Ethnomusicological perspectives about Batuque: Sound racialization and ressignification in diaspora.
This work aimed to investigate the term batuque from an ethnomusicological approach based on decolonial methodology. Defending the thesis that batuque acted as a device to sound racialization in the face of black musicalities and gestures in Brazil, we sought to understand the processes of emergence, performance, continuities and ressignifications of this device in the sphere of social life of certain black populations, whose nickname batuqueiro/batuqueira crosses them from the past-present flow. Understanding device from a philosophical perspective, through its five chapter this work sought to map the historical, sociological, ethnographic and philosophical-musical crossings to wich batuque was present in a fundamental way, analyzing from these spheres both the racialized place wich was black sounds, as well as the resignifications engendered by the black people in diaspora around this device are also discussed.