Banca de DEFESA: AISHA LIMEIRA RORIZ

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : AISHA LIMEIRA RORIZ
DATA : 14/12/2020
HORA: 14:00
LOCAL: VIA PLATAFORMA RNP
TÍTULO:

My singing of love: The sung doctrine of Mestre Irineu in a female and northeastern perspective

PALAVRAS-CHAVES:

Hymns. Santo Daime. Religion. Women and Sacred Feminine. Ethnomusicology.

PÁGINAS: 130
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Música
RESUMO:

Through an autoethnographic approach, this work presents the result of  participative observation in the rituals of the sung doctrine of Santo Daime at CICLU-Ba,  a center that follows the spiritual work of Mestre Raimundo Irineu Serra, its creator. In  this musical tradition the hymns are not composed, but "received" from the spiritual  realm. The repertoire analyzed in this research includes the hymnals obtained until the  death of Mestre Irineu, in 1971. 

Having as main mark the apparition of the Virgin Mary, who first offered the hymns  to Mestre Irineu and then to the other daimistas, thus instituting the sacred feminine in its  original myth, it will be analyzed the role of women as caretakers of these chants and  original guardians of that musical tradition. 

Seeking to understand the cultural and musical roots that determined the emergence  of this singing style, a study was carried out on the sonorities that permeated the life of  Mestre Irineu and his companions before and during the reception of the hymns. Initially,  the musical elements from their northeastern origins were analyzed and then those from  the Amazon region, where many of them migrated in search of work in the early 20th  century. Other musical influences were also observed which, guided by the consciousness  expanded by the holy drink, composed the acoustic culture of the original daimistas. 

The work is based on a perspective of an engaged and participative  ethnomusicology, sensitive to the feminine, that brings references to brazilian theoretical  concepts, such as "acoustic culture" by José Lopes (2004), "native theory" by Tiago Pinto  (2001) and works on religious music and the sacred feminine like Laila Rosa (2009),  Kátia Rabelo (2013), Camila Benedito (2019) and Beatriz Labate (2009).

MEMBROS DA BANCA:
Externo à Instituição - FRANCISCA HELENA MARQUES - UFRB
Presidente - 1819741 - LAILA ANDRESA CAVALCANTE ROSA
Externo à Instituição - PAULO ALVES MOREIRA - UFBA