Banca de QUALIFICAÇÃO: DANIEL FREIRE LEAHY GUERRA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
DISCENTE : DANIEL FREIRE LEAHY GUERRA
DATA : 03/09/2020
HORA: 10:30
LOCAL: Virtual
TÍTULO:

THE SCENIC EVENT: Essays of a language

PALAVRAS-CHAVES:

Keywords: Scenic event. Scene theories. Scene ontology. Contemporary art.

PÁGINAS: 130
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Teatro
RESUMO:

This dissertation, work developed from the field of scene theories, carries out an investigation
on the concept of scenic event and aims to contribute to a conceptual grounding of the term,
present both in practice and in the theory of contemporary performing arts. It is, from
beginning to end, crossed by an ontological questioning involved in the intersection between
philosophy and psychoanalysis, although it always leaves and returns to the scene. The main
philosopher evoked is Martin Heidegger. From psychoanalysis, it counts on Jacques Lacan.
Such an ontology of the scenic event is based on the Heideggerian provocation of a
“fundamental ontology”, but soon moves on to a critical ontology, specific of the scene and of
this investigation. Then, five ontological dimensions are proposed, such as which are
theoretically fundamental to the scenic event in-work: the real, the event, the scene, the
aparattus and the fantasy. Such dimensions are questioned, conceptually grounded and set to
play in a structural relationship of interdependence. Within them, the desire-of-the-work is
also questioned, mainly based on the proposals of Gilles Deleuze, Felix Guattari and Jacques
Lacan. But this desire soon becomes desire-beyond-the-work. It was opted for an essay style,
which historically brings drifting permissions, although always making use of a criticalanalytical
perspective. Therefore, eight critical-analytical essays are presented, in which the
ontological verticality of the critical-analytical aspect does not nullify the horizontality of the
essay - on the contrary, it must enhance it. Since the fundamental object is the scenic event
itself, and since the essay form allows for a transdisciplinary drift, there is an invocation of as
many philosophers, theorists and artists as the intensity of the investigation and and that of the
ontological leap over the event can stand. Finally, when opening up the dimensions of the
scenic event, it is the Contemporary and the art under its aegis which are put in a criticalanalytical
suspension, even when essentially proposing, since the scenic event is treated as a
language.

MEMBROS DA BANCA:
Presidente - 1354104 - ERICO JOSE SOUZA DE OLIVEIRA
Interno - 169.456.625-00 - LEONARDO VINCENZO BOCCIA - UFBA
Externo à Instituição - PATRICK ESTELLITA CAVALCANTI PESSOA - UFF