This primary goal of this research is to analyze the elements of the philosophical concept of Existential Creativity present in the films NO HOME MOVIE (2015), by Belgian director Chantal Akerman, and AS I WAS MOVING AHEAD OCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (2000), by Lithuanian director Jonas Mekas. The research will seek to investigate and relate its hypotheses from three theoretical fields: First, a complementary opposition between two image theories of philosophers Didi- Huberman and Jacques Rancière, with the intent of an investigation into the possibilities of the images in processes of Creativity Existential. Next, an investigation will be carried out on philosophers who approach Existential Creativity. At the center of this triangle will be the study of mise en scene in the films in the corpus, as a catalytic element for all three of these fields.