Banca de DEFESA: HELEN CAMPOS BARBOSA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : HELEN CAMPOS BARBOSA
DATA : 26/08/2019
HORA: 13:00
LOCAL: FACULDADE DE COMUNICAÇÃO
TÍTULO:

Manifestos to listen: the gendered and racialized aesthetic experience from the singing of Manuela Rodrigues, JosyAra, Larissa Luz and Luedji Luna.

PALAVRAS-CHAVES:

ancestry; aesthetic experience; gender and race; black singer-songwriters; writability.

PÁGINAS: 238
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Comunicação
RESUMO:

The present thesis from a feminist and antiracist perspective contextualizes studies focused on aesthetic experience, proposing a decolonizing and decolonial view on aesthetic cultural epistemologies. The study is developed from the intersection between aesthetics and politics, contextualizing the Bahian feminine musical production in the national context of what has been denominated as generation tipping. I propose the apprehension of aesthetic experience based on the concept of writing, proposed by the writer Conceição Evaristo (2007), while a methodology that by pointing to the performance writing as a political strategy allows me to dialogue about the musical production of black female singer-songwriters from Bahia, reflecting on the presence of black and female bodies in Brazilian music production. At the same time, it allows me to locate my own black female body as a researcher and supporter of this musicality, which analyzes the artistic trajectory of four Bahian singer-songwriters who have musical projects with elements linked to black ancestry and black feminism, thus perceiving the resemantization of meaning of an aesthetic that historically denied AfroBrazilian culture. Approximation of the concept of writability of Conceição Evaristo (2007) to the understanding of political writing for Jacques Ranciére (1995). The writing of a community, as a pupil, is observed from three elements: 1 - body; 2 - writing a black condition; 3 - experience. Statistical theory and methodology conceptually guide my thesis where my place as researcher is shared in tune with localized and self referenced knowledge from my black corporeity. In this sense the aesthetic common draws me closer to the story of the cantautoras described above, in a place of demarcation of the individual stories but at the same time with traces in common between them and with my own corporal self-perception. Voice and its racialized and racialized performances allow the understanding of the aesthetic experience intersected by the social markers of difference, such as race, gender, and class, engendering an experience traversed by the ancestral legacy of body memory and the voice of black Bahian women making their self-incriminations in a space-time. An understanding of the body as a place of memory as Leda Martins (2018) suggests. The relationship between female black bodies, their gender identities in the construction of a musical aesthetic project is thought here in a process of reification of memories, a spelling or writing that is drawn in their performances.

MEMBROS DA BANCA:
Externo à Instituição - CESAR GERALDO GUIMARAES
Interno - 287773 - ITANIA MARIA MOTA GOMES
Presidente - 809.666.405-00 - JORGE LUIZ CUNHA CARDOSO FILHO - UFBA
Externo ao Programa - 1819741 - LAILA ANDRESA CAVALCANTE ROSA
Externo à Instituição - LUCIANA XAVIER DE OLIVEIRA