Banca de DEFESA: LUCAS LEONARDO MUCARZEL ROSA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : LUCAS LEONARDO MUCARZEL ROSA
DATA : 30/11/2018
HORA: 13:00
LOCAL: Auditório Mastaba
TÍTULO:

The Exu Image in the City. Photography and urbanism: surviving images in the Old Center of Salvador

PALAVRAS-CHAVES:

Urbanism; Photography; City; Image; Oikonomy; Eikonomy; Biopolitics

PÁGINAS: 183
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Arquitetura e Urbanismo
SUBÁREA: Fundamentos de Arquitetura e Urbanismo
ESPECIALIDADE: Teoria do Urbanismo
RESUMO:

This research intends to treat the image of the city as a problem derived from an ongoing historical conflict, starting from a notion of the concepts of eikonomy of the image and of the city's oikonomy, and of the affections provoked by these actuations in the experience of the image in the city - in our case, the photographic experience of searching for surviving images in Centro Antigo de Salvador, whether in the public archive or on the streets and slopes of the city. From these historical actuations between the disciplines of urbanism and photography as devices originating from modernity intensified in the contemporary, within the game of lights in the city, we seek not exactly a semiological analysis of the image or an urban analysis of the city, but a problematization of the relations of power between them: city that produces image, image that produces city. For this, the conceptual articulation elaborated for the dissertation text intercedes from the theories about the concept of critical image from texts by Walter Benjamin and Georges Didi-Huberman; of the concepts of device and oikonomy worked by Giorgio Agamben from Michel Foucault; and the concept of eikonomy or iconomy of images elaborated by Marie-José Mondzain. Within this theoretical context and the studies around the object of research, we intend to trigger such relations of confrontation and coexistence between three possible formulated concepts of the image of the city and its respective folds: first image synthesis; second image thesis; third image antithesis; and overdertermination between them as folds or passages. In addition, still as a discursive body, between flows and intensities, percepts and affections, crossing the crossroads, we stand between the theories of the image and the city and let us to wander in the city's own experience and image in the city producing an photographic essay during the course of research in becoming. From this movement we call it Image-Èṣù in the city.

MEMBROS DA BANCA:
Interno - 3554536 - THAIS DE BHANTHUMCHINDA PORTELA
Externo ao Programa - 2466764 - ARIADNE MORAES SILVA
Externo ao Programa - 3303980 - JOAQUIM ANTONIO RODRIGUES VIANA NETO
Externo à Instituição - MESSIAS TADEU CAPISTRANO DOS SANTOS - UFRJ