Banca de DEFESA: RAPHAELLE NASCIMENTO SILVA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : RAPHAELLE NASCIMENTO SILVA
DATA : 02/03/2020
HORA: 09:00
LOCAL: FACED
TÍTULO:

Twitterature: the production of micro-fictions in digital environment - externalization, connection and sharing.

PALAVRAS-CHAVES:

Educational Technology. Cyberculture. Twitterature. Twitter. Micro-fiction.

PÁGINAS: 198
GRANDE ÁREA: Ciências Humanas
ÁREA: Educação
SUBÁREA: Tópicos Específicos de Educação
RESUMO:

Incyberculture, network connection has to some extent become one of the structuring parameters of human relations and the ways of being in connected societies. In this same perspective, digital culture has been strongly interfering in the way subjects consume, produce, disseminate content and relate to the aesthetic-cultural production goods in their most varied aspects and formats. In this scenario, digital social networks have reached a structuring space in the ways of narrating everyday life and have become a fertile and welcoming environment for the production of literary narratives such as the micro-fiction. In this context, the thesis discusses and analyzes the production of micro-fictions in the social network Twitter, which is configured as one of the aspects of the phenomenon entitled twitterature. The objective was to investigate the manifestations of distinctive aspects of network interactive writing in the production of micro-fictions on Twitter. The research adopted theoretical contributions that allowed establishing an intersection between studies on the narrative form micro-fiction and studies on digital social networks as a space for the production of cultural goods and manifestation of behaviors and ways of being in connected societies. The research had as main theoretical fields the Literary Studies and those of Cyberculture, especially those that refer to Twitter. Therefore, it is a research conducted from the covert observation of 12 Twitter profiles selected for the study from their twitterature production. The method used was qualitative of descriptive nature, analytical and interpretative. The final corpus of the research was composed by the elements of the constitution of the profiles in Twitter (username, biography, profile photo and/or cover); by the 33 selected literary tweets; for posts related to the practice of writing micro-fictions; and data regarding interactions and network movement of posted tweets. Through the analysis of these elements, it was found that: a) the shared and interactive way that micro-fictions can circulate on Twitter, legitimizes and modifies a social practice of literary writing distinct from previous forms, although not entirely new; b) Twitter, as a twitterature production space, does not yet have a writing flow with extended repercussions through the network's engagement and interaction resources, nor befitting its possibilities of global reach; and c) Twitter is a suitable space to host networked micro-narratives, but also in the context of cyberculture, the production of networked literary texts presents difficulties to reach its audience, similar to what occurs in print media. Among other aspects, we consider it important to highlight as the main result of this research, the perception of the potential capacity of network literary writing has to promote the education of sensibilities through the activation of aesthetic strategies and resources of the network environment. We conclude that this can be a structuring element for thinking about network learning as a way for the aesthetic experience of a more moving and shared literature teaching.

 

MEMBROS DA BANCA:
Presidente - 287781 - EDVALDO SOUZA COUTO
Interno - 3003581 - VERONICA SOFIA FICOSECO
Externo à Instituição - CAMILA LIMA SANTANA E SANTANA - IFBA
Externo à Instituição - ELIZABETH GONZAGA DE LIMA - UNEB
Externo à Instituição - EMANUEL DO ROSÁRIO SANTOS NONATO - UNEB