THE MUTABILITY OF RECEPTIONS: from face-to-face to virtual.
Theatricality; Theatrical Reception; Virtual Reception; Spectatorial Reception; Transaesthetic receptions.
The objective of this research is suitable to the line of studies on reception in several perspectives directly related to the aspects of interactivity between/with the virtuality, based on filmic, spectacular and performative proposals, on the premise of the investigation of the relations between present and absent reception as a field of tensioning what can be seen with the expectation that is established with the virtual reception and present during the fruition to the object. As methodology we'res use the terms analysis-reconstitution and analysis-reportage, semi-structured interviews such as collection of experiences with other recipients and receivers, collection of virtual receptions and bibliographic reviews of some’s literatures, among others. This research is divided into three parts, mainly related to the territory of materiality of the experience developed in different transdisciplinaries paths to the field of reception and theatricality in the arts of the scene, with this, it is unveiled several perspectives, of the hybrid relationships in which the public is immersed both online and offline. Reflections become an invitation to uncover and immerse themselves in sliding fields contemporary arts research, providing various tensions.