Banca de QUALIFICAÇÃO: ELAINE CARDIM DE LIMA

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
DISCENTE : ELAINE CARDIM DE LIMA
DATA : 24/08/2020
HORA: 14:00
LOCAL: Realizada via videoconferência em razão da pandemia de COVID-19.
TÍTULO:

Vocal uniqueness in scenic composition: an artistic-pedagogical approach.

PALAVRAS-CHAVES:

Vocal Singularity. Operating Principles. Scenic Composition.

PÁGINAS: 136
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
RESUMO:

This is a practical-theoretical investigation of the scenic composition, configuring
a work centered on the interpreter, having as main axis the search for vocal singularity
as a trigger, formulator and result of the scene. Inspired by an Artistic-Comprehensive
perspective, proposed by Professor Sonia Rangel, we seek to identify Principles in the
Procedures themselves in order to configure the thinking implicit in carrying out the
work and thus, in their journey of experimentation and summoned by it, the relations
with the theoretical-conceptual aspects are created and expanded. As conditions of
this search we add up a reflection of the author as an actress and teacher in a brief
dialogue with a historical-critical record about the voice research in the work of the
actress and actor and, mainly, her practice as a researcher in the specific field, with the
conducting and critical evaluation of workshop-laboratories and scenic experiments. In
this poetic doing-reflecting, the expressive elements of the actress and actor are
revealed as uniqueness in search of a sound language prior to the words. In this
reflection, dialogue is established mainly with the ideas of: ARTAUD, Antonin;
BACHELARD, Gaston; GROTOWSKI, Jerzy; JUNG, Carl Gustav; LISPECTOR, Clarice;
RANGEL, Sonia Lucia; STANISLAVSKI, Constantin; and Thecok, Michel. The following
principles stand out in the methodology: Listening in Depth, Presenting, Vocal
Strangeness, Intimate Exposure and Autonomy of Composition. As a result of the
research in response to the question: “how can the expansion of voice awareness
integrated with the bodily-emotional-imagery aspects of the interpreter collaborate
and lead (to make it come out through the mouth) processes of creation, staging and
scenic dramaturgy? ”, the thesis points out artistic-pedagogical paths for the vocal
investigation of the actress and the actor through the proposition of exercises; it brings
critical-creative reflections, aiming to contribute with professionals and amateurs
interested in an experimentation in practices aiming at the expression and the
singularity of the voice.

MEMBROS DA BANCA:
Externo à Instituição - DAIANE DORDETE STECKERT JACOBS
Interno - 287201 - HEBE ALVES DA SILVA
Interno - 287552 - MERAN MUNIZ DA COSTA VARGENS
Presidente - 286099 - SONIA LUCIA RANGEL