Banca de QUALIFICAÇÃO: FERNANDA FREIRE BELTRÃO

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
STUDENT : FERNANDA FREIRE BELTRÃO
DATE: 26/05/2023
TIME: 15:00
LOCAL: Escola de Teatro da UFBA
TITLE:

Breathing the same air: possible dialogues between the show “Nós” and the 2016 coup.

KEY WORDS:

Show Nós. Galpão Group. Coup. Spectacularization

PAGES: 138
BIG AREA: Lingüística, Letras e Artes
AREA: Artes
SUBÁREA: Teatro
SUMMARY:

Is it possible to engender dialogues between reality and fiction? How many knots are possible to be tied interweaving a historical event and a theatrical performance? And finally, is it possible to engender dialogues between Nós, a show by Grupo Galpão, and the 2016 political coup? These research probing questions  resulted in this paper, which seeks to reflect upon history, politics, theater, contemporaneity; debate the intersection between fiction and reality in the world we live in today and the spectacularization of situations, of life; activate the discussion about the function of art in the constitution of the critical citizen and reaffirm the importance of establishing dialogues, of transversalizing subjects, knowledge, themes that involve everyday issues, without neglecting the subjective perspective that can be subsidized by art, all of this using the research objects, which are the show Nós, by Grupo Galpão, and the 2016 Coup, suffered by Brazilian democracy and by former president Dilma Rousseff. Starting from the facts/versions principle, I carry out a historical survey of Grupo Galpão since its foundation, in 1982, until 2016, year of production of the show Nós, directed by Márcio Abreu. When arriving through the timeline at Nós, I make a brief description of the production process that lasted two years, and, later, I focus on presenting it from the point of view of the self as an audience to you, the person who reads, following the dramaturgical script, which has, in essence, a political discourse while debating issues such as violence, intolerance, public, private, oppression and interpersonal relationships, which led me to the 2016. As regard to the Coup I carry out a historical political retrospective of Brazil from the June 2013 Journeys to 2016, the year of the Coup, and, later, I focus on the months of its consolidation, which happened mainly between April and August 2016, when I bring the historical part and description of the events of the paper to a close, and move on to the construction of meaning which is the link between the show Nós and Coup. By using reading as an invariable research procedure, I come to the affirmative conclusion that it is possible to establish dialogues between the theatrical performance and the 2016 Coup.

 

COMMITTEE MEMBERS:
Presidente - 287201 - HEBE ALVES DA SILVA
Interno - 2168348 - PAULO HENRIQUE CORREIA ALCANTARA
Externa à Instituição - JACYAN CASTILHO DE OLIVEIRA - UFRJ