Raperas Sudacas: the poetic amefrican and mestiza dyke in Latin America
decoloniality; race; dyke; ethnomusicology; virtual ethnography
The dissertation Raperas Sudacas: the poetic amefrican and mestiza dyke in Latin America is a parallax about the history of Hip Hop, because it presents a change in the angle of vision and informs how the amefrican and mestiza dyke produces art and resistance in a movement considered as masculinist and sexist. This research was carried out with contributions from decolonial theory, from virtual ethnography and from ethnomusicology and is part of a social and sonographic cartography about Latin America and the women who form part of it, among them the amefrican and mestizas dykes.