Banca de QUALIFICAÇÃO: ISRAEL SOUZA SANTOS

CORPOVOZ: DISSIDENT ARTHIVISM AS A STRATEGY FOR (R)EXISTENCE IN DANCE

DANCE; BODYVOICE; ARTIVISM; DISSIDENCE;HIV/AIDS

This research is based on a theoretical construction that resulted in critical and analytical reflections about artivism Colling(2019), Troi (2018)  dance and it's political function. In this research, the general pourpose is to articulate a discourse on dance, politics and how BODYVOICES (corpovozes) are treated as subversive bodies, in wich  transgress established normative social stereotypes and still survive. These bodies are living on different surviving instances and they drive dance manifestations on the interfaces of politics, culture and society. These are some of the proposals and paths in order to delimitate this research epistemic space with the goal of understanding the BODYVOICES as drivers of subjectivation processes and articulators of their (re)existence discourses as a performative action. Art and life are inseperable in a BODYVOICE, because of subordination processes, effects of dissident social categorization and ills presented in performative actions. In this research,   illucidations on how political, social and cultural processes are responsible for the condition of abject body, in witch Dance takes the task of enuciating these artivisms builded from a do-say Setenta (2008) of corposvozes. This research has a theoretical background supported by authors whom problematize actions of social paradigms and it's effects on attitudinal modifications of dissident bodies of sex, sexuality, gender, class, race and those against the norm in culture-society across history. To emphasize the historical (re)existence of artists bodies in the hiv/aids moviment, problematizing and resisting the epidemics of aids discourse Bessa (1997), going beyond hiv virus proposing dissidents works and debating the interseccion of art/dance/performance.  We seek to understand the political agency that causes tensions in the lives and subjection processes resulted from these bodies,  also their resistance discourse taken from semistructured conducted interviews.  In this research there is also the artistic/academic trajectory of the author questions about Corpovoz under HIV perspective. The author writes experiences as scribbled narratives  (Evaristo,2007) that converse with theoretical assumptions as part of artivism in the arts and dissident action of sexuality in dance. 

Keywords: DANCE; BODYVOICE; ARTIVISM; DISSIDENCE;HIV/AIDS