Banca de DEFESA: LEONARDO FRANÇA CORDEIRO

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : LEONARDO FRANÇA CORDEIRO
DATA : 17/12/2020
HORA: 09:00
LOCAL: Plataforma RNP
TÍTULO:

 

TO WHOM SUITS THE CONDITION OF HUMAN IN THIS DANCE?

COSMO-FRICÇÕES TO SHATTERED DANCES

PALAVRAS-CHAVES:

Dance. Amerindian perspectivism. Creative process. Trans-species art. Body.

PÁGINAS: 98
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Dança
RESUMO:

This dissertation is an artistic-academic research in dance that resembles a snake. A snake that problematizes in a pluriperspectivist way the naturalistic / multiculturalist Western understanding of the category “body”, to propose variations in the compositional parameters of the processes of creation in contemporary dance based on the dialogue with multinaturalism, fed by the indigenous worldviews and the questions of the so-called “ ontological turn ”in contemporary anthropology studies, especially the theory of Amerindian perspectivism. Starting from this trans-speciesist condition of the body, where the differences of the bodies are visible, but the limits are imprecise, I try to answer the question that hisses in the curves of these pages: who is the human in this dance? In a snake-coral writing, I rehearse an understanding of the body as constellations of bodies, in which the position of human is made in a contiguous relationship rather than in an essential exclusivity. I emphasize the commitment, as a collective subject of a community of artist-researchers, to address conceptual issues by experiencing them artistically, to review and expand possible bibliographic references and to feedback thoughts and dreams, producing knowledge with the ethical prudence of recognizing the fictional character of theory and the theoretical aspect of fiction. I go into this forest of signs and hisses accompanied by Ailton Krenak, Bruno Latour, Cristine Takuá, David Kopenawa, Eduardo Viveiros de Castro, João Guimarães Rosa, Kaká Werá, Philippe Descola, Waly Salomão and, with them and them, I try to combine three verbs, in order to multiply ways of relating to bodies and complexing the creative processes: dreaming, enchanting and blurring. Dreaming as an exercise to extend the limits of the probable; enchant as an exercise to empathetically engage in differences in distance; and to engage as an exercise of being sensitive to the transformational and irreducible power of bodies in their strategies of continuing to exist. With the ethical care of those who do not intend to think “the indigenous world”, speak “for” the indigenous world or “as” an indigenous person, I call cosmo-frictions the double-twist operation that questions which culture defines what “nature” is and he experiences the consequences in approaching the compositional parameters of the contemporary dance creation processes, considering the notion of multiple natures and not only multiple cultures. From the notion of cosmo-frictions, the research proposes questions for dance through the formulation of transformational operations in the parameters of composition. In the skin of this snake, which modulates intensities of thought in different gradients of color, words and drawings, I dance thoughts hungry for justice, I dance against the impoverishment of experience, I dance for the admiration of the wisdom of the bodies, for the respect and pleasure with life, with the expectation of offering contributions of an ontological, epistemological, theoretical, ethical, aesthetic and political nature to dance.

MEMBROS DA BANCA:
Presidente - 2566537 - RITA FERREIRA DE AQUINO
Interno(a) - 2345305 - FERNANDO MARQUES CAMARGO FERRAZ
Externo(a) ao Programa - 2724512 - LAURA CASTRO DE ARAUJO
Externo(a) ao Programa - 2522438 - SUZANE LIMA COSTA