Encruzilhada Dramaturgy: a study about the correlation between scene and city as from dramaturgical creation of spectacle Ruína de Anjos
Encruzilhada Dramaturgy, Scene and city, Theaters of the Real, A Outra Theatre
Company, Group of theatre.
This dissertation presents a study about the correlation between scene and city based on a reflection on the process of dramaturgical creation of the spectacle “Ruína de Anjos”, by the Bahian theater group A Outra Theatre Company and the experience of its national circulation through the Palco Giratório project, from the SESC, in 2017. Considering the city as dramaturgy, the theatrical show as a document and the theaters that articulate the real as an experience, its construction is based, especially, on the dialogue with artist-researchers involved in scenic practices that happen on the streets. From the concept of expended dramaturgy, we can realize a Encruzilhada Dramaturgy that deal segments, mediates elements of the scene and the city, dialogues with spaces and times, articulating itself on the border of languages, mobilizing knowledges, enphasising conflicts and configuring itself as a
document, although ephemeral and unfinished, the result of a unique experience that involves artists and audiences.