Banca de DEFESA: AMANDA PACHITO DE AMORIM LIMA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : AMANDA PACHITO DE AMORIM LIMA
DATA : 25/08/2021
HORA: 15:00
LOCAL: via videoconferencia
TÍTULO:

Scenography for actors: theorethical-methodological perspectives for a scenography proposed by performers 

PALAVRAS-CHAVES:

Theatre arts. Actor. Scenography. Multifunctionalism. Creative procedures. 

 

PÁGINAS: 153
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Teatro
ESPECIALIDADE: Cenografia
RESUMO:

This paper aims to raise discussions and reflections upon a possible line of work for the actor, which comprises, in addition to his/her performance, the proposition of a stage design for the scene. This argument is structured in the form of a guide for this type of actor. Given the contemporary disposition toward the blurring of borders between different creative areas within theatre arts, as well as a demand for integration of various creative fields, this paper aims to contribute in the filling of theoretical gaps concerning the multifuncionalism in theatre arts, specially concerning its creative processes and procedures. Thus, it is proposed a bibliographic and reflexive study, aiming to present some concepts and fundaments concerning the creation of scenography, which are shared with other fields of study, such as Visual Arts and Architecture, discussing their implications on the actor‟s creative process and performance. Besides, some reflections are raised from the theories of Genetics of Creation, Phenomenology of Perception and Intersemiotics of the Theatre Arts in order to better elucidate some mechanisms of ambivalent creation as well as its implications for this type of artist. Lastly, it is introduced the proposition of some creative procedures which show facilitating potentials for creative movements that comprise both acting and scenography, in an integrated manner, in order to point to practical practices linked to the theories and concepts discussed in this research. After establishing the connections between the theories, the concepts and the procedures that were presented, this research concludes that the overlapping of the creative functions discussed may enrich the artist‟s creative potentials, further integrating him/her to other elements of the spectacle, as well as providing him/her with different tools to deal with the creative process of theatre arts. The study also considers in its conclusions the potential that such practice presents to become part of some actor formation programs, in the sense of providing integrating and horizontalizing experiences within theatre creation. 

MEMBROS DA BANCA:
Presidente - 287201 - HEBE ALVES DA SILVA
Externo à Instituição - José Sávio Araújo - UFRN
Interna - 286099 - SONIA LUCIA RANGEL