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GENILSON FARIAS SILVA ALVES
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CHANGE IS EVERYTHING: THE FICTIONAL WORLD OF GRAY'S ANATOMY AS A LABORATORY AUTHOR OF SHONDA RHIMES
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Leader : MARIA CARMEN JACOB DE SOUZA
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MEMBRES DE LA BANQUE :
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LUDMILA MOREIRA MACEDO DE CARVALHO
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MAÍRA BIANCHINI DOS SANTOS
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MARIA CARMEN JACOB DE SOUZA
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Data: 12 févr. 2019
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Afficher le Résumé
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This dissertation aims to investigate Shonda Rhimes' trademarks and style in Grey’s Anatomy, a series created by the writer-producer in 2005 and which became the television’s longest running medical drama, based on an internal and external analysis of the show. To that end, we use the methodological tools offered by the works of researchers in the history of art, sociology of culture, cinema and television, when we consider style as an analytical key, as proposed by Souza and Picado (2018). This choice is due to the preoccupation of this methodological collection with the historical context in which the works are produced, as well as with the intentions and choices of the creative agent - in this case, the writer-creator. In this way, we aim to identify the copyright trademarks developed by Rhimes with the medical drama, how these traits were developed, consolidated and what external circumstances interfered / influenced this process and can be identified in the series. Thus, we conducted the study by asking what problem the series and the copyright traits derived from it were presented as a creative solution. Indeed, we have developed a narrative in which we objectively reconstitute Rhimes' steps through the notion of social trajectory, establishing relations between the decisions taken by her, the routines and schemes of production characteristic of conventionally and historically conformed television serial fictions, and the stylistic features seen in the series effects program. The resulting discoveries from our analysis confirm some of our assumptions, such as the hypothesis that the writer's authorial traits are associated with the way women are portrayed in the program. Finally, we identify that the stylistic architecture from which the traits result is composed of strategies and melodramatic features such as poetic redundancy and voice-over narration.
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2
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TAMARA CAROLINE ALMEIDA TERSO
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MEDIATIZED JOURNALISM: THE CONSTRUCTION OF IMPEACHMENT BY PRESIDENT DILMA ROUSSEFF ON THE FREE JOURNALIST NETWORKS AND MEDIA NINJA
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Leader : GIOVANDRO MARCUS FERREIRA
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MEMBRES DE LA BANQUE :
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CLAUDIANE DE OLIVEIRA CARVALHO
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GIOVANDRO MARCUS FERREIRA
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JOSE EDGARD REBOUÇAS
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Data: 14 févr. 2019
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Afficher le Résumé
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The field of Brazilian journalism in the 21st century is a scenario of displacements arising from advances in information and communication technologies, coupled with socio-economic and political changes in a young democracy. This phenomenon is attributed to the process of mediatization in which social fields are crossed by the field of communication with greater intensity, reposition in agents, tensioning values and building new internal dynamics. Through the present research about the President Dilma Rousseff's impeachment construction, as a crisis event, covered by organizations Rede de Jornalistas Livres and Mídia Ninja we identified the mediatization of the journalistic field in aspects of organizational models, values and discourses. The crisis of the commercial journalistic model and its values of objectivity and impartiality open gaps for non-profit journalism models, native of digital networks and collaborative, as well as the experience of the organizations studied: Jornalistas Livres with a strong defense in the democratization of communications (Free Media) and Mídia Ninja activist of a "new" journalism, transparent and promoting social rights (Mediativism). Observing the institutionalization and form of relationship with the media, JL and MN are tributary to the value of news as a right and digital social networks as an arena for the exercise of information transparency, assumed as partial by principle. Thus, we visualize changes in the traditional communicative configurations of the journalism field in its main capital, the news, as well as the creation of bridges for the field of activism, what makes these vehicles "waves of mediatization" in the field. On the other hand, from the analysis of the discourse of articles, news, multimedia reports and other journalistic text son impeachment, in the period of 2015-2016 and carried out through software Atlas.ti, we detect enunciators with proposals of testimonial relationships and complicity with their readers. Through the concept of contract of reading we perceive the Rede de Jornalistas Livres witnessing the actions they covered, in real time, maintaining the hierarchy between enunciators and co-enunciators; Mídia Ninja broke the hierarchy by proposing a relationship of complicity between enunciators and co-enunciators, in order to bring events closer together through identity and participation. These contract sallied to the roles that both vehicles develop in the journalistic field revealed a discursive position, in the public’s here, contrary to the process of impeding the mandate of President Dilma Rousseff, for both an attack on democracy, thus a there at to development of journalism. In this sense, we perceive the mediatization of journalism presented in new formats of organizations, which dispute the news-capital at the same time as it transforms it and reveals new dynamics of construction of public opinion.
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3
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CÁSSIO SANTOS SANTANA
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OF SOCIETY IN MEDIATIZATION PROCESSES: VARIATIONS IN THE CONSTRUCTION OF IMPEACHMENT OF DILMA ROUSSEFF IN THE NEWSPAPERS FOLHA DE S. PAULO AND THE STATE OF S. PAULO
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Leader : GIOVANDRO MARCUS FERREIRA
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MEMBRES DE LA BANQUE :
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CLARISSA VIANA MATOS DE MOURA
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GIOVANDRO MARCUS FERREIRA
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LUIZ CLAUDIO MARTINO
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Data: 15 févr. 2019
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Afficher le Résumé
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The objective of this dissertation is to analyze how two printed newspaper, Folha de São Paulo and O Estado de São Paulo, constructed different discursive modalities in the coverage of the process of impeachment of the former Brazilian president, Dilma Rousseff, period of processing in the Chamber of Deputies. The processes of mediatization have dynamized the contact zones between journalism and its target audience, as the current circulation of media products has expanded the range of interactive circuits and dynamic interfaces. Journalism is forced to adopt new discursive strategies, to establish new standards or contracts of reliability with its target public in order to follow the regime of circulation of the information. In this movement, forms of enunciating and of distributing contents different from what had until then were established. There is an enunciative production thought out of the moving expectations and repercussions / sharing by the reader, of the instance of recognition. In order to understand this phenomenon, an analysis of the construction of Dilma Rousseff's media impeachment event was undertaken in order to identify the enunciative modalities used by the newspapers analyzed. The mediated enunciation was classified as self-referential, co-referential, decentralization, dialogy and performance. The results indicated that the enunciation of the newspapers analyzed uses the self-referential, decentralized and dialogical enunciative construction. The co-referential enunciation was only present in one of newspapers. The performance was not found in the analyzed corpus.
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4
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ERIKA AMORIM PROFETA
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FROM BRAZIL TO THE WORLD: THE TRANSNATIONAL CINEMA IN WALTERS SALLES’ ROAD MOVIES.
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Leader : REGINA LUCIA GOMES SOUZA E SILVA
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MEMBRES DE LA BANQUE :
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IZABEL DE FATIMA CRUZ MELO
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JOSE FRANCISCO SERAFIM
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REGINA LUCIA GOMES SOUZA E SILVA
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Data: 20 févr. 2019
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Afficher le Résumé
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This work aims to advance the research on Transnational Cinema, reflecting on the emergence of the phenomenon, its contours, overlaps and cleavages in the Brazilian context, specifically by analyzing some of Walter Salles' films. To do so, the dissertation draws on the works of Elizabeth Ezra and Terry Rowden (2006); Stephanie Dennison (2013); Deborah Shaw (2013); Mette Hjort (2010) and Hamid Naficy (1996, 1999), who are recognized for their efforts to map and critically address the occurrence of the phenomenon in different countries and cinematographic cultures. Thus, having the interest in confirming the presence of transnational traces in Walter Salles oeuvre, and accounting the analytical tools indicated in the literature, this research analyzes three films by the auteur: Terra Estrangeira / Foreign Land (1995), Central do Brasil / Central Station (1998) ) and Diários de Motocicleta / The Motorcycle Diaries (2004). From the point of view of modes of production, distribution and circulation of these three films, while also considering the cinematic construction of the narratives, the investigation concludes that the works examined share elements that allow one to place them within what the scholarship has been called Transnational Cinema.
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5
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HENRIQUE ALVARENGA DE ANDRADE
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CINISM AND INDIRECT FREE SUBJECT IN THE BRAZILIAN CONTEMPORARY DOCUMENTARY: The Case of Jesus no Mundo Maravilha
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Leader : GUILHERME MAIA DE JESUS
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MEMBRES DE LA BANQUE :
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ANA ROSA MARQUES ARAUJO TEIXEIRA
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GUILHERME MAIA DE JESUS
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SANDRA STRACCIALANO COELHO
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Data: 21 févr. 2019
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Afficher le Résumé
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Jesus no Mundo Maravilha e outras histórias da política brasileira discusses, through a farce, a serious subject: the police’s violence. This unusual combination resulted in different analysis from the critics who partially recognized its importance to the universe of brazilian documentaries, but also accused the film of cynically defending what it supposedly condemns. The controversial discussion about the film was were the research began. In the critical reviews it is possible to notice the continuous use of the expression “cynicism” in reference to the film. In some of them, the expression was used in its modern meaning, that is of an “enlightened false consciousness”. The history of cynicism in philosophy demonstrates that this expression has received various meanings according to the period of time in which it is used. Therefore, the research was built around the cynicism in the film. The cynicism in the film might be a reflex of a bad enlightened consciousness, because it exposes the ideological processes behind violence, but also affirms them, or it might be a legitimate heir of the cynicism that produced the menippea satire, the medieval buffoonery and the artistic modern vanguard. In the latter hypothesis, which in the one defended in this work, the objective is to confront the spectator with its ideology by exposing, without a chosen party, both sides of the conflict, and to put the spectator in an uncomfortable situation. In order to analyse the film, the chosen perspective was the one based on the concepts of cynicism and of free indirect subjective like it was formulated by Pasolini in his poetic cinema, latter amplified by the studies of Gilles Deleuze about the potentialities of the false, which demonstrates how the film structures itself around the dialog between the antagonic position of characters.
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6
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LORENA MARIA CALIMAN FONTES
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IMPARTIALITY IN GOVERNMENT COMMUNICATION: EVALUATION OF THE NEWS OF THE EXECUTIVE POWER OF THE VOICE OF BRAZIL IN TWO GOVERNMENTS
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Leader : LIA DA FONSECA SEIXAS
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MEMBRES DE LA BANQUE :
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JOSENILDO LUIZ GUERRA
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LIA DA FONSECA SEIXAS
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WILSON DA SILVA GOMES
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Data: 12 avr. 2019
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Afficher le Résumé
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The purpose of this work is to evaluate the extent to which the radio news Voz do Brasil (News of the Executive Branch) follows parameters or values of performance linked to journalism and public communication. We argue that the program is a journalistic product of public communication (Bucci, 2008, 2015, Zémor, 1995, 2012, Jaramillo López, 2011, 2012, Brandão, 2012), specifically informing about the federal government. The dissertation proposes an evaluation of the criterion of impartiality (McQuail, 2012), a value formed by balance and neutrality, considered normative for both public communication and journalism. Through content analysis (Bardin, 2016; Herscovitz, 2007), the balance is verified by the sources present in the news report, categorized by nature and circumstance (Guerra, 2007). Neutrality is ascertained through the analysis of evaluative assertion (Bardin, 2016), by identifying judgments as neutral, favorable or unfavorable to the attitude objects - categories, people or topics addressed in the news. The results show, for balance: inequality in the access of sources to the radionews, with emphasis on the official sources (by nature), directly related to the promoters and authorized (by circumstance). For neutrality: the predominance of favorable evaluations to the objects of attitude linked to the government, with the absence of evaluations unfavorable to them and a minority participation of neutral evaluations in the studied period.
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7
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GISELIA BARBARA SILVA
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MEMORY AND SUBJECTIVITY IN CONTEMPORARY DOCUMENTARY BRASILEIRO: AN ANALYSIS OF MOUNTING IN "ABOIO" AND "STAMIRA"
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Leader : SANDRA STRACCIALANO COELHO
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MEMBRES DE LA BANQUE :
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SANDRA STRACCIALANO COELHO
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JOSE FRANCISCO SERAFIM
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MARCELO RODRIGUES SOUZA RIBEIRO
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Data: 24 avr. 2019
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Afficher le Résumé
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This study analyzes two contemporary Brazilian documentaries that use the montage with aesthetic effects in capturing the subjectivity of their characters. The films in the study are "Aboio" (2005) by Marília Rocha and "Estamira" (2006), by Marcos Prado. The study will be based on the discursive analysis of the works and demonstrates the tendency of the documentaristas Brazilians to explore the resources of the assembly to build their speeches, as well as the use this process to express the subjectivity of their characters. The aspects of subjectivity explored are relative to the constructions of the memories of the filmed subjects. At Theories adopted are those that conceive the assembly not only as a technique of continuity, but for the production of meaning. The concepts of Sergei Eisenstein, with the foundations of cinepoetry of the 1920s, as well as contemporary authors, such as Vicent Amiel (2007) and Jacques Aumont (2012), with their publications on the aesthetics of assembly, will be the guiding principles of research.
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8
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MARIA DOMINGUEZ COSTA PINHO
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OPEN GOVERNMENT AND OPEN GOVERNMENT DATA: A study on policy and use of open data in Brazil
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Leader : WILSON DA SILVA GOMES
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MEMBRES DE LA BANQUE :
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WILSON DA SILVA GOMES
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ANA JÚLIA POSSAMAI
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SIVALDO PEREIRA DA SILVA
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Data: 26 avr. 2019
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Afficher le Résumé
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Since at least a decade ago, following a worldwide trend, the Federal government of Brazil endeavors a set of practices to open up the State. Between the main actions in this sense, there is the publishing of a big volume of government data in open formats, also known as open government data. The release of these data is sustained by the normative principles of open government. In this scenario, this dissertation has as the general objective to analyze the Brazilian open government policy and the open government data initiative. In order to do so, this work adopts two different research approaches, an institutional and a social one. Firstly, we analyzed what kind of projects, goals and principles are undertook by the analysis of governmental documents. The sample used in this research approach is composed by four national Action Plans elaborated with the Open Government Partnership and 25 Open Data Plans from the direct Public Administration. To the second approach of this dissertation, we considered the uses and social appropriations of open government data throughout the country. To fulfill this goal, we applied a survey to open government data users (N=81) and semi-structured interviews to five key-users. Results show that the Federal government open government and open government data policies pay attention to, mainly, projects related to transparency, participation and digital government. Regarding the type of these projects, firstly, early initiatives focused on training and education to public administrators, while more recently, there is a trend towards publishing data initiatives. Regarding open data uses and users, we identified uses to produce research and articles, to create APIs, websites and apps, to data visualizations, to audit the bills and governmental performance, to monitor public policies, to create services and to stimulate competition and economic growth. The research participants also indicated barriers and difficulties such as the low quality of released data, the lack of human and technical skills, the lack of organizations’ support and the fulfillment of the legislation.
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9
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JANAÍNA OLDANI CASANOVA
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"I WAS THERE": the organization of women experience in Rap in Salvador
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Leader : JORGE LUIZ CUNHA CARDOSO FILHO
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MEMBRES DE LA BANQUE :
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JORGE LUIZ CUNHA CARDOSO FILHO
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JULIANA FREIRE GUTMANN
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REBECA SOBRAL FREIRE
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Data: 26 avr. 2019
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Afficher le Résumé
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This dissertation analyzes the participation of women in rap, in face of a visible growth of female production in the Brazilian and Soteropolitan hip-hop scene in the last ten years. The research proposal is to understand the organization of the political-aesthetic experience (RANCIÈRE, 2005) in Salvador's rap events based on the articulation of gender x genre studies, exploring the specificities of rap as a musical genre and how it can determine or indicate certain practices. Based on research on the performance of women in the events, and on the experience involving artists and the public, it articulates with the transformations in the practices of communication related to the rap genre and the hip-hop motion in order to apprehend the experience situated and embodied by women (HARAWAY, 1995; SHUSTERMAN, 1998 e BERGER, 1999), which are manifested in the performance (ZUMTHOR, 2007; SCHECHNER, 2006 e FRITH, 1996) and power relations of musical connections (CARDOSO, 2014, LUHNING, ROSA, 2010 and JANOTTI, 2005). The research starts from the hypothesis that there is a power of social transformation in rap and that the strengthening of the women scene occurs from the context of visibility of the feminist struggles. The course of analyzes gather different aspects of the phenomenon, starting from the active observation of the researcher and passing through the ethnography of the digital environments to explore the use of social networks on the Internet, the analysis of the trajectory of the agents involved in the event, the content of songs and the repercussion of the event. As conclusions, it indicates that the protagonism of women is related to the fight against the machismo in both scene and society, and the rap genre is a decisive issue for the organization of these aesthetic-political experiences. Together, they destabilize dominant notions and potentialize the transformation of gender relations, with echoes of experience reverberating beyond the performances.
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10
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RAQUEL SALAMA MARTINS
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Ambient sound as a narrative resource in contemporary Brazilian documentary
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Leader : JOSE FRANCISCO SERAFIM
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MEMBRES DE LA BANQUE :
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JOCENY DE DEUS PINHEIRO
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JOSE FRANCISCO SERAFIM
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SANDRA STRACCIALANO COELHO
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Data: 26 avr. 2019
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Afficher le Résumé
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This work seeks to reflect on the role of ambient sound in the development of the contemporary documentary film narrative. Based on the studies of cinema and sound in the audiovisual language, with reference to authors such as Michel Chion, Murray Schafer and Daniel Deshays, we understand sound as a narrative image, not just an "added value to the visual image" (CHION, 2008).
Studies of the Brazilian researchers Viviane Vedana, Joceny Pinheiro, Consuelo Lins and Cláudia Mesquita, among others that approach sound issues in Brazilian
documentary cinema, indicate ways to investigate the modes in which ambient sound can narrate stories in these films. The objects of study to be researched are works by Evaldo Mocarzel (Quebradeiras, 2009), Maya Da-Rin (Terras, 2010) and Marcos Pimentel (Sopro, 2013), Brazilian filmmakers recognized for the production of documentaries that seek careful record and treatment of the surround sound.
We start from the hypothesis that there is a set of productions in the contemporary Brazilian documentary that point to the same path of exploring the ambient sound as a figurative accessory of the image. Based on the concepts of sound landscape, sound design and sonic hyper-realism, throughout the filmic analyzes we try to understand the ways in which the sounds of the environment are no longer used as a sonic backdrop to the images and they became, themselves, a narrative image, producing senses and sensations.
In order to perform such analyzes and to verify our hypothesis about the function of ambient sound in the narrative construction of a set of contemporary Brazilian documentaries, a perspective of internal analysis of the works was applied (AUMONT and MARIE, 2009), methodology adopted by the Nanook nucleus of documentary cinema, from the Laboratory of Film Analysis (LAF), coordinated by professor José Francisco Serafim. Understanding film as a means of expression, this type of analysis focuses on the film space as a text, while taking into account its context and uses cinematic concepts, which in the case of this research is ambient sound and its narrative function in different documentaries.
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11
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VICTOR PEREIRA VILLARPANDO
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Journalism at Instagram Stories: an analysis of the narrative structures of the appropriations of the feature by three traditional newspapers: O Globo, The Guardian and The New York Times.
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Leader : MARCOS SILVA PALACIOS
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MEMBRES DE LA BANQUE :
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GIOVANDRO MARCUS FERREIRA
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MARCOS SILVA PALACIOS
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MARIA LUCINEIDE ANDRADE FONTES
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Data: 21 mai 2019
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Afficher le Résumé
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This research proposes to study a comparative analyses of the narrative structures of the appropriation of Instagram Stories by the traditional newspapers that have the bigger number of followers of their countries: O Globo at Brazil, The New York Times at the United States of America and The Guardian at the United Kingdom. Instagram Stories is feature that lets users post photos and videos until 15 seconds that vanish after 24 hours. It has more than 600 million users. Stating that the narrative strutures afforded by the feature made the hybridization of telejournalism, photolegend and Snapchat easier, this research aims to list and describe the ways that these structures were used. The general purpose was to identify particular features of this new way of telling stories looking for the effects on the narrative structures and, possibly, innovation. Approaching researches that have been published about the theme and counting elements of the theories about innovation on journalism, we made a chart with 58 questions about elements to guide the analysis by a mechanism of occurrence and non-occurrence. The empirical analysis has two stages: one of quantitative character and another qualitative, whose look for the ways the storytelling elements are used for journalism. As results, we found that the majority of the 185 analysed stories has little of the narrative features afforded by Instagram Stories. We also noted that the newspapers has narratives related to traditional forms of the press, like third-person text and author who does not appear.
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12
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ALEXANDRO MOTA DA SILVA
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LIVE STREAMING JOURNALISM: A STUDY OF JOURNALISTIC APPROPRIATIONS OF TECHNOLOGY OF LIVE AUDIOVISUAL TRANSMISSION IN SOCIAL MEDIA
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Leader : MARCOS SILVA PALACIOS
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MEMBRES DE LA BANQUE :
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MARCOS SILVA PALACIOS
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JULIANA FREIRE GUTMANN
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WASHINGTON JOSE DE SOUZA FILHO
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FERNANDO FIRMINO DA SILVA
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Data: 22 mai 2019
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Afficher le Résumé
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This dissertation deals with live transmission of journalistic audiovisual contents through social media. Its main objective is to identify and analyze appropriations of the Facebook Live resource in journalistic practices, in Brazilian newsrooms. We sought to characterize the live format in online social networks, to estimate and map their uses in Brazil, to identify how this type of production promotes continuities, potentials and ruptures, and to problematize the concepts of interactivity and continuous deadline mobilized by these productions. ‘Shaping’ and ‘social appropriation of technologies’ theories guided the research. Through methodological triangulation, using an illustrative case study, the research presents two qualitative analytical stages: 1) an exploratory research of three newspaper companies in Salvador (Bahia, Brazil), followed by 2) a documentary research of discourses around the live streaming. A quantitative step was also taken (with the metadata survey of 235,000 videos posted on Facebook, in 215 pages of Brazilian printed newspapers, news sites and TVs), followed by two other qualitative steps (with coverage analyzes of two convergent newsrooms, with headquarters in Rio de Janeiro and Curitiba). Pragmatic Analysis of Journalistic Narrative is among the methodological tools used in the dissertation. Nine professionals involved in the transmissions of lives (reporters and editors), were interviewed looking for contextualization and validation of results. The research leads to the conclusion that the use of Facebook Live is a national phenomenon, present in 81% of Brazilian newsrooms. It is a format that potentially combines greater engagement than recorded videos, presenting aspects of interactivity that demand new conditions of professional polyvalence, especially as it involves journalists without audiovisual experience. A new level of continuous deadline updating was identified in the course of the research, leading to the revision, 10 years after its formulation, of the idea of Live Streaming Journalism, in order to accommodate news productions based on intensive instantaneity. It was observed that those production, diffusion and consumption processes are synchronous and with high visibility of users' interactions, being potentially able to integrate the receivers to the content as coproducers in real time or current.
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13
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Darlan Rocha Caires
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DRAWING THE DATABASE INFOGRAPHY: AN ANALYSIS OF DEPTH OF CONTENT AND INTELLIGIBLE FORMS OF VIEWING INFORMATION
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Leader : SUZANA OLIVEIRA BARBOSA
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MEMBRES DE LA BANQUE :
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CARLA DE ARAUJO RISSO
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SUZANA OLIVEIRA BARBOSA
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TATTIANA GONCALVES TEIXEIRA
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Data: 31 mai 2019
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Afficher le Résumé
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This research aims to discuss the field of infographics pointing not to an evolutionary, but additive, path: the fourth phase of the hyperinfographic (a concept suggested by Longhi and Cordeiro, 2018). The discussion is based on studying the visualization of data and the visualization of the information from the variations of the infographic as an object. For this, a relationship was established between the content created to the database and the different ways of visualizing information - considering aspects related to innovation, creativity, functionality and density. For this, we analyzed 10 infographic materials awarded in editions 26 and 27 of MALOFIEJ - an internationally recognized competition created by Society News Design (SND). The creation of the methodology was based on constructing an observation form exploring analytical models referring to the following areas and their respective researchers: definition of the function by Hann et al. (2017), application of the “Visualization wheel” by Cairo (2016) and use of the “Visual Thought Codex” by Carla Teixeira (2014). As a result, even with the interactivity present in all the hyperinfografics, an excessive use of static images was identified, limiting, in this way, the innovation question. The tendency of visual representation of the majority was limited to creating a content that objectified a representation of the simple object, highlighting the quantification of things, favoring the vision of the totality and thus comparing the facts as they are. Despite the lack of innovation, the hyperinfografics acted in a balanced way, with a well worked content, due to the many relationships established (with depth), and with a certain amount of creativity, thus constituting a cohesive material.
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14
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JULIANA LOPES DE BRITO
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“TAKING OFF THE LITTLE SHOES AND PUTTING THE FEET ON THE FLOOR”: HOW A DIGITAL INFLUENCER IS FORMED
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Leader : LEONOR GRACIELA NATANSOHN
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MEMBRES DE LA BANQUE :
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LEONOR GRACIELA NATANSOHN
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GIOVANDRO MARCUS FERREIRA
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MÔNICA DE SÁ DANTAS PAZ
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Data: 13 juin 2019
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Afficher le Résumé
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This work wants to understand the construction of digital influencers. To reach this goal, we analyzed, stressed and discussed the concept of digital influencer from the theoretical perspective of authors who research this concept (KARHAWI,Issaaf, 2017) confronting it with opinion leader (LAZARSFELD; BERELSON; GAUDET, 1948). For the accomplishment of the research we take as object in the empirical analysis the videos made by the journalist Maíra Azevedo, known in the digital platforms as Tia Má, published in her fanpage in the Facebook, that address feminist and gender issues. We have analyzed how Tia Má talk about feminism and how she fits into that debate, as well as verified which themes she chooses in her videos, analyzing how she treats them. Since Primavera das Mulheres, a period of feminist protests that broke out across the country in 2015 driven by digital platforms, several digital influencers are being relevant to the discussion of issues like feminism and racism. Tia Má is one of those personalities that appeared on the web whose message had national reach, including, today, beyond the digital platforms, traditional media. As a methodology for the analysis of the 45 videos published between 2016 and 2018 in her Facebook´s fanpage, that compose the sample, we usedthe concept of addressing modes (ELLSWORTH,Elizabeth, 2001) in order to understand how Tia Má addresses her audience and why the audience is interpellated by her videos. As a result, we find that Tia Má uses personal experiences and humor as strategies for transferring knowledge linked to the feminist production, especially of black feminists, by inserting herself in the debate on feminism (s), gender and race in order to criticize and deconstruct sexist and racist ideas.
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15
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RANY DIAS DE SOUZA
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THE SERTÃO AS SPACE OF ALTERITY IN THE BRAZILIAN CINEMA: An analysis of the flow narrative of Travel Because I Need, I Return Because I Love You.
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Leader : SANDRA STRACCIALANO COELHO
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MEMBRES DE LA BANQUE :
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JOAQUIM ANTONIO RODRIGUES VIANA NETO
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JORGE LUIZ CUNHA CARDOSO FILHO
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SANDRA STRACCIALANO COELHO
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Data: 8 juil. 2019
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Afficher le Résumé
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Starting from the understanding that the sertão presents itself as a space of symbolic exchanges widely represented in the arts that propose the self-reflexive movement of thinking "the Brazilian people", the present work analyzes the film Viajo Porque Preciso, Volto Porque Te Amo (AÏNOUZ; GOMES, 2009) understanding this as a device-film that updates the experiences of otherness through the construction of an access to the sertão that develops through the sensitive experience. Being a feature film that is part of a series of recent films that promotes fissures in the mythical landscapes hegemonically established for the sertão, doing this through proposals that demonstrate a transculturality that weakens the myth of genuine culture and of representation. Our objective is to investigate how these movements unfold within the narrative of Viajo to arrive at the conclusion that its trajectory breaks with the dichotomy of the sertão-littoral through a character who traces an errant expedition through the sertanejas landscapes and metaphorically plunges into a backlands that it is also sea
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1
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VIVIAN MARIA CORNETI DE LIMA
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The materiality of citizenship: digital practices of disabled people
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Leader : ANDRE LUIZ MARTINS LEMOS
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MEMBRES DE LA BANQUE :
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ANDRE LUIZ MARTINS LEMOS
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JOSE CARLOS SANTOS RIBEIRO
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EDVALDO SOUZA COUTO
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MARIA LUCINEIDE ANDRADE FONTES
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ANDRE FABRICIO DA CUNHA HOLANDA
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Data: 18 mars 2019
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The main objective of this thesis is to map the formation and action of sociotechnical actors that constitute the heterogeneous network of digital citizenship, including in this mapping the description and understanding of the elements that compose such a network. The research is based on the principles and foundations of the Actor-Network Theory applied to the notion of digital citizenship as a hybrid and plural process, of a techno-human condition, from the description and reflection of particular cases of people with physical disabilities (without full mobility of the arms, hands and fingers), aiming to identify and observe the actors, as well as their agencies and associations in all the particular moments that constitute the citizen activity, from the preparation of the objects to monitoring the activities online. In order to corroborate the concept of citizenship as a techno-human condition, based on Hannah Arendt studies, the categories of citizenship as labor, work and action are appropriate to account for the analysis of the trajectories of some subjects with physical limitations of health for connect to digital environments and consequently build their citizenship through digital platforms. Initiatives to publicize particular strategies for adapting technical equipment are mapped in order to identify the reasons that prevent and/or impede their access and also to know the characteristics of inventiveness and precariousness that are present in the individual processes of adaptation of the devices. The survey of empirical cases was done through the application of a questionnaire and interviews with the subjects in focus in this research, confirming the heterogeneous nature of digital citizenship.
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2
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THIAGO EMANOEL FERREIRA DOS SANTOS
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POLITICAL AND AFFECTED TRANSFORMATIONS: RADICALLY CONTEXTING THE JUNE 2013 DEVELOPMENT IN AUDIOVISUAL FLOWS
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Leader : ITANIA MARIA MOTA GOMES
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MEMBRES DE LA BANQUE :
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ITANIA MARIA MOTA GOMES
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JULIANA FREIRE GUTMANN
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JORGE LUIZ CUNHA CARDOSO FILHO
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ELTON ANTUNES
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NUNO MANNA NUNES CORTES RIBEIRO
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Data: 18 avr. 2019
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This thesis aims to understand transformations of politics and affects from the radical contextualization of June 2013, understanding it as an event. Radical contextualization acquires in this work a central role because we understand this is the heart of a research linked to cultural studies. Contextualize radically an event means to resort to various political and conceptual forms to understand it. In order to realize this contextual radicality, we start from Prado and Badiou's understanding of events as the interruption of a state of affairs in politics, provoking transformations. In our view, June‘s Journeys focused on two axes of transformation: the first, based on autonomist and/or counter-institutional movements that stressed aspects of institutional politics and representative democracy in Brazil; and the second, around irruptive presence of bodies of the diverse political minorities. Think June in this way makes us understand that, with it, actors emerge with different reactions to transformations that occur in that event. There are the faithful to the transformations – events bodies, so written to differentiate them from the bodies that are also seen in this work as one of the instances of configuration of politics; the subjects who recognize the transformation potential, but act to diminish these powers: the reactive ones; and those who oppose them, in an attempt to nullify transformations that it entails: the obscure ones. Continuing in the radical contextualization, we articulate discussion of event to definitions of politics and affect in Grossberg. From this author, we understand politics as a complex articulations between State, bodies and everyday life. And affects as modes of engagement of collective bodies that are crossed by moods, maps of importance and emotions. Our analyzes have given us interpretative hypotheses to understand transformations in politics and affects, articulated to audiovisual flows, cultural forms that characterize the technocommunicative environment – as we define, following Martín-Barbero, the current Brazilian media and cultural context. They are the breakthrough, dialogic, viral audiovisual flow and cognitive hypertextualities. In order to observe how these hypotheses are presented in articulation between affects and politics arranged by the June 2013 event in relation with the technocommunicative environment, we articulate the maps of the cultural mediations and mutations, developed by Martín-Barbero. These maps help us understand how conventions express new ways of feeling and sharing, therefore, new sensibilities that are shaped in relation to technicities, ways of seeing and doing. Identities are not seen by us as essences, but as elements that make us understand politics as dissent. Analysis of mediations and cultural mutations made us realize a compression of time-space and presence of elements of different temporalities in configuration of these flows: diachronically, cultural matrices; and, more dynamically, cultural references. Lastly, we observe that political and affective disputes that have arisen since June 2013, arranged in the environment, and expressed in these audiovisual flows, help to understand both the election of Bolsonaro and occupation of representative spaces by congresswomen linked to political minorities, amplifying the changes expressed by people like Marielle Franco.
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3
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AMANDA AOUAD ALMEIDA
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Brazilian advertising dramaturgy:
The serial fiction of "Marias" (Intimus) and "Boa" (Antarctica)
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Leader : MARIA CARMEN JACOB DE SOUZA
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MEMBRES DE LA BANQUE :
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CLEISE FURTADO MENDES
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MARIA CARMEN JACOB DE SOUZA
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REGINA LUCIA GOMES SOUZA E SILVA
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ROGERIO LUIZ COVALESKI
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TATIANA GUENAGA ANEAS
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Data: 24 avr. 2019
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This research is based on the assumption that there is an advertising dramaturgy, a construction of the drama that comes from the first narrative advertising films and that is becoming more complex as language evolves and we reach the period of what the market called branded content, where it is possible to observe in Brazil several cases of outstanding dramaturgical series. We assume that the advertising market is constantly changing and there is a tendency to create pieces that approach entertainment content, demonstrating a maximization of the narrative and dramatic resources in its creation as a strategy of approaching the public that tends to reject advertising content. Our hypothesis is that the advertiser's brand must be dramatically embedded as part of the story, not the other way round. And that the strategies of building brand values is what should be passed on in the plot, not the direct induction of a product. In order to understand the serialization strategy and the factors that lead to the creative choices and construction of values for the advertiser brand, we examined in the doctoral research the poetics of these works, trying to understand the narrative coherence and the dramaturgical functions of the brands in these products, showing how it was intended to construct , through them, empathy with the public. As an analytical clipping, we chose the Marias web sites of Intimus (Kimberly-Clark) and Antarctica Beer Boa (Ambev).
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4
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NAYRA VERAS DE ARAUJO
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PUBLIC COMMUNICATION MEDIATED BY MOBILE APPLICATIONS: use of apps by municipal governments in brazil (A case study of Salvador)
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Leader : ANDRE LUIZ MARTINS LEMOS
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MEMBRES DE LA BANQUE :
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ANDRE LUIZ MARTINS LEMOS
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SAMUEL ANDERSON ROCHA BARROS
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JOSE ANTONIO GOMES DE PINHO
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MACELLO SANTOS DE MEDEIROS
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MARCELO RAIMUNDO CHAMUSCA PIMENTEL
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Data: 30 avr. 2019
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This doctoral dissertation investigates Brazilian city’s official applications for mobile devices. It aims to analyze the role of such apps in public communication, considering other available channels and tools. The thesis holds in the defense of two arguments. The first one states that official applications for mobile devices can be characterized as the new media for public communication, since they are new sources of information, and encourage new ways of public participation and enlarges the means government can communicate and relate to citizens. The second argument points that such mobilized public communication is established by the mediation of a sociotechnical network. In contrast with traditional approaches which conceive public communication from the acts of communication professionals, such dissertation appoints that other actors has been summoned to think public communication: designers, coders, journalists, social media analysts, managers, public relations, advertising professionals, data analysts, and other. In addition, non-human actors must be consider in such analysis (software, developers, legislation etc.). Such perspective has fundament in the concept of mediation (LATOUR, 2012; LEMOS, 2018; SALGADO, 2017). To consider such thesis, our methodological approach involved identification of such apps in online stores and mapped the network related to every app, observing empirically how mediators acts in such networks. The main result of this research is the comprehension that, as official mobile apps are mediators in public communication, they are not only paths of information, information transmitters. They change – and are changed – by City Hall organizational structure and other related mediators (design, developers, objectives of the government administration). This doctoral dissertation is divided in five chapters.
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5
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ELIAS CUNHA BITENCOURT
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SMARTBODIES. BODY, WEARABLE TECHNOLOGIES AND ALGORITHMIC PEFORMATIVITY
An exploratory study on the heuristic modes of being a body on Fitbit platform
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Leader : ANDRE LUIZ MARTINS LEMOS
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MEMBRES DE LA BANQUE :
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ANDRE LUIZ MARTINS LEMOS
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JOSE CARLOS SANTOS RIBEIRO
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LEONARDO FERNANDES NASCIMENTO
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ANDRÉ DE FARIA PEREIRA NETO
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CARLOS FREDERICO DE BRITO D'ANDREA
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Data: 30 avr. 2019
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Afficher le Résumé
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This thesis explores the relationship between body and wearable technologies, searching into the agencies that emerge from these associations and that produce the datafication experiences of physical activities. Fitbit was chosen as an empirical object because it ranks among the top three companies in the global wearables market. The main themes of 221,388 thousand (47.4% of the 466,758 thousand) discussion threads available in the social network of the brand, were analyzed. From this universe were also extracted 542 testimonies regarding body monitoring experiences of 288 users. In addition, the two most popular Fitbit products were examined – Charge HR in 2015 and Charge 2 in 2016-2017 –; as well as patent documents, privacy terms, press releases, financial reports and advertising content available on the platform website. The procedures adopted involved digital data capture tools (web crawlers) and content-focused analysis protocols in Atlas.ti software. Supported by the principles of the Actor-network theory and on the new materialism approaches, our perspective defines body and smart things not in terms of what they are but in terms of the actions they both do together under the algorithmic mediation. By the exploration of Fitbits ’computational procedures and the user monitoring practices identified we propose that the wearable devices establish body connections that are particularized by three central characteristics: the algorithmically performative aspect of relation; the machine learning capacity and mimicry of the actions produced during interactions; and the experimental and heuristically controlled nature of the experiences of use. Our thesis is that these particular ways in which these associations act create the conditions for bodies and smart things to be built trough processes of mutual learning, also producing what we propose to call Smartbodies: a (bio)infocomunicational instauration that are carried out by the body’s sensitization to the digital methods of capturing, analyzing and visualizing data implemented by wearable computing. The Smartbody represents two important practical consequences of the relationship between digital technology and the body nowadays. The first one concerns the translation of bodily acquisition experiences into digitally traceable events. The second one refers to the bodily instaurations that emerges when bodies begin to learn to be affected by the algorithmic methods and then start to interact with the world through computationally modeled repertoires. Faced with the increasingly diluted presence of these smart technologies in everyday life, it is expected that the investigative approaches adopted in this work may provide a theoretical-methodological instrument for future analysis of other communication phenomena in digital culture.
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6
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Euro Prédes de Azevêdo Júnior
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A GENDER IN PARALAXE: the gap between works and speeches
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Leader : GUILHERME MAIA DE JESUS
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MEMBRES DE LA BANQUE :
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CLEISE FURTADO MENDES
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FREDERICO AUGUSTO LIBERALLI DE GOÉS
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GUILHERME MAIA DE JESUS
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LUDMILA MOREIRA MACEDO DE CARVALHO
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MARCOS CEZAR BOTELHO DE SOUZA
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Data: 30 avr. 2019
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This doctoral thesis is a study of the Brazilian comic-musical genre of the Chanchada, based on the fact that it performed a 'pendular movement' of value, going from one side of the spectrum to the other, from 'musicanalismo', on one pole, to 'the only genuinely Brazilian genre', on the other. How is it possible that a certain object that has remained the same in time - the chanchadas 'end' in the ’60s -, since the films that are warmly spoken of today are the same ones that were said to be 'subculture' before, can have hermeneutical power to generate two opposing interpretive forces? We divided this study into three fundamental stages: (1) the bibliographic-journalistical review of the written material about the chanchadas; (2) the internal analysis of works of the genre, aiming to create a (3) dialogue between contexts (discourses) and film-texts, comparing interpretations, testing the possibilities that internal analysis may suggest. These refer respectively to Chapters III, IV and V. On the basis of a nietzschean-inclined ‘criticism of value’, it consists, in a certain sense, of ‘archeology’ or ‘cultural genealogy’, insofar as the thesis attempts to draw a conceptual-valorative map of the chanchada, observing which elements are activated in the evaluations in question; in another sense, it is ‘historical poetics’, that is, how certain strategies of poetic effect pass through genres, which, in an image, can be illustrated as circumferences at intersection, encompassing strategies that are part of several circles (genres). Such strategies were grouped around the notions of 'parody', 'popular', 'comic' and 'modern', these elements being that analytic operators of a textual / contextual interface. Our conclusions are very ‘inconclusive’ in nature and consists, for the most part, of interpretative suggestions; however, the most importants of these are the idea of something as a 'cultural-developmental resentment' in the historiography of national cinema; the notion of parody as ‘poetic of contre-plongée’; the sketching nature of the chanchada aesthetic and its derivation from the Teatro de Revista – Revues – (along with its ‘bad’ value); the relation of the positive evaluation of the critical chanchada’s laughter, which saw there only the castigat ridendo moris, with an idealized lineage for the laughter; the imposition that the bodies in scene do to the analyst of these films, given its importance to the comical nature of the genre; the elements of 'modern cinema' present already in the chanchadas, despite the fact that cinematographic modernism has been the main critic of the genre; the elements of something like the ‘Eztétyka da fome’ (the “Hunger’s Aesthetic”), by Glauber Rocha; and finally, regarding the method, the indispensability of a procedure that allows an interface between review of discourses and internal analyzes.
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7
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DANIELE MOITINHO DOURADO VALOIS RIOS
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Labor and Policy Representations in the Northeast of Velho Chico
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Leader : MARIA CARMEN JACOB DE SOUZA
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MEMBRES DE LA BANQUE :
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ALANA DE OLIVEIRA FREITAS EL FAHL
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JOSE ROBERTO SEVERINO
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MARIA CARMEN JACOB DE SOUZA
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MARIA IMMACOLATA VASSALO DE LOPES
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SYLVIE JOSE MATHILDE DEBS
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Data: 8 mai 2019
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The Northeast concentrates a large group of social representations associated with a Brazilian region. Discusses which are related to their natural features and the livelihoods of the social groups that reside in it, rely on the performance of the producers and creators of artistic and media goods, among them the telenovelas and their dozens of plots set in the region. Aware that the ways of representing the Northeast in the plots are the fruits of choices made by its creators - and that such decisions have direct relations with the position that these creators occupy in the telenovela field -, the thesis aims to understand how the representations of the Northeast were constructed and narrated in the telenovel Velho Chico (REDE GLOBO, 2016, 21h) by the responsible creators, author-writer Benedito Ruy Barbosa and artistic director, Luiz Fernando Carvalho. We work with the hypothesis that the work arises with the purpose of developing a point of view about the region, a perspective that shows the Northeast as a place of diversities (natural, cultural and human), of struggles (conflicts of generation, of class and of search for political awareness) and of great sources. A microcosm that allows reflections on the country, with its problems, conflicts and hopes for a better life to their citizens, a more rational and sustainable future. As a theoretical reference, studies were carried out on the representations of the Northeast in the artistic topic that became stylistic references for the fictional and dramatic treatment of telenovelas, as well as ideas about the development of regionalism, notes on the part of the region bathed by the São Francisco River ( after all, it is in this part of the Northeast where the plot was set) and thoughts on the television making itself (considering the particularities of the product in question, telenovelas). The theoretical and methodological perspective adopted is based on the concepts of field, habitus and social trajectory of agents, groups and institutions responsible for the ways of representing the Northeast in telenovelas. As a methodology, besides the bourdiesian perspective, the problemsolving approach was used for the textual analysis of soap operas, used by researchers such as Gombrich, Baxandall and Bordwell, in association with the telenovelas analysis method developed by the researcher Maria Carmem Jacob de Souza. An investigation that tries to relate the external dimensions of the production of the representations with the internal dimensions of the editorial choices of Barbosa and Carvalho in Velho Chico, with its attempts to represent the Northeast as a place of riches, struggles and redemption of brazilian identity. In this hole, two major themes were considered, which are a great deal to the creators of the plot: work and politics. In addition to starting from already consecrated images to make a new and critical reading of the region, Velho Chico presents the Northeast as a cradle of riches and cultural traditions, and values work, union and popular awareness as the true paths to dignity, happiness and the attainment of a more prosperous life.
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8
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PAULO VICTOR PURIFICAÇÃO MELO
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COMMUNICATION POLICIES IN LATIN AMERICA AND SOCIAL PARTICIPATION: the experiences of Argentina, Ecuador and Uruguay.
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Leader : GIOVANDRO MARCUS FERREIRA
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MEMBRES DE LA BANQUE :
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GIOVANDRO MARCUS FERREIRA
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OTHON FERNANDO JAMBEIRO BARBOSA
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CESAR RICARDO SIQUEIRA BOLANO
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MARCIA GUENA DOS SANTOS
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PEDRO ANDRADE CARIBE
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Data: 23 mai 2019
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The thesis explores the participation and incidence of national articulations from civil society in the process of discussion and elaboration of public policies for communication in three Latin American countries. In the case of Argentina, the analysis is about the efficacy of Coalición por una Radiodifusión Democrática in the Ley de Servicios de Comunicación Audiovisual, of 2009. Regarding Ecuador, the efficiency of the Foro Ecuatoriano de la Comunicación, the Colectivo Ciudadano por los Derechos de Comunicación and the Autoconvocados por la Ley de Comunicación in the inclusion of a chapter on Communication in the country’s current Constitution, of 2008, and in the Ley Orgánica de Comunicación, of 2013. In Uruguay’s turn, the influence of the Coalición por una Comunicación Democrática in debates concerning the Ley de Servicios de Comunicación Audiovisual, of 2014. The specific objectives of this thesis articulate with both conceptual and empirical issues of the research: a) present notes and thoughts on the relationship between Communication and Democracy, especially from the State’s performance through public policies; b) build a panorama of communication policies in Latin America, highlighting the three countries analyzed; c) develop a survey on the main civil society’s national articulations in the area of communication in the three countries, emphasizing their history, composition, determining characteristics and main proposals, verifying and referring convergences and divergences among each one. The comparative analysis scope was build using the document analysis method, from four complementary methodological stages: a) identification and selection of civil society articulations that influenced the public discussion of the legislation mentioned; b) survey of spontaneous initiatives developed by these articulations (strategies, documents, activities etc); c) survey of the Executive Branch instruments and official mechanisms that enabled the participation of civil society; d) systematization of the moments of discussion of the laws in/by the Legislative. It is concluded that the analyzed processes of participation represented an unprecedented paradigm shift in the construction of communication public policies in Latin America, overcoming a culture of unofficial agreements between the State and the market making the actions of civil society the main fuel for changes in legal frameworks. On the other hand, the analysis points out difficulties when it comes to institutional incorporation of the demands presented by the civil society regarding democratizing communication, being the political disposition of the governments – in the sense of confronting interests that historically have involved the sector – a fundamental element to make social claims positive, although the most important intention is to legitimize political measures in their own interest.
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9
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ELVA FABIANE MATOS DO VALLE
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"ELEMENTARY MY DEAR WATSON": Study of the updates of Sherlock Holmes and Dr. Watson adventures in the television series Sherlock (BBC) and Elementary (CBS)
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Leader : LUDMILA MOREIRA MACEDO DE CARVALHO
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MEMBRES DE LA BANQUE :
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LUDMILA MOREIRA MACEDO DE CARVALHO
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SANDRA STRACCIALANO COELHO
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MAÍRA BIANCHINI DOS SANTOS
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MARCEL VIEIRA BARRETO SILVA
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PATRÍCIA DE OLIVEIRA IUVA
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Data: 27 mai 2019
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Crime fiction has occupied an important part of the television schedule worldwide, for as long as there has been television. In fact, crime drama is the most produced and most exhibited category on American prime-time television and occupies a significant portion of the British television schedule. We have seen, in the past five years, the exponential growth in the number of crime series. In 2014, we identified 2.773 investigative series cataloged by IMDB; in 2019, there were 5.670 titles. In this context, in which a series competes for the audience’s attention with other similar products, we observe the success of adaptations that update the adventures of two of the oldest (and most recognized) characters of the genre, Sherlock Holmes and John Watson: the award-winning BBC series, Sherlock (2010-2017) and the popular CBS investigative series, Elementary (2012-2019). Our starting point was to try to understand how the same character, from the same source of texts, can be flexible and adapted in two very different products. Following a different perspective from recent research, we study how traditions influence the creation of works. Verifying how the characters – Sherlock Holmes and John Watson – were presented in the two recent serialized modernizations, Sherlock and Elementary. Observing the construction of the series’ identities, focusing on how the two series negotiate with the established conventions of investigative series, with the elements from the adventures of the classic detectives and with specific industrial practices (from BBC and CBS channels). We try to answer how traditional and conventional elements appear in products; how to create, within strict categories; and innovate, without losing the recognizable attributes of the genre. In this investigation, we approach Sherlock, Elementary, stories and adaptations of Sherlock Holmes and crime fiction. Studying crime fiction is dealing with a popular and widespread genre, considering the importance and notoriety of the genre, whether in literature or in audiovisual. Researching Sherlock Holmes is deal with the best-known and most adapted character in the world, it’s thinking about the importance and relevance historical, cultural and economic of the character and his adventures. Analyzing Elementary and Sherlock allows us to approach serial narratives, a television product that increasingly gains space and notoriety among the audience, the critic and scholars, investigating and testing methods of analysis. This thesis dialogues and corroborates with television studies, with investigations of products associated with strong traditions, as well as contributing to analysis of adaptations whose source text is widely known.
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10
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INARA DE AMORIM ROSAS
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The style of the author/screenwriter in Brazilian telenovelas: a study from the works and trajectory of João Emanuel Carneiro.
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Leader : GUILHERME MAIA DE JESUS
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MEMBRES DE LA BANQUE :
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ALANA DE OLIVEIRA FREITAS EL FAHL
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GUILHERME MAIA DE JESUS
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IARA REGINA DEMETRIO SYDENSTRICKER CORDEIRO
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LUDMILA MOREIRA MACEDO DE CARVALHO
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RODRIGO LESSA CEZAR SANTOS
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Data: 30 mai 2019
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The present dissertation (doctorate degree) undertakes an analysis of the style of the author/screenwriter in telenovelas, working as case study the trajectory and works of João Emanuel Carneiro. The author-screenwriter established himself in the last decade as one of the main contemporary Brazilian novelists, and to date has written six telenovelas for Rede Globo, the Brazil‟s leading broadcaster, those are: Da cor do pecado (2004), Cobras e Lagartos (2006), A Favorita (2008), Avenida Brasil (2012), A regra do jogo (2015) e Segundo Sol (2018). The research path presented here, therefore, understands what is style in telenovelas. To that, the theoretical-methodological path is based on the perspective of David Bordwell (2008a; 2013), for which style in an a film refers to the choices of filmmakers in certain historical circumstances. We consider telenovelas as expressive works, taking into consideration their traits of intentionality and the solutions of problems from the author‟s choices in the elaboration of the product (Bordwell, 2008a; Baxandall, 2006). Articulating formulations of these two authors, we understand the problem/solution model (Bordwell, 2008a; 2013) as an exercise of inference and idealization that considers the author of the work a historical and social agent situated in a context and in a tradition, with principles and techniques agreed upon. Thus, we aim to understand how the author-screenwriter reorganizes certain possibilities, constructing a particular rearrangement of these techniques and configuring what we define as his style. In analyzing telenovelas as historical objects, we infer the circumstances of their creation from the relation between the notion of Order and Directives placed on the work author, which, in the case of telenovelas, is attributed by the screenwriter in a historically constructed position within the field of dramaturgy for TV (Souza, 2004b; and the cultural circumstances and descriptions we make of those works. As an analytical support for the contextual questions of the works, we discuss concepts from the sociology of art of Pierre Bourdieu (1996), which takes the context to understand the product, incorporating the study of the author's trajectory as a way to better understand his or her choices. From the notion of author-writer, our analysis of style refers to the elements under the responsibility of this craft in the work, which relate to the aspects of dramaturgical and narrative construction, since the telenovela is a product based on dialogue, seriality and multiple plots (Pallottini, 2012). By analyzing the mentioned telenovelas, we perceived elements that denotes the style of the author, such as the amplified us of melodramatic elements in order to reverse archetypes and expectations of the audience from a shared repertoire, or the recurrence of protagonists with moral ambiguity.
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11
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JOÃO EDUARDO SILVA DE ARAÚJO
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“All in the game”: the poiesis of a realistic fictional world in The Wire"
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Leader : MARIA CARMEN JACOB DE SOUZA
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MEMBRES DE LA BANQUE :
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MARIA CARMEN JACOB DE SOUZA
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FABIO SADAO NAKAGAWA
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MARIA CRISTINA PALMA MUNGIOLI
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MARCEL VIEIRA BARRETO SILVA
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JOSE BENJAMIM PICADO SOUSA E SILVA
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Data: 27 juin 2019
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Afficher le Résumé
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This dissertation examines the manner in which The Wire’s narrative and stylistic structures at once produce a fictional world that is particular to the TV show and cast over that world an illusion of reality. The goal of our research is, thus, double-edged. On one hand, we’re interested in analyzing how The Wire produces a distinct fictional world, organized by its own set of rules and notable for the events, settings, characters, and atmospheric qualities that emerge along the show’s five seasons. On the other hand, we’re also interested in analyzing the ways The Wire casts an intense impression of lifelikeness over said world, making it feel similar to the portion of our own reality the series more directly allegorizes. In this journey, we take on the approach of Poetics, characterized by the meticulous observation of the ways the narrative and stylistic devices of a medium take form in a particular work. In our case, the approach of Poetics helps us understand the ways The Wire engages its mise-en-scène and the narrative, dramatic, visual, and auditory devices it employs both to create a unique fictional world and to evoke reality effects. At the end of the analyses, we hope to demonstrate how The Wire builds an ontic sphere distinguished by the tension between the oppressive institutions of a decaying city on one hand and the individuals captured in their web on the other. On that same note, this research also investigates the ways the show invites us to read reality itself through those same lenses of institutional oppression, thus evoking realism. Beyond that, we also explore how the patterns that govern the show’s plots and serialized structures produce a very unique temporal dynamic. In The Wire, events are themselves highly significant are cyclically organized, and yet the series is able to produce a strong impression that it only linearly ensues events that are random and, very often, ordinary, the same way “real time” allegedly does. In this whole effort, the dissertation anchors its findings on a set of creative parameters adopted by the series creators, and on how those parameters at once help create the show’s unique word and evoke its reality effects. Beyond that, we also anchor our findings on the ways The Wire recreates real stories and individuals, and on the show’s moorings on melodrama, the police procedural, and the cinematic style of the Italian neorealist movement.
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12
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JOÃO SENNA TEIXEIRA
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The web-like construction of the Marvel Cinematic Universe
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Leader : MARIA CARMEN JACOB DE SOUZA
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MEMBRES DE LA BANQUE :
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GREICE SCHNEIDER
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JOSE BENJAMIM PICADO SOUSA E SILVA
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JULIANA FREIRE GUTMANN
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MARIA CARMEN JACOB DE SOUZA
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RODRIGO LESSA CEZAR SANTOS
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Data: 9 juil. 2019
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Afficher le Résumé
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This thesis has the goal to understend the structure and organization of non-linear serialized fictional worlds, specifically how the Marvel Cinematic Universe is constructed by the narrative relations between the several works that constitute it. To complete this endeavor, we developed the concept of continuity relation, so that que can analyze how the different works in the same world connect to each other and in which vector. We also revise and update the concept of narrative canon to deal with how this non-linear are managed in its expansion, if with more or less control and if this control is distributed or centralized. Based on such notion of canon and continuity we analized 82 works belonging to the Marvel Cinematic Universe e came to the conclusion that this world become more connected with each passing phase, that the movies are pretty independent from the rest of the world and that the series become more and more independt with time. We also observed that the canonical management of the Marvel Cinematic Universe becomes less controlled as the phases progressed, but it still was very centralized.
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13
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HELEN CAMPOS BARBOSA
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Manifestos to listen: the gendered and racialized aesthetic experience from the singing of Manuela Rodrigues, JosyAra, Larissa Luz and Luedji Luna.
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Leader : JORGE LUIZ CUNHA CARDOSO FILHO
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MEMBRES DE LA BANQUE :
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CESAR GERALDO GUIMARAES
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ITANIA MARIA MOTA GOMES
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JORGE LUIZ CUNHA CARDOSO FILHO
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LAILA ANDRESA CAVALCANTE ROSA
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LUCIANA XAVIER DE OLIVEIRA
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Data: 26 août 2019
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Afficher le Résumé
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The present thesis from a feminist and antiracist perspective contextualizes studies focused on aesthetic experience, proposing a decolonizing and decolonial view on aesthetic cultural epistemologies. The study is developed from the intersection between aesthetics and politics, contextualizing the Bahian feminine musical production in the national context of what has been denominated as generation tipping. I propose the apprehension of aesthetic experience based on the concept of writing, proposed by the writer Conceição Evaristo (2007), while a methodology that by pointing to the performance writing as a political strategy allows me to dialogue about the musical production of black female singer-songwriters from Bahia, reflecting on the presence of black and female bodies in Brazilian music production. At the same time, it allows me to locate my own black female body as a researcher and supporter of this musicality, which analyzes the artistic trajectory of four Bahian singer-songwriters who have musical projects with elements linked to black ancestry and black feminism, thus perceiving the resemantization of meaning of an aesthetic that historically denied AfroBrazilian culture. Approximation of the concept of writability of Conceição Evaristo (2007) to the understanding of political writing for Jacques Ranciére (1995). The writing of a community, as a pupil, is observed from three elements: 1 - body; 2 - writing a black condition; 3 - experience. Statistical theory and methodology conceptually guide my thesis where my place as researcher is shared in tune with localized and self referenced knowledge from my black corporeity. In this sense the aesthetic common draws me closer to the story of the cantautoras described above, in a place of demarcation of the individual stories but at the same time with traces in common between them and with my own corporal self-perception. Voice and its racialized and racialized performances allow the understanding of the aesthetic experience intersected by the social markers of difference, such as race, gender, and class, engendering an experience traversed by the ancestral legacy of body memory and the voice of black Bahian women making their self-incriminations in a space-time. An understanding of the body as a place of memory as Leda Martins (2018) suggests. The relationship between female black bodies, their gender identities in the construction of a musical aesthetic project is thought here in a process of reification of memories, a spelling or writing that is drawn in their performances.
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14
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DOROTEA SOUZA BASTOS
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The aesthetic dimension and sensitive body experience in dance
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Leader : JORGE LUIZ CUNHA CARDOSO FILHO
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MEMBRES DE LA BANQUE :
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CECILIA DE LIMA HONÓRIO GOUVEIA TEIXEIRA
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JORGE LUIZ CUNHA CARDOSO FILHO
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JOSÉ MANUEL EMILIANO BIDARRA DE ALMEIDA
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LUDMILA CECILINA MARTINEZ PIMENTEL
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MIRIAN ESTELA NOGUEIRA TAVARES
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Data: 28 oct. 2019
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Afficher le Résumé
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This thesis aimed to analyze mediadance (Schiller, 2003) based on the sensible relationships between the body and digital artifacts, intending to understand what emerges from these relationships. For this purpose, the body was observed, analysed and experienced as a central component in the contemporary context of the mediadance. This practice-based research in art considered a conceptual approach and the artistic creation, which resulted in experiments performed in association with theoretical investigation and three of them were chosen to compose the corpus of this thesis: Do pó ao pó – ensaios da última jornada, Starry Sky and Corpo-ensaio, all inspired by the work of Maya Deren. The artworks emerged in response to our questions and are the very discovery in the scope of the research. Unlike the reflections that put the body in the service of technological devices, considering technology as something external to us, the understanding we brought in this investigation is that the body assumes the enviroment of emergence and expression of the aesthetic experience and that the artworks start from the poetic possibilities generated by the body, which modifies the contexture of the scene.
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15
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NÁDIA SILVA MORAGAS
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JOURNALISTS AND SOURCES IN POST-INDUSTRIAL JOURNALISM: study empirical analysis of the coverage of climate migration in digital products
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Leader : LIA DA FONSECA SEIXAS
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MEMBRES DE LA BANQUE :
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LIA DA FONSECA SEIXAS
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GIOVANDRO MARCUS FERREIRA
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ANTONIO MARCOS PEREIRA BROTAS
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CILENE VICTOR DA SILVA
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JOSENILDO LUIZ GUERRA
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Data: 31 oct. 2019
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In this research we aimed to understand the transformations of postindustrial journalistic practice especially regarding the dynamic among journalists, sources and audience in the production process from an empirical study of the coverage of climate migration phenomenon in digital media, in 2018. We analyzed content served in two product groups, separate as reference and free and alternative media products. The first brings together The New York Times (USA), El País (Spain), Al Jazeera (Middle East) and The Guardian (Nigeria). The second consists of Mediapart (France), The Conversation (Australia), Other Words (Brazil) and The Quint (India). Our theoretical-methodological approach was built from Content Analysis in association with journalism studies to analyze information sources and reflections on the notion of author in journalism. The concept of the social field was fundamental to understand the logic of the journalistic field and the ongoing changes reflecting the growing process of society mediatization, especially after the advent of the internet, which provided the multiplicity of content producers in digital media. Our proposal to classify information sources proved operative to identify the authors, allowing us to investigate the social actors authorized to participate in the post-industrial journalistic production process. We conclude that the predominant criterion for the information sources selection, their social position, was applied in the process of selecting sources and audience members who were “signers” of content in the analyzed products. The horizontality in post-industrial journalistic production was selective, and the specialists with institutional ties were the social actors authorized to participate in the production process as “signer-author” of content on this issue in the products of the corpus. Although there is a multiplicity of content producers in the digital environment, the logic of the journalistic institution that authorizes only social actors with symbolic capital, with recognized social position, to produce content in its domain, even though they prevail restricted to opinion editing. Social actors involved in the fact/phenomenon, such as witnesses, participants, citizens and activists, were excluded from the public visibility space that is journalism, little triggered as sources of information and nonexistent as content producers, which does not contribute with a clear public opinion on this problem that reaches everyone even disproportionately. In post-industrial journalism the separation of facts x opinion has been put on hold. In the free and alternative media products analyzed, the opinion column was extinguished and the contents produced by agents from other social fields published in spaces equivalent to journalistic production. The nomination given to the displaced as well as the phenomenon differed among the products, and the geographical proximity of climate extremes and their consequences meant that the migratory phenomenon was nominated in countries whose populations are in exodus while the displaced named indiscriminately as migrants and/or refugees in products from regions receiving the caravans. The framing of the risk in the contents showed that the problem is surrounded by a notion of risk that permeated practically all productions, linked to both the causes and consequences of the migratory flow. However, there is a divergence between the prominence given to the risk that has been placed on the opening elements especially in the Middle East product.
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