Banca de DEFESA: DANIEL OLIVEIRA DE FARIAS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : DANIEL OLIVEIRA DE FARIAS
DATA : 13/01/2021
HORA: 14:30
LOCAL: Remota
TÍTULO:

Affective engagements in music in Salvador: territorialities that articulate musical genres and identities

PALAVRAS-CHAVES:

affect, music, territories, Salvador, musical genres, identities

PÁGINAS: 149
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Comunicação
RESUMO:

This dissertation deals with the affective engagements around the relations between music and the territories in Salvador, capital of the State of Bahia, from the trajectories of artists and bands such as BaianaSystem, Larissa Luz, Attooxxaa, Luedji Luna, Majur, Baco Exu do Blues , among others, which emerged and gained local and national visibility between 2015 and 2019, with trajectories of disputes on social issues linked to the city. Based on a constellation of concepts, as understood by Deleuze and Guattari (2016) and developed by Rogério Haesbaert (2014), I work with the notions of affection, culture, identity, representation, territory and territoriality, to carry out the radical contextualization movement (GROSSBERG, 2010), mapping, articulating and rearticulating relations of power and meaning that permeate in the musical context and the city itself. I seek to understand affections, as modes of engagement built on discursive and cultural practices, in the sense of Lawrence Grossberg - author of cultural studies - on the links between music and territories in their expressions in three affective axes, identified during the research: the musical genres and ethnic-racial and gender identities. For this, I analyze the vectors, as forms of engagement and as territorialities in discursive formations, as their continuities and / or discontinuities from press articles, formatted texts, leading to followers on social networks; reiterations and / or breaks in performances in music videos and concerts; and in audiovisual, imagery and discursive appropriations of the city through conventions - which preceded the plot of the disputes addressed at work. I realize, therefore, that the articulation of problems about musical genres and ethnic-racial and gender identities, affective axes mobilized through the relations between music and the territories, goes through approximations and questioning of values, conventions and premises associated with the genres musical, ideas of diversity and concepts of the periphery, disputes of visibility and representativeness, reiterations of essentialisms and reifications on the territories, as well as openings and multiplicities of these connections.

MEMBROS DA BANCA:
Presidente - 287773 - ITANIA MARIA MOTA GOMES
Externo(a) à Instituição - JEDER SILVEIRA JANOTTI JUNIOR - UFBA
Interno(a) - 2142522 - JULIANA FREIRE GUTMANN