Banca de DEFESA: RAFAELA KALAFFA SERGIO E SILVA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : RAFAELA KALAFFA SERGIO E SILVA
DATA : 20/11/2017
HORA: 13:30
LOCAL: Auditório Mastaba - Faculdade de Arquitetura e Urbanismo da Universidade Federal da Bahia
TÍTULO:

THE CITY AS AN OPEN DATABASE: AN ANALYSIS OF THE SPATIAL PRODUCTION IN PRAIA DE IRACEMA

PALAVRAS-CHAVES:

Keywords: database, spatial production, Praia de Iracema, patriarchal, matristic.

PÁGINAS: 109
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Arquitetura e Urbanismo
SUBÁREA: Fundamentos de Arquitetura e Urbanismo
ESPECIALIDADE: Teoria do Urbanismo
RESUMO:

From the transcription of the videos: Fort Acquario (DIÓGENES, 2016, Dur. 7’), Visita da Ralquel Rolnik no Poço da Draga – Parte I (CCDS; IDA 2012, Dur. 13’), Proibido Pular (COELHO, 2012, Dur. 3’) e Felipe Marinho | Praia dos Crush | Reportagem (FREIRE; MARINHO, 2017, Dur. 4’), it is perceived how discourses (governamental, academic, militant, nature) dispute and contribute to the production of the space of Praia de Iracema as an open database that structures the urban experience and reconfigures ethically and aesthetically the urban and narrative componentes. The work starts from the notion of database (MANOVICH, 2015) as a mean to analyze the spatial production (LEFEBVRE, 2006) of the city as a process with no beggining, ending, or any linear development that could organize its urban and narrative components in an ordered or hierarchical sequence. To demonstrate how this city database operates, this paper analyzes the discourses present in four audiovisual pieces (videos) produced about the Praia de Iraecma, a shoreline space located in Fortaleza-Ceará, through an approach similar to the Foucauldian archaeological analysis,. The work examines the agency (DELEUZE; GUATTARI, 1995, vol. 1) of the Acquario Ceara area, an enterprise under construction since 2012, that has as political and economic argument of patriarchal basis (MATURANA, 2009) the urbanistic transformation of Fortaleza into a touristic attraction of global interest. Thus, the analysis reveals that these discourses are contained on the dispute of the spatial production of the agency of the Acquario Ceará, but the narrative component Nature is targeted by repeated attempts at silencing from the patriarchal production (MATURANA, 2009) in which western civilization is inserted, preventing a production of space matristically based (MATURANA, 2009). 

MEMBROS DA BANCA:
Interno - 3554536 - THAIS DE BHANTHUMCHINDA PORTELA
Externo ao Programa - 2316335 - EDUARDO ROCHA LIMA
Externo à Instituição - FERNANDO ALVARES SALIS - UFRJ