Banca de QUALIFICAÇÃO: DANIELA BENY POLITO MORAES

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
DISCENTE : DANIELA BENY POLITO MORAES
DATA : 24/02/2021
HORA: 15:00
LOCAL: sala 10
TÍTULO:

Ogunhiê !: the states of presence of the performer-medium based on Ogum dramaturgy

 

PALAVRAS-CHAVES:

Umbanda; Ogun; Anthropology of Performance; Studies of African-American Performances; Ethnocenology.

PÁGINAS: 100
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Teatro
ESPECIALIDADE: Interpretação Teatral
RESUMO:

The contribution of cultural performances to the body preparation of the actor is a theme that has been brought up strongly in recent decades. This thesis analyzes the mediumistic trance of the sons and daughters of saint of Terreiro de Umbanda Aldeia dos Orixás in Maceió / Al. The objective is to show what the presence of these performers during the incorporation of Orixá Ogum can bring to the body preparation in the theater, and for this purpose it seeks to carry out a comparative study between what occurs in the altered state of consciousness of these mediums with the body states of actors and actresses while on stage during a theatrical show. The epistemo-methodological choice involves ethnography and self-ethnography, inasmuch as the author of the thesis is one of the mediums analyzed. In this way, interviews are conducted with sons and daughters-of-saint, priests and priestesses of Candomblé and Umbanda, in addition to Ogum Dance classes, experienced outside the trance state, in addition to filming and photographs of public rituals at the terreiro. The discussion places Fernanda Julia Barbosa (Onisajé), from NATA (Alagoinhas / BA) and Agrinez Melo do O Poste (Recife / PE) in dialogue, both stage directors who investigate Candomblé as a matrix / motive for scenic creation within their respective groups, and for this reason they are representatives of a theater produced by black and Afro-religious women in Northeast Brazil. In parallel to the reflections brought by these artists, thinkers such as Leda Maria Martins, Muniz Sodré, Zeca Ligiéro and Armindo Bião form the basis for epistemological reflection on the scene and the characteristics of Afro-Brazilian arts. For the analysis of Ogum's performance and dance in the religious and artistic contexts, the authors Eugenio Barba, Richard Schechner and Rudolf Von Laban are present, being considered as the proponents of concepts that will be reframed, in order to build an epistemology that embraces these local realities more immediately and consistently.

MEMBROS DA BANCA:
Presidente - 102.106.258-80 - ELOISA LEITE DOMENICI - UFRB
Interno(a) - 3054223 - JOICE AGLAE BRONDANI
Externo(a) à Instituição - DENISE MANCEBO ZENICOLA - UFF
Externo(a) à Instituição - LUIZ RUFINO RODRIGUES JUNIOR - UERJ