Banca de DEFESA: CLECIA MARIA AQUINO DE QUEIROZ

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : CLECIA MARIA AQUINO DE QUEIROZ
DATA : 12/06/2019
HORA: 09:00
LOCAL: Casa do Samba - Cachoeira/BA
TÍTULO:

Learning to read with my comrades Beings, scenes, scenarios and diffusion of samba de roda through the sambadeiras of the Recôncavo Baiano

PALAVRAS-CHAVES:

 Samba de Roda; Sambadeiras of the Recôncavo of Bahia; Knowledge diffusion; Ethnocenology; Scenic procedures of the samba de roda 

PÁGINAS: 383
GRANDE ÁREA: Outra
ÁREA: Divulgação Científica
RESUMO:

This thesis analyzes the scenic configurations of the “samba de roda” in the Recôncavo Baiano and how these representations are transmitted and disseminated communally, observing their multiple historical, artistic/cultural, community, and pedagogical interrelations, having as a reference the voices and performances of “sambadeira” women. Through making use of a narrative based on the cinematic language of the film scripts, the samba scenes are detailed through the movement of cameras, starting off from three aspects of its symbolic terrain: Clothing, Sonorities and Movement, fueled by life stories and stories from 20 “sambadeiras” and other actors and actresses from the “samba roda” scenario. The thesis also deals with two projects for the diffusion of “samba de roda”: The first one is the production of 12 videos of interviews with “sambadeiras” which will be posted on a YouTube channel under the name of "Sambadeiras do Recôncavo da Bahia". The second project is “Circulando com Mulheres do Samba de Roda”, which involved a performatic circle of talk among 15 “sambadeiras”, and which happened in nine different municipalities located between the states of Bahia, Rio de Janeiro and São Paulo. In order to aim at these objectives, the study was carried out under a qualitative approach, based on the principles of ethnocenology and multireferentiality, using several methodological resources such as: bibliographic research; documentary; participant and collaborative observation; interviews; sound records and photography. The analysis of the various clothing costumes has led to the understanding that they bring historical, religious and cultural information that keeps the memory of confrontation, belonging, resistance and overcoming, as well as passing through questions of status and prestige. The performative aesthetics of the “samba de roda from the Recôncavo Baiano are not limited to gesture, dance or music itself. They are a complex system of self-perception and perception of the other, where movement, playfulness, musicality, theatricality and creativity are conjugated along with the ambience and relations of sociability. The study of the rhythmic tap dance of some “sambadeiras”, along with later transcription for musical notation, pointed to the lack of a single pattern of the step known as "miudinho" that differs according to the style practiced by the samba community and to the individual perceptions of the samba practitioners. The transmission of samba de roda is done through observation, perception and, above all, coexistence, understanding the style and rules of the community. The textual content of some songs revealed gender issues, marked by patriarchy and preserved by tradition. The two diffusion projects discussed in the last chapter of the thesis show the empowerment of teachers and reveal their struggles as women, the way they see “samba de roda” and express themselves through it. From their testimonies, the study brings three challenges for the permanence of the groups and diffusion of the samba de roda: the lack of dissemination in the media; devaluation of works by public and private event organizers, with payment of small and unequal wages, in relation to musical groups from outside the region; and the lack of municipal, state and federal public policies that allow material gains for the people who make the “samba de roda”. The thesis also highlights the importance and protagonism of the women of samba de roda in the organization of traditional memory, organization of events, as well as in the configuration of their essential scenic procedures.

MEMBROS DA BANCA:
Presidente - 2584575 - ROSANGELA JANJA COSTA ARAUJO
Interno - 113.125.645-04 - LELIANA SANTOS DE SOUZA - UNEB
Externo ao Programa - 1819704 - DANIELA MARIA AMOROSO
Externo à Instituição - KATHARINA DORING - UNEB
Externo à Instituição - CRISTIANE SANTOS SOUZA - UNILAB