Por uma dramaturgia da dor: Tecido blando – uma peça criada a partir de narrativas de
mulheres com experiência de fibromialgia.
Pain; Narratives; Community; Dramaturgy; Feminine.
Dissertation that, based on theoretical and practical research, has as its theme the life stories
of eight women with fibromyalgia syndrome and the experience of the researcher herself,
whose nationality is Colombian. In the light of this material, the text of the danced
monodrama Tecido blando (Soft tissue) was written, the original title that the author
modified in its terms, the first of which, a substantive, she preferred in Portuguese (Tecido)
and the second, an adjective, she keeps in Spanish. It is a play with a dramaturgy-landscape
perspective. The study discusses the concept of pain and adopts, due to the importance of
its symbolic and experiential meaning, what Ileana Diéguez calls communitas del dolor,
which was transversal in the development of the research. It mentions different
dramaturgies about the configurations of the body and pain, as well as his conceptions of
dramatic structure and what Vivi Tellas calls the Minimum Threshold of Fiction. It
considers the possibilities of fictionalizing the narratives of the women interviewed,
describes, analyzes and interprets the dramaturgical characteristics of the play, supported
by theoretical contributions from Sandra Camacho López, Jean Pierre Sarrazac, José
Sanchis Sinisterra and Jean-Pierre Ryngaert. What, finally, it proposes is a dialogue
between the not rigid or fixed boundaries of the dramatic genre in contemporary times and
a research dramaturgy, where creation focuses on the intimate and the public, two instances
that can be reflected and understood, highlighting the feminine as one of the main
operators.