PPGLITCULT PROGRAMA DE PÓS-GRADUAÇÃO EM LITERATURA E CULTURA (PPGLITCULT) INSTITUTO DE LETRAS Phone: Not available

Banca de DEFESA: GISELE MOREIRA SANTOS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : GISELE MOREIRA SANTOS
DATA : 17/05/2019
HORA: 14:00
LOCAL: sala de defesa
TÍTULO:

"NÃO INFORMADO"


PALAVRAS-CHAVES:

Adaptation, Transmedia, Austenmania, English Literature, Novel


PÁGINAS: 113
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
RESUMO:

This dissertation deals with the relations of transmedia with contemporary Austenmania,
understood here as a result of the constant presence of adaptations of the works of the English
writer Jane Austen (1775 - 1817) for cinema, TV and internet that reinvent themselves
dialoguing, with a various range of genres and public. Jane Austen whose complete novels
Sense and Sensitivity (1811) Pride and Prejudice (1813), Mansfield Park (1814), Emma
(1815), Northanger Abbey (1818) and Persuasion (1818) keep echoing in pop culture is a
great name of relevance within the English literature for becoming a landmark in the
consolidation of the feminine romance tradition. From then, we point the context in which the
writing of Austen was formed illustrating the growth of the novel like a genre of important
relevance in England, which became popular mainly to the female readership. Over time,
women of the time began to use the novel to write their own narratives from their point of
view, even though they were silenced by the conventions of patriarchal society as Woolf
(2014), Showalter (1977) and Grundy (1997) point out. After setting the context, we outline
here how Austenmania emerged with the consolidation of Jane Austen as a classic, her cult
for the fans, and her relationship with the new media for which her works have been adapted.
Taking the adaptations of Austen’s novels launched from the 90’s and the relation with the
cultural industry, making Austen - texts and life - recurrent in mass - media productions. We
briefly present how the Austenmania waves were delineated over the decades and how they
continued to converge with the new media. We question, in dialogue with the concept of
culture of convergence (JENKINS, 2008), the reasons that make Austen's novels relevant to
contemporaneity and the capacity we find in her writing to provide materials that serve as a
construct for the transmedia that through of the new media, empower the possibilities of
reading and interaction between the public and the objects chosen here to illustrate these
relations; the web series The Lizzie Bennet Diaries (GREEEN, SU, 2012) and the novel Pride
and Prejudice (AUSTEN, 1813).


MEMBROS DA BANCA:
Presidente - 2049741 - CARLA DAMEANE PEREIRA DE SOUZA
Interno - 2292750 - ELIZABETH SANTOS RAMOS
Externo à Instituição - JOSÉ CARLOS FÉLIX - UNEB
Externo à Instituição - JULIANA CRISTINA SALVADORI - UNEB
Notícia cadastrada em: 16/05/2019 15:37
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