THEATER OF THE OPPRESSED AND CARE. PREDICTABLE DIALOGUES, ENDLESS POSSIBILITIES OF CREATION.
Theater of the oppressed, care, Poetics of Care.
The present work declines to investigate the political sense of care and its relationship with the Theater of the Oppressed. In the meantime, it is also investigated the look of care perpetrated by Augusto Boal to the most precarious bodies and the ethical context that underlies his theoretical construction. The first chapter has a historical approach, aimed at tracing the development of his Poetics, in the light of the subjects for whom it is intended. In the second, a conceptual immersion in human care is promoted, dimensioned in its mythical, semantic, philological, legal, categorical, black and ancestral genesis. The third, aspires to understand the main aspects of the ethics of solidarity in an instigating dialogue with the political propositions outlined by the feminist aspects of the Ethics of Care. In the end, striving for a true claim to a Poetics of Care, the arguments raised are reinforced, based on artistic and pedagogical experiments, in addition to the most varied voices that reaffirm how much the Theater of the Oppressed corresponds to a locus for social training of individuals in the cultivation of care.