(In) visible music: People and sonorities excluded
Music; Social Exclusion; Social vulnerability; People in situation / street context; Ethnography; Ethnomusicology.
(In) visible music: Excluded people and sounds, consists of a musical ethnography based on meetings and music workshops held with people in a street situation / context, who attended the Movimento de População de Rua, the Programa Corra pro Abraço and CAPS Gregório de Matos, all in Salvador/Ba. I describe how these people performed their musical practices and what situations, activities and products were developed throughout the research. The theoretical foundation integrates contributions from Social Sciences, Anthropology, Music and Ethnomusicology and dialogues with decolonial and feminist studies from Latin America and other territories. It is located within the framework of qualitative research with engaged and committed practices, through interaction, observation and ethnographic and performative description. It approaches the Phenomenology approach, the Multi-referential approach, the Epistemology of the Event, the action research, participatory, dialogical, collaborative, engaged, ethical and shared research. This thesis intends to collaborate with the defragmentation of the perverse social imaginary that has about people in a situation / street context, and to promote the expansion of the current epistemological horizons, besides proposing discussions about gender, race, class, urban space and sound territories in Salvador/Ba.