CLOTH FOR SLEEVE:
A BLACK BODY IN MULTIPLICITY
ergology; ethnocenology; multiplicity; performance writing; decoloniality; performing arts
this thesis is made and redone all the time, for now it is essays, dramaturgy, poetry, letter... parts, fragments, how fragmented is its author - a black man, genuinely afro-american - an artist navigating in multiplicity, in which he mobilizes survival technologies to respond to his internal anguish, including for multiple creations inside and outside the Performing Arts... The parts/fabrics of the thesis are transversal and do not follow a linear order: both texts and images carry in itself, a cosmos capable of shaping aspects of transdisciplinarity in and for research that has principles of autoethnography, decoloniality, ergology, ethnoscenology, creation in art and the reticence that punctuate the possible dialogical character... the making of this thesis in art is, above all, art...