Banca de QUALIFICAÇÃO: SARAH MARQUES DUARTE

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
DISCENTE : SARAH MARQUES DUARTE
DATA : 28/10/2020
HORA: 14:00
LOCAL: Videoconferência
TÍTULO:

Actions to awaken other worlds: participation as a poetic tactic in Latin American art.

PALAVRAS-CHAVES:

art; participation; action; body-knowledge, decolonial poiesis; decolonial aesthesis;

PÁGINAS: 135
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Dança
ESPECIALIDADE: Execução da Dança
RESUMO:

The present investigation addresses participatory actions proposed by contemporary Latin American artists. These are shown as powerful formulations for what we perceive here as a central dimension in the movements / practices of decolonization of art, bodies, subjects, subjectivities, and, centrally, of life: the power to liberate sensitivities. The investigated proposals problematize art itself as a technology for perpetuating the European aesthetic paradigm, displace the logic of capital, displace the idea of art as a discipline / technique, and, mainly, cause permeabilities - access to body-knowledge. Here, poetic openness is seen as a way of promoting gestures of creation and cooperation, as a result, as a way of provoking transformations in the subjectivation policies proper to modernity / coloniality. The research is inscribed in the field of the arts and observes propositions that invite the ‘spectator’ to the poetic act, a practice here understood as corpolitical - for challenging the instituted and projecting future deviants. Among the objectives of the thesis are the identification, description, and study of proposals, the articulation between actions from the 1960s / 70s and the present, the reflection on the strategies used to invite the meeting and the creation, the observation of their impulses and intentions, as well as what emergencies emerge. To address these issues, the theoretical framework was composed of the voices of artists, performance thinkers, contemporary art, Latin American art, conceptualisms, and the decolonial option. The observed actions were identified in festivals, meetings, catalogs, and virtual platforms for events; testimonials, interviews with artists / proposers were used, as well as practical experiences that make up the body of the investigation. When studying these propositions, it was made clear that participation is a poetic tactic that erupts from the desire of artists to awaken other worlds in this world. The understanding of life as creation is an impulse for the formulation of such poetic operations. Thus, the actions observed call the spectator to do / think about the ‘work’, transforming it and, consequently, acting on the world. A becoming that creates a difference, singularities, other subjectivities, compositions of reality collectively, and procedurally produced.

MEMBROS DA BANCA:
Presidente - 1434750 - IVANI LUCIA OLIVEIRA DE SANTANA
Interno - 1819704 - DANIELA MARIA AMOROSO
Interno - 1734279 - GILSAMARA MOURA
Externo à Instituição - ELVINA MARIA CAETANO PEREIRA - UFOP
Externo à Instituição - JAVIERA MEDINA LÓPEZ