Banca de DEFESA: NARA CORDOVA VIEIRA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : NARA CORDOVA VIEIRA
DATA : 05/07/2019
HORA: 10:00
LOCAL: Escola de Dança
TÍTULO:

Creation process in dance Walk in the Winds: Paths opened by the
windbreakers, black women, congos of the band of Airões-MG

PALAVRAS-CHAVES:

Dance, research and creation process, black women, Congado, Corta-
ventos

PÁGINAS: 156
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Dança
RESUMO:

This dissertation aims to approach the research and creation of an artistic process that is
being studied with and on the corta-ventos of the Banda de Congo José Lúcio Rocha de
Airões, district of Paula Cândido-MG: Maria de Lourdes Mateus and Marcelly Cristina
Mateus Celestino. Grandmother and granddaughter, quilombola black women, tell, sing
and dance their stories in afrographs – the oralituras named by Leda Maria Martins
(1997). The choice of this research is due to my trajectory as a black woman and the
main relevance of dance studies in reference to Afro-Brazilian popular cultures and
Afro-Amerindians. Congado, a local culture in Minas Gerais, is my study started in the
undergraduation in Dance at the Federal University of Viçosa (UFV) and it continues in
this master's degree. The highlight for black women is a political choice due to our
protagonism still little recognized and also for my life interest in this study which runs
through an anti-racist struggle in the context of structural racism. To present my
standpoint speech, I dialogue with Djamila Ribeiro (2017) about intersectionality
(RIBEIRO, 2017; AKOTIRENE, 2018). In order to articulate my theory and
methodologies and the paths of artistic creation, I chose the authors: Leda Maria
Martins (1997; 2002; 2003), who deals with oral reading and Afrography; Conceição
Evaristo (2003; 2016), which conceptualizes the escrevivência; Armindo Bião (1995;
1999) and Daniela Amoroso (2009; 2019) – references from ethnocenology and,
specifically, from Skènos, device of research and creation developed by Daniela
Amoroso (2009; 2019) –,that support the methodology chosen for this work based on
the ethnographic description in the body and in laboratories of research and creation;
and Renata Silva (2011; 2012; 2014; 2015), reference of the dance creation process.
With all these guidelines, I trace spellings in the dance in the process of creation named
Andeja nos Ventos, presented in the dance and textual writing.

MEMBROS DA BANCA:
Presidente - 1819704 - DANIELA MARIA AMOROSO
Interno(a) - 2178549 - AMELIA VITORIA DE SOUZA CONRADO
Externo(a) à Instituição - LAURA PRONSATO