SLEEVE CLOTH:
CREATIVE PROCESSES AND THE SI-BODY OF THE FIGURINIST ACTOR
Keywords: Actor-Costume Designer; Job; Ergology; Theater, creativity.
Given the meeting of two work activities, when both are in the same body-self - actor and theater costume designer, there is a focus on how this operation takes place, in the work processes, as well as in the creative processes. In other words, based on the variability, differences, controversies and convergence of two activities, discussed in the light of Ergology (a field of knowledge that analyzes work situations from the point of view of the activity).
Based on theories of creativity as well, the present thesis tries to approach operations of making both in the metier of costumes and in acting, especially from the doings of the author of the thesis, as well as his peers through interviews with both actors and costume designers.