Indigenous cinema in Volta Grande do Xingu: to think about images in catastrophic times
indigenous cinema, cosmopoltics, Volta Grande do Xingu, Belo Monte.
This thesis presents a perspective on contemporary indigenous cinema production in Brazil. It focuses on audiovisual creations produced as social and environmental mitigation for high impact installations built in indigenous territories and seeks to reflect, in dialogue with Isabelle Stengers' philosophy, about the image in times of catastrophe and the cosmopolitan impact of audiovisual productions created by indigenous authors and coauthors.