PPGLITCULT PROGRAMA DE PÓS-GRADUAÇÃO EM LITERATURA E CULTURA (PPGLITCULT) INSTITUTO DE LETRAS Phone: Not available

Banca de DEFESA: VANESSA IVE PIMENTA DOS SANTOS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : VANESSA IVE PIMENTA DOS SANTOS
DATA : 08/04/2019
HORA: 14:00
LOCAL: Sala de defesa do PPGLITCULT
TÍTULO:

A CRÔNICA NA CONTEMPORANEIDADE:
CORALIDADE E EXPOSIÇÃO DE SI NAS CRÔNICAS DE ANTONIO PRATA,
TATI BERNARDI, GREGORIO DUVIVIER E ANDRÉ SANT'ANNA


PALAVRAS-CHAVES:

Chronicle. Personal Exposure. Chorality


PÁGINAS: 135
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Teoria Literária
RESUMO:

The main objective of this master’s thesis is to investigate some ways of production in
which chronicles are written nowadays. Given the diversity of this production, the work
presents two distinct possibilities of reading it. The first focuses in the analysis of the
overexposure of the subject who writes and possesses as c orpus the chronicles of
Antônio Prata ( Trinta e poucos, 2014) and Tati Bernardi ( Homem-objeto e outras coisas
sobre ser mulher, 2 018); the second perspective of analysis investigates the presence of
chorality (a term derived from contemporary theater studies) in chronicles of Gregório
Duvivier ( Put some farofa, 2 014) and André Sant’Anna ( O Brasil é bom, 2014). Based
on characteristics of the genre, such as the use of the first person and the chronicler's
attention to the vicinities, the research analyzes the displacements promoted by the
chronicler's view that put the genre in dialogue with the narratives of the "I", the
writings of the Internet and the visibility phenomena discussed by Paula Sibilia (2008)
and Denise Schittine (2004). On the other hand, it also identifies in the universe of the
current chronistic production a choral logic that decentralizes the figure of the
chronicler to invest in a profusion of speech registered by the chronicle. The presence of
chorality in the chronicles permeates the discussions presented by Jean-Pierre Sarrazac
(2002), in the theater, and by Flora Sussekind (2013), to think contemporary literature.
The diversity of the current chronistic production and the theoretical-analytical
investment carried out by this work reinforce the plurality of the genre and the
continuity in the present of a genre attentive to its surroundings and to questions of
interest in literary theory.


MEMBROS DA BANCA:
Interno - 1544483 - LUCIENE ALMEIDA DE AZEVEDO
Interno - 2522438 - SUZANE LIMA COSTA
Externo à Instituição - PALOMA VIDAL - UNIFESP
Notícia cadastrada em: 01/04/2019 17:58
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