Banca de DEFESA: LEANDRO DE JESUS DA SILVA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : LEANDRO DE JESUS DA SILVA
DATE: 25/03/2024
TIME: 14:00
LOCAL: Híbrida
TITLE:

Os sertões em movimento de Glauber Rocha

KEY WORDS:

Sertão; beatismo; desigualdade social; pobreza; violência.

PAGES: 113
BIG AREA: Lingüística, Letras e Artes
AREA: Letras
SUBÁREA: Literatura Brasileira
SUMMARY:

In the 1950s and 1960s, in a context marked by political tension and the consolidation of different perspectives on the formation, history, and culture of Brazil, there were multiple discourses on nationality, regarding which there was intense repercussion/debate in the press, in the media, academia, and art. The thesis of popular Brazil has been projected in historical, literary, and social discourse since the 1920s and was theorized with more emphasis in the 1950s, based on the debate propagated at the Instituto Superior de Estudos Brasileiros (ISEB). The vision of the populist country came to fruition in the heated debate on national politics in the mid-twentieth century and was introduced as a thesis in studies of Brazilian social sciences during the 1960s as the most emblematic mark of national politics in that period. This binomial debate calcined the bifurcated national speech between the ideal of state reform and the denunciation of political demagoguery and alienation of the masses. The purpose of this thesis is to investigate the movement of continuity and discontinuity between popular and populism in the films Black God White Devil (1964), Maranhão 66 (1966), Terra em transe and Antônio das Mortes (1969), by Bahian filmmaker Glauber Rocha in the light of the historical chronicle, popular collective memory, and sociological theses contemporary to film narratives. The plots divided between the revolutionary perspective and pessimism/frustration, the popular characters sometimes tending towards political and social militancy, sometimes influenced by alienation, the political and popular leaders converging in the fight against oppression or transversality by demagoguery are basic factors for the composition of a continuous-discontinuous representation of struggle and repression, resistance and censorship, resilience and resignation, the bifurcation between popular and populism in the discourse of nationality proposed by the Bahian author in his filmography between 1964 and 1969.

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