us to think about major political issues. The relevance, around racism, racial conscience, the productions of the black population that has as its final mark of the 1970s and still last today. The artist and much of his production, besides his experiences are the target in this work. Thus, we intend to understand how the artist built his career and what determined his departure from the musical sphere and his return at the beginning of the year 2000. What are the driven demands that provided a fertile ground for his recovery? The study of artists like Gerson. K. Combo, who not only engaged in the art world, demonstrates that he has reconciled music with a social, cultural and even economic demand for the mostly black youth, already indicates the importance of his production by triggering visibility. Of black and black productions within the territory of permanences and historical transformations, while revealing the process of construction and diffusion of music during the 1970s. After searching for all materials available on electronic devices, the materials were separated in thematic categories in order to understand how Gerson was able to address black youth at the time, what is its impact, what is its relationship to political and social issues, how has it dealt with racism, and what example has it left for young people or the public today. In the end, it was found that a number of reasons contributed to the decline of Gerson's career: the very evolutionary process of music, the weakening of the Black Rio and Black Music movement and the personal problems resulting from the loss of his wife. It is also considered that the new black wave created in recent years has contributed to the rescue of the artist's memory and work. Putting it again as a great precursor of Black Music and soul in Brazil. 

MEMBROS DA BANCA:
Presidente - 2185559 - ANGELA ELISABETH LUHNING
Externo ao Programa - 1515170 - CARLOS ALBERTO BONFIM
Interno - 1082480 - MARCELO NASCIMENTO BERNARDO DA CUNHA