Banca de DEFESA: ERIKA AMORIM PROFETA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : ERIKA AMORIM PROFETA
DATA : 20/02/2019
HORA: 09:00
LOCAL: Faculdade de Comunicação
TÍTULO:

FROM BRAZIL TO THE WORLD: THE TRANSNATIONAL CINEMA IN WALTERS SALLES’ ROAD MOVIES.

PALAVRAS-CHAVES:

transnational cinema; globalization; transnational narrative; international coproduction; Walter Salles. 

PÁGINAS: 117
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Comunicação
RESUMO:

This work aims to advance   the research on Transnational Cinema, reflecting on the emergence of the phenomenon, its contours, overlaps and cleavages in the Brazilian context, specifically by analyzing some of Walter Salles' films. To do so, the dissertation draws on the works of Elizabeth Ezra and Terry Rowden (2006); Stephanie Dennison (2013); Deborah Shaw (2013); Mette Hjort (2010) and Hamid Naficy (1996, 1999), who are recognized for their efforts to map and critically address the occurrence of the phenomenon in different countries and cinematographic cultures. Thus, having the interest in confirming  the presence of transnational traces in  Walter Salles oeuvre, and accounting the analytical tools indicated in  the literature, this research analyzes three films by the auteur: Terra Estrangeira / Foreign Land (1995), Central do Brasil / Central Station (1998) ) and Diários de Motocicleta / The Motorcycle Diaries (2004). From the point of view of modes of production, distribution and circulation of these three films, while also considering the cinematic construction of the narratives, the investigation concludes that the works examined share elements that allow one to place them within what the scholarship has been called Transnational Cinema.

MEMBROS DA BANCA:
Externo à Instituição - IZABEL DE FATIMA CRUZ MELO - UNEB
Interno - 1690228 - JOSE FRANCISCO SERAFIM
Presidente - 1807272 - REGINA LUCIA GOMES SOUZA E SILVA