DÓ, DE, MI, SHIT! SPECTACLE POLYPHONIES:
MUSIC AS A METHODOLOGICAL DEVICE FOR THE PREPARATION OF ACTRESSES IN CREATIVE PROCESSES OF THEATER
Theater, Music, Actress, Preparation, Games.
In the search for the interaction between music and theater, this research aims to systematize theatrical games based on musical elements. Therefore, this study proposes to think about the (re) elaboration of games that assist in the preparation of the actress in her creative processes. For this, existing games will be searched and adapted, as well as training methodologies for the actress / actor arriving, finally, the creation of new games. The proposed methodological approach is designed for the body preparation of women, which makes the research present a gender perspective, in which specificities of the female gender, such as the musicality of the actress's body, will be discussed. In this sense, the research aims to contribute to the expansion of ways of making / thinking the preparation of the actress on stage, reflecting on how much the musical elements, such as: rhythm, melody, harmony, dynamics, aligned with the body preparation of a creative process of theater, can enable the actress' body to expand her expressions and body movements.