Banca de DEFESA: CLÁUDIO ANTÔNIO SANTOS DA SILVA
Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.DISCENTE : CLÁUDIO ANTÔNIO SANTOS DA SILVA
DATA : 20/08/2021
HORA: 14:00
LOCAL: online
TÍTULO:
“BOTAR FIGURAS”: STAGE BETWEEN DEFIGURATIONS
TRAINING IN / TO SCENE OF A “CYNIC” PERSONAL DANCE
PALAVRAS-CHAVES:
Insides, disfigurement, personal dance, multi-referentiality and Ethnocenology.
PÁGINAS: 364
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Teatro
ESPECIALIDADE: Interpretação Teatral
RESUMO:
This thesis is the reportability (Coulon), of a personal dance as a research, guided by qualitative multi-referential thinking (Borba, 1997). The study situates the creative procedure of the show / project / research entitled: Entremeios Desfílias, involved in the aesthetic matrixes of Guerreiro de Alagoas, and in the formation of artists of the scene. Entremeios are short dramatic representations, or figures, present in the Warrior of Alagoas. The investigation bases the subject, the path and the object (Bião, 2007), in the proposal of a “cynical” dance. The contextualization to do my “cynical” dance, started from the assimilation of the term: personal dance, disseminated by the LUME group, the dancer as the idealizer and builder of his scenic body that is realized as a research practice. The study answers the following questions: Would it be possible to build this personal dance, since the body of the researcher dancer was not trained in Butoh, and yet, without experiencing the personal dance, which took place in the LUME space? Would the interleavings, in Guerreiro Alagoano, have the same function as the Portuguese and Spanish interleavings, seen as a relaxation, as entertainment, between longer performances? Guerreiro Alagoano can be used as an educational facilitator, in what way? The questions were confronted by the hypotheses, supported in the body of the thesis. The methodology occurred within the scope of qualitative research emphasizing the subjective character of the object, its particularities and individual experiences (Pádua, 2012). Individual training reached the organization of the intermingled corporealities, systematized and directed as ethnomethods (Coulon), in body preparation exercises, applied to dance teaching, in the search for an authorial body, both mine and the students. In this way, it questions the researcher, his trajectory and the object, interspersed, in his circumscription in traditional Brazilian dances. The path to the methods was structured in stages: bibliographical, documentary and empirical analysis; registration of the creative process, logbooks; interviews with players and researchers, video of the creative process; training analysis; in application in body workshops, for dance students and actors, in training spaces. The guiding theoretical line, in its transdisciplinary character, is the Multi-referential approach, by Jacques Ardoino (1927-2015), transversalized by other knowledge, such as Ethnomethodology (Coulon, 1995) and Ethnocenology, planting seeds in the concepts of the cynical movement of Antiquity (Caze). The experience in creation / disfigurement and training with the intermingles, in general, has reverberated as an independent and contemporary work, which uses the powers of these places of identities, among which, I transit, examining the pedagogical and artistic limits, of these figurations / disfigurements, of my body memory.
MEMBROS DA BANCA:
Presidente - 1221416 - ELIENE BENICIO AMANCIO COSTA
Interna - 1819704 - DANIELA MARIA AMOROSO
Interna - 054.400.335-72 - SUZANA MARIA COELHO MARTINS - UFBA
Externo à Instituição - JOSÉ RAFAEL MADUREIRA
Externa à Instituição - TELMA CESAR CAVALCANTI - UFAL