Banca de DEFESA: WANDERLEY DE MATTOS TEIXEIRA NETO

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : WANDERLEY DE MATTOS TEIXEIRA NETO
DATA : 17/07/2020
HORA: 14:30
LOCAL: Defesa on-line (videoconferência)
TÍTULO:

REVIEWS, VIDEO ESSAY AND FORMATS IN EXPERIMENTATION: POSSIBILITIES AND EXPRESSIONS OF MOVIE CRITTICISM AS AUDIOVISUAL CONTENT ON YOUTUBE

PALAVRAS-CHAVES:

Movie criticism. Reception. Review. Video essay. YouTube.

PÁGINAS: 258
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Comunicação
RESUMO:

Like others communication contents, the digital presence in society’s daily life impacts film criticism and brought to the critics the urge to realign the practice. A request for audiovisual formats and the media companies or the specialization of those kind of contente from independente critics is one of the traits of contemporary film criticism. The audiovisual culture provided by technique and matures by the facilities of the filmimg processes, editing, distribution and exhibition of audiovisual pieces on vídeo platforms and social media integrating vídeo film criticism on the routines and reception of contentes. At the beginning, we could say that those practices absorb classic aspects of the text written in journals, magazines or websites, but also that it pose other demands for movie critics. Thus, we defend this niche of production as a content that have specificities that redefine the text in it relationship with other critics, its possibilities of circulation and reception, with the peers, cinema and the spectators. In this sense the production of audiovisual film criticism on the internet is determined by demands of language, platform and sociability that we consider from a multidisciplinar theoretical framework that includes reception studies, performance, film analysis, sociology and ciberculture. The brazilian production for YouTube is assumed as case study through the analysis of Isabela Boscov, Entre Planos and Arthur Tuoto. Those analysis allows us to understand why, on the one hand, there are characteristics that even subtly transforms or separe-te those vídeos from traditional criticismo, on the other hand, that rechape the critical experience (production and reception) isn’t complete because everything depends on the uses of the actors that can be diverse because of the flexibility and democratic nature of the digital.

MEMBROS DA BANCA:
Externo à Instituição - IZABEL DE FATIMA CRUZ MELO - UNEB
Interno - 2142522 - JULIANA FREIRE GUTMANN
Externo ao Programa - 1053437 - MARCELO MONTEIRO COSTA
Externo ao Programa - 2392620 - MARCELO RODRIGUES SOUZA RIBEIRO
Presidente - 1807272 - REGINA LUCIA GOMES SOUZA E SILVA