Banca de DEFESA: SANIO SANTOS DA SILVA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : SANIO SANTOS DA SILVA
DATA : 06/12/2019
HORA: 10:30
LOCAL: Sala 207 do PAF III
TÍTULO:

ALL THE COLORS OF LOVE AND THE NEW COLORS OF POSTMODERN IRELAND - MAPPING THE IRISHNESS ON THE FILM GOLDFISH MEMORY, BY LIZ GILL

PALAVRAS-CHAVES:

Goldfish Memory, film, postmodernity, Irishness

PÁGINAS: 151
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
RESUMO:

Goldfish Memory (2003) is a romantic comedy written and directed by the Dublinian Liz Gill. The film addresses the dynamics of interpersonal relationships intertwined with the contemporary context of globalization. The characters are framed by a metropolis of cultural and identity diversity. A representation of the multiculturality of postmodern society defined by Stuart Hall (2001), when he states that the world is not divided into distinct cultures, and that there is a tendency to absorb traits from various cultural systems. Cinema is a portrait of social reality with economic, aesthetic and technological elements. Edgard Morin (1970) states that cinema is a machine that records the existence of individuals, a way of transposing the personal universe to the screen. The author also says that the making of the film is conditional on the existence of a social context. In this sense, the general objective of the present work is to analyze contemporary traces of the Irish identity in the movie Goldfish Memory, observing how the Irish intertwines in the cultural networks woven by globalization, focusing on the dynamics of the affective bonds of the characters. Specific objectives include the description of interpersonal relationships - encounters, mismatches, and love disagreements. We will examine theories related to identity, postmodernity and Irishness, which will shed light on the interpretation of the data raised. Initial analysis indicates that the film has a number of links to other cultures, presenting a sort of “global village” despite references to Irish culture. The film makes use of musical resources of various nationalities, a fact that can also be interpreted as a trace of postmodernity. The relevance of the work is related to the importance of propagating Irish film productions that offer significant cultural content to the academic community. It is important to highlight that Irish works are still little explored in Brazil, especially in Bahia. This research offers a contribution to expand the space of dialogue with other cultures within the local academic setting.

MEMBROS DA BANCA:
Presidente - 287788 - NOELIA BORGES DE ARAUJO
Interno - 398.683.207-63 - SILVIA MARIA GUERRA ANASTACIO - UFBA
Externo ao Programa - 2422865 - MONIQUE PFAU