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Disertaciones |
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1
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ANDRE GEIGER
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METRONOME AND METRONOME APPS: NEW PERSPECTIVES IN MUSICAL PRACTICE.
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Líder : LUCAS ROBATTO
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MIEMBROS DE LA BANCA :
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CELSO JOSE RODRIGUES BENEDITO
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JOSE MAURICIO VALLE BRANDAO
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LUCAS ROBATTO
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Data: 07-feb-2022
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Resumen Espectáculo
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The presente work approaches the musical study using metronome and metronome apps for any stage of musical learning, any musical genre, for any age. In the memorial, I make a brief description of my musical trajectory with an explanation from where I got the idea for the research project. In the article, I expose the theme: Metronome and metronome apps: Enhancing Musical Practice, and present bibliographical review of the musical practice, bibliographical review of rhythm, the history of the metronome and I describe the applications that changed the way I study with the metronome. In the final product, I present my method of music studies with metronome and metronome apps in six lessons.In the reports, I discuss my experience in professional practice oriented in correlation with the practice and the help of different metronome apps.
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2
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Alexandre da Silva Montenegro
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PERFORMATIC TEACHING-LEARNING DYNAMICS FOR JAZZ INSTRUMENTAL MUSIC IN THE BAIAN SCENARIO.
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Líder : KATHARINA DORING
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MIEMBROS DE LA BANCA :
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KATHARINA DORING
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MARCOS DOS SANTOS SANTOS
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PEDRO AMORIM DE OLIVEIRA FILHO
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Data: 08-abr-2022
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Resumen Espectáculo
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This final conclusion work is composed of a Memorial, which narrates my life and professional trajectory as a jazz teacher and musician. It also concerns the educational projects that led to the development of this research. In addition to bringing the contributions of the disciplines, practices and guidelines that permeated the activities developed in the Professional Master of Music Education. It also has an article entitled "Teaching-learning performance dynamics for instrumental jazz music in the Bahian scenario", where it addresses issues related to Music Education, bringing reflections on Jazz in Bahia and presenting pedagogical-musical proposals developed in times of pandemic, using digital tools such as Podcast. At the end, in the Appendix, the Reports of Supervised Professional Practices carried out during the course are included, highlighting the musical practices as a teacher and jazz artist, in addition to the Final Product, which constitutes didactic material for the Music Education scenario.
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3
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LUCIANO AZEVEDO E SILVA
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THE CREATIVE PROCESS OF A PIANIST IN FIVE ARRANGEMENTS FOR PIANO ON POPULAR BRAZILIAN THEMES.
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Líder : BEATRIZ ALESSIO DE AGUIAR SCEBBA
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MIEMBROS DE LA BANCA :
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DANIELA ANDREA TORRES CABEZAS
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BEATRIZ ALESSIO DE AGUIAR SCEBBA
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JOSE MAURICIO VALLE BRANDAO
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Data: 20-abr-2022
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Resumen Espectáculo
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This Final Conclusion Project including the Memorial, the Article, the Final Reports, and the Final Product, discusses the presence and relevance of piano arranging practice through the record of a collaborative pianist creative process. The final product of this process is presented through 5 arrangements for solo piano on Brazilian popular themes. This project also includes a short bibliographic research on the arrangement pointing out the historical importance of multiple musical reworking practices in consolidation of the western traditional piano repertoire and the living presence of arrangement in collaborative piano practice.
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4
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FABRÍCIO BONFIM SANTANA
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THE SYSTEM 12 FOR ELECTRIC CONTRABASS.
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Líder : PEDRO AMORIM DE OLIVEIRA FILHO
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MIEMBROS DE LA BANCA :
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GILMARIO CELSO BISPO DE JESUS
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PEDRO AMORIM DE OLIVEIRA FILHO
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PEDRO AUGUSTO SILVA DIAS
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Data: 29-abr-2022
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Resumen Espectáculo
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This document includes the final work presented to the Professional Postgraduate Program in Music (PPGPROM) of the Federal University of Bahia (UFBA) and its main objective is to present an adaptation of system 12 for electric bass based on the book A Modern Method for Guitar, by William Leavitt. Firstly, the Memorial is presented, briefly describing the musical history of the author. Then, an article presenting a brief view of system 12, where considerations are made about the trajectory of the electric bass in Brazil, also raising information about its bibliography. In the sequence, the final product is presented, showing the system 12. Preliminary concepts that are important for understanding the system are discussed, followed by diagrams with the typing models. Soon after, the exercise book is presented, where scores are available containing exercises with the major scale in all keys, divided into 12 sessions that include each of the 12 positions of the system. At the end, reports are presented describing the practices carried out in the period.
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5
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MARCO AURÉLIO GOMES VILAS BÔAS
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SOUND SPACES: THE ARTISTIC AND PEDAGOGICAL CAREER OF ZDENEK SVAB, A TRAJECTORY OF CONTRIBUTIONS.
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Líder : CELSO JOSE RODRIGUES BENEDITO
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MIEMBROS DE LA BANCA :
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PHILIP DOYLE
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CELSO JOSE RODRIGUES BENEDITO
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LELIO EDUARDO ALVES DA SILVA
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Data: 10-may-2022
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Resumen Espectáculo
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This work was elaborated during the Professional Master in Music of Federal University of Bahia (UFBA), in the area of musical performance. The objective of this research is to highlight the artistic and pedagogical career of Zdenek Svab promoting through his career a search engine for education, research and musical appreciation with special reference to the French horn. Svab is a Czech horn player and teacher based in Brazil since 1968 and who became one of the main references of the instrument in the country. During the research, an inventory of documents was acquired, such as: programs, newspapers, magazines, audio records, video and photographs. Organized chronologically, this material illustrates his trajectory as an artist and teacher in a timeline. The results of this collection were established in a Virtual Space, where contents will be made available for the appreciation of the horn community, as well as for researchers who have a close relationship with the subject. Enabling new discoveries, facts and information that can contribute to teaching and making horn music in Brazil.
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6
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LUCAS FERREIRA DOS SANTOS
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ELECTROACOUSTIC MUSIC AND POPULAR MUSIC: A WORK PROPOSAL FOR CLARINETS AND SOUNDS ELECTROACOUSTICS.
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Líder : PEDRO ROBATTO
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MIEMBROS DE LA BANCA :
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JOSÉ BATISTA JUNIOR
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LELIO EDUARDO ALVES DA SILVA
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PEDRO ROBATTO
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Data: 24-may-2022
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Resumen Espectáculo
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This research seeks to reflect on the universe of electroacoustic music for clarinet, with the main objective of encouraging the practice of Brazilian electroacoustic music. The theme is justified by the absence of electroacoustic music practice or even the lack of knowledge on this subject among clarinet students, which stems from a lack of encouragement during the musical education phase or even in the conservatories themselves. Thinking of a way to bring electroacoustic music closer to new interpreters, we proposed an addition of electroacoustic music with Brazilian popular music. In addition, the practice of contemporary music in general can bring us new languages and improve our techniques and our ways of understanding and thinking about music.
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7
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MARIA CECILIA MOITA
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TECHNICAL-INTERPRETATIVE ASPECTS OF COLLABORATION PIANISTICS IN THE EXECUTION OF ORCHESTRAL REDUCTIONS CONCERTS FOR METAL INSTRUMENTS.
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Líder : BEATRIZ ALESSIO DE AGUIAR SCEBBA
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MIEMBROS DE LA BANCA :
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BEATRIZ ALESSIO DE AGUIAR SCEBBA
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ELISAMA DA SILVA GONCALVES SANTOS
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FLAVIA ALBANO DE LIMA
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Data: 07-jun-2022
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Resumen Espectáculo
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This final conclusion work presented to the Professional Graduate Program in Music (PPGPROM) of the School of Music of Federal University of Bahia (UFBA) includes the memorial, the final reports, and the final product. These documents elucidate the recording process of orchestral reductions for piano of concerts and brass musical works. The article titled “Paulistanas Identities” describes a concert performed by this author at Ema Klabin Museum House and it explores the process of repertoire organization and the challenges involved in its performance on the centenary Érard Piano, showing multiple roles of the professional pianist and presenting an authorial work of a soloist and collaborative pianist. The musical pieces included in the final product have been selected based on the analysis of repertoire required in auditions for brass instruments, in Brazil and around the world. The main aim of recording and discussing about this practice is to register the interpretative and technical process and contribute to a high-level performance of orchestral reductions. Additionally, the observation of this practice may optimize rehearsals involving both instrumentalist and pianist.
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8
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WALTER JUNIO DA SILVA VIEIRA
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THE CLARINET IN THE MUSIC BY LIDUÍNO PITOMBEIRA: IDENTIFICATION OF WORKS AND ANALYSIS OF THE HERMETIC SUITE, FOR WINDS QUINTET.
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Líder : PEDRO ROBATTO
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MIEMBROS DE LA BANCA :
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EDUARDO GONÇALVES DOS SANTOS
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JOEL LUIS DA SILVA BARBOSA
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PEDRO ROBATTO
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Data: 07-jun-2022
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Resumen Espectáculo
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The present work was produced during the Professional Master's Degree in Music of the Federal University of Bahia (UFBA), in the area of musical performance, contemplating the Memorial; the Article with the analysis of the Hermetic Suite - for wind quintet, by Liduíno Pitombeira and the identification of the use of the clarinet in his work; the Final Reports and the Final Product. In addition, the following will be presented: the biography of the author; the results arising from the contributions of the master's program to the research; the supervised professional practices; productions; and the final considerations. The objective was to analyze the play, Suite Hermética, to contextualize the life and work of the aforementioned composer, to identify the compositions where the clarinet is used, to point out the modes used, and to contribute to the dissemination of the work of Pitombeira. Through interviews with the composer himself, it was possible to have access to information about his works using the clarinet and more precisely about the quintet. With the identification of the works for the instrument, the appreciation and production of this composer is perceived. As a final product, the phonographic record of five pieces for Pitombeira's clarinet was made: Rigel, a solo piece dedicated to the author; Japan, duo for clarinet and Euphonium (unpublished work); Ventos Tejaños, trio for clarinet, oboe and bassoon (compositional model, Systemic Modeling); Landscapes No 13, for clarinet quartet; and, the Hermetic Suite, for wind quintet.
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9
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FILIPE SOARES BARBOSA PINTO DE QUEIRÓS
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OPERAS BY RICHARD WAGNER (1813-1883): ANALYSIS AND STUDY PROPOSAL OF THE MAIN EXCERPTS FOR TUBA, HIGHLIGHTING THE CAVALGADE DAS VALKYRIES.
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Líder : LELIO EDUARDO ALVES DA SILVA
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MIEMBROS DE LA BANCA :
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CELSO JOSE RODRIGUES BENEDITO
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FABIO CARMO PLACIDO SANTOS
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LELIO EDUARDO ALVES DA SILVA
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Data: 08-jun-2022
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Resumen Espectáculo
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In the first section of this work I present the Memorial, reporting relevant musical experiences in my academic and professional trajectory, in Portugal and Brazil, up to the current moment of attending PPGPROM. In the Article presented in the second section, I discuss the function of the tuba in the Symphonic Band, through the analysis of some excerpts from the tuba score in reference works for this formation, and propose a study process applied to the tuba excerpt from the Third Symphony op. 86 by James Barnes (b.1949), including the video recording of this excerpt. The third part includes the reports of the Supervised Practices carried out during the Master's. In the last part, I insert the final product, that is, an analysis and proposal of a study process to achieve a high performance in the execution of tuba excerpts from the operas of Richard Wagner (1913-1983), with emphasis on Ride of the Valkyries, with inclusion of the video recording of this excerpt.
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10
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JONATHAN AUGUSTO RAMIRES COELHO
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BRAZILIAN MUSIC FOR CLARINET AND GUITAR DUO: Cataloging and reporting on four works dedicated to Duo Tercina.
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Líder : PEDRO ROBATTO
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MIEMBROS DE LA BANCA :
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EDUARDO GONÇALVES DOS SANTOS
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JOEL LUIS DA SILVA BARBOSA
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PEDRO ROBATTO
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Data: 08-jun-2022
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Resumen Espectáculo
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This final work presents the prerequisites for obtaining the title of Master of Music by the Graduate Program in Music at the School of Music, Federal University of Bahia, which are: Memorial, Final Product, Supervised Professional Practice and Article. The memorial seeks to synthesize my professional and academic trajectory, before and during the professional master's course. The final product presents the result of a professional phonographic recording, with three original Brazilian works for clarinet and guitar dedicated to Duo Tercina. The supervised professional practices, located in the appendices of this work, elucidate the entire professional process developed during the course. The article deals with the contextualization, survey and cataloging of original Brazilian works, transcriptions and arrangements for clarinet and guitar duo, and the catalog is located in the appendices of this work. The practice of chamber music is essential for the formation of a musician, and the objective of this catalog is to divulge the existence of this repertoire among clarinetists and guitarists, aiming at the practice of chamber music, as well as to encourage the production of new works, recordings and academic research. To date, we have twenty-two original works, eight transcriptions and seven written arrangements, totaling thirty-seven works, which will contribute to the discipline of chamber music in universities, colleges and music conservatories throughout Brazil.
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11
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PRISCILA MARTINS VIANA VIEIRA
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CONCERTINE FOR HORN AND CHAMBER ORCHESTRA BY COMPOSER JOSÉ SIQUEIRA: PRACTICAL EDITION WITH CRITICAL APPARATUS.
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Líder : CELSO JOSE RODRIGUES BENEDITO
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MIEMBROS DE LA BANCA :
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WALESKA SCARME BELTRAMI
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CELSO JOSE RODRIGUES BENEDITO
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EDUARDO GONÇALVES DOS SANTOS
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EKATERINA KONOPLEVA
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Data: 08-jun-2022
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Resumen Espectáculo
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This work was produced during the Professional Master's Degree in Music of the Federal University of Bahia (UFBA), in the area of musical performance. Its format consists of a memorial with the explanation of the edition and analysis of the Concertino for horn and chamber orchestra by composer José Siqueira. In addition, the following will be presented: the author's biography; the results arising from the contributions of the master's program to research; supervised professional practices; productions; and the final considerations. The objective was the production of a practical edition from a critical apparatus of the part of the horn of the Concertino in question, in addition to the organization of a score in hypertext format. Through bibliographic studies, interviews and field research, it was possible to carry out a survey of works, where the horn is inserted, within the repertoire of that composer. Among the works, the Concertino is the piece with the greatest emphasis on horn, because it is a soloist in front of a chamber orchestra. For the study in question, five available sources of the work were analyzed, which allowed the very informed comparison in the creation of a practical edition of the horn part and also the digitization of the piano and chamber orchestra part. As part of the results of this research is understood the access to a wide repertoire that is still little disseminated among horn players.
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12
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MIZAEL JOSÉ NASCIMENTO DE FRANÇA
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STRATEGIES FOR BUILDING PERFORMANCES IN REPERTOIRE WORKS FOR SOLO TENOR TROMBONE THROUGH DAILY STUDIES WITH APPROACHES INTERTEXTUAL.
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Líder : LELIO EDUARDO ALVES DA SILVA
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MIEMBROS DE LA BANCA :
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DIEGO RAMIRES DA SILVA LEITE
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LELIO EDUARDO ALVES DA SILVA
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MARCOS BOTELHO LAGE
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SUZANA KATO
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Data: 09-jun-2022
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Resumen Espectáculo
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This work contains three parts. The first part consists of a memorial that lists my musical inspirations, teachers, and learning experiences. It Took Place before the beginning of my Master's degree program, as well as activities and materials produced during the course work. After this, an article that discusses the importance of the daily technical studies for the trombonist's improvement, and the creation of studies aimed at preparing the performance of the piece Divertimento by composers Gilberto Gagliardi and Oscar S. Brum. The text was based on the understanding of Kristeva's concept of intertextuality (2005) and, later, on the application of this same concept in the construction of Intertextual Diary Studies for the Trombone (EDIT), making it possible to guarantee the maintenance of the trombonist's general technique associated with the preparation of a specific repertoire. In the final product, a notebook containing eight EDIT is available, all based on melodies and excerpts from solo pieces from the Brazilian repertoire for tenor trombone. The construction of a didactic material aimed at the preparation of Brazilian pieces for solo trombone and piano is directed, such as Fantasia by Abdon Lyra, Duas Danças by “Maestro Duda”, and Fantasia Sul América by Claudio Santoro, among others. Indeed, the mentioned pieces are contained in curricula of educational institutions spread across Brazil, including the Graduation in tenor trombone at UFBA.
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13
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PEDRO HENRIQUE LISBÔA DA SILVA
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BRAZILIAN CHAMBER SONG: A reflection on the lyrical singing vocal technique applied to performance.
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Líder : FLAVIA ALBANO DE LIMA
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MIEMBROS DE LA BANCA :
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BEATRIZ ALESSIO DE AGUIAR SCEBBA
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ELISAMA DA SILVA GONCALVES SANTOS
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FLAVIA ALBANO DE LIMA
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RAFAEL LUIS GARBUIO
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Data: 10-jun-2022
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Resumen Espectáculo
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This Final Conclusion Work includes a memorial, article, final reports and description of the final product. In addition, this document contains reports referring to the mandatory curricular components and supervised practices performed during the Professional Master's course of the Professional Master's Degree Program in Music of the School of Music of the Federal University of Bahia (PPGPROM). In the memoir there is a descriptive summary about my musical education, experiences and practices lived inside and outside PPGPROM, as well as a presentation about the planning, objectives, needs and use of the product of this research for singers. The scientific article presents a reflection about the theme, considering some notes about the specificities of managing the lyric singing technique applied to the performance of the Brazilian Chamber Song. This work also presents the reports of the supervised practices and of the Technical-Interpretative Workshop experienced during the course, which testify their contributions to the construction of the work in musical and scientific terms.
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14
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SAORY RAQUEL NASCIMENTO SANTANA RIBEIRO
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PLAYFUL ACTIVITIES IN THE VIOLIN TEACHING PROCESS AND VIOLA: SUPPORT MATERIAL FOR PEDAGOGICAL PRACTICES FOR SUZUKI TEACHERS.
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Líder : EKATERINA KONOPLEVA
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MIEMBROS DE LA BANCA :
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EKATERINA KONOPLEVA
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JOEL LUIS DA SILVA BARBOSA
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MARIA THEREZA PITA GONDIM
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SUZANA KATO
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Data: 10-jun-2022
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Resumen Espectáculo
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This work is presented as a requirement for obtaining a Master Degree by the Professional Postgraduate Program in Music (PPGPROM) at the Federal University of Bahia, Brazil. In this sense, the work has the general objective of presenting an academic and professional historical report, portraying the main points that led to the construction of a research product in the area of Music Education. Specific objectives are: 1) to present the initial steps as a student, instrumentalist, pedagogue, and what led to decision-making while joining the Professional Postgraduate Program in Music at the Federal University of Bahia; 2) describe the activities developed at PPGPROM; 3) display the Academic Article entitled Playing as a Foundation in Teaching and Learning of the Musical Instrument; 4) present the Final Product of PPGPROM - Didactic Playful activities for teaching violin and viola: material to support the Suzuki methodology. Thus, we seek to answer the problem question of this investigation: How can playing be used in the processof teaching and learning of violin and viola through the Suzuki methodology? The justification for the development of this work is due to my practice as a Suzuki violin teacher, which is permeated by the empirical experimentation of playfulness in teaching the musical instrument. The methodology used in this work is based on the qualitative approach and on the bibliographic method, regarding its procedure. In view of this, in our theoretical foundation we rely on: Freire (2016), Marín (2018), Chateau (1987), Suzuki, (2008), Barber (1993), Eubanks (2014), Ebin (2015), Charlot (2020), among others. Thesolution to the problem is presented through the proposal of progressive and detailed pedagogical activities, addressed in the aforementioned PPGPROM Product, aimed at teachers of the instrument (violin/viola) who emerge their professional performance through a creative and effective methodology.
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15
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FELIPE GRIMALDI REQUIÃO SILVA
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THE BOSSA NOVA GUITAR IN ADERBAL DUARTE'S WORK A SYNTHESIS OF ESSENTIAL ELEMENTS WITH EMPHASIS ON RHYTHMIC CONDUCTION.
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Líder : ROWNEY ARCHIBALD SCOTT JUNIOR
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MIEMBROS DE LA BANCA :
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LUCAS ROBATTO
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PEDRO AMORIM DE OLIVEIRA FILHO
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ROWNEY ARCHIBALD SCOTT JUNIOR
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Data: 17-jun-2022
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Resumen Espectáculo
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This Final Conclusion Work is composed of: a Descriptive Memorial referring to my trajectory in the Professional Graduate Program in Music at UFBA (PPGPROM); a Scientific Article on the topic of my dissertation (The Bossa Nova Guitar in the Work of Aderbal Duarte); a description of the Final Product of the research presented (EP Saravá Mestre Aderba!); and the Report of Supervised Professional Practices attended. This work is justified by fulfilling the requirement to obtain a Master's degree in Music in the area of Musical Creation and Interpretation, and aims to gather and explore the essential characteristics of the "bossa nova guitar", guitar language and term synthesized by the maestro, guitarist, composer, researcher and educator from Bahia, Aderbal Duarte. This language has as its main aesthetic reference the work of the artist João Gilberto, as well as other Brazilian guitarists such as Dilermando Reis and Baden Powell. In addition to collecting biographical information about the composer, describing essential technical and aesthetic elements, 4 works by Aderbal Duarte for solo guitar will be analyzed, emphasizing the identification of the rhythmic cells described by the composer as fundamental in this language, as well as their variations and creatively handled fragments in the composition of the rhythmic guitar conduction. This work seeks to provide relevant information for guitarists, guitar lovers and Brazilian popular music lovers, detailing successful interpretive paths and providing elements for a potentially richer creative practice in terms of references.
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16
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EPITÁCIO RODRIGUES E SILVA
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PEDAGOGY FOR TRAINING CLARINET PLAYERS: HOW TEACHERS TEACH BREATHING, EMBOCKAGE, POSTURE AND SOUND EMISSION (REPE).
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Líder : JOEL LUIS DA SILVA BARBOSA
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MIEMBROS DE LA BANCA :
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JACOB FURTADO CANTÃO
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JOEL LUIS DA SILVA BARBOSA
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PEDRO ROBATTO
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Data: 21-jun-2022
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Resumen Espectáculo
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The purpose of this work is to present the result obtained in the professional master's course of the Professional Postgraduate Program in Music (PPPROM), at the School of Music of the Federal University of Bahia, describing the research, through the article, and the parts of the thesis. This document includes the memorial, containing autobiographical and academic aspects, an article, the final product and reports of supervised professional practices. The autobiographical part of the memorial talks about me and my musical trajectory until I entered the PPPROM. The academic part presents my achievements within the master's course, curricular components and supervised professional practices studied. The article presents research on how teachers, including me, teach breathing, embouchure, posture and tone emission (BEPTE), aiming at the training of clarinetists at a high school level, the equivalent of training in the technical course in music/clarinet. The article aims to lead clarinetists, students and teachers, to a reflection on the BEPTE, improving the use of the fundamentals of breathing, embouchure, posture and tone emission. In addition, the research was carried out with teachers who work primarily in courses focused on concert music, as well as myself and the authors of the bibliography used for the theoretical foundation. The final product, unrelated to the article unless it was produced by the same author, includes two didactic arrangements of Brazilian music for symphonic band at initial levels. There is a shortage of this type of teaching material in the Brazilian market. The task of writing within a didactic level, both, in the limited range of notes of band instruments and in the use of simple rhythmic figures, as it is a material intended for training, that is, for the development of musicians still at a beginner level, is complex and attracts few arrangers. With the product it is intended to guide the beginning members of the symphonic band in the discovery and appreciation of Brazilian music.
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17
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LAIS GUIMARAES DOS SANTOS COSTA
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ORCHESTRAL EXCERPTS FOR VIOLA.
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Líder : SUZANA KATO
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MIEMBROS DE LA BANCA :
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JOSE MAURICIO VALLE BRANDAO
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LAURA JORDAO DE LIMA E SILVA
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SUZANA KATO
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Data: 12-ago-2022
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Resumen Espectáculo
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The present dissertation of the Professional Master’s in music, in the area of interpretation and musical creation, contains a memorial, an article, a final product and reports of professional practices. The memorial described my academic and professional trajectory, from the beginning of my music education until my admission into the master's degree. The article that was published in issue n.01 of the journal of the Brazilian Association of Violists in December 2021, presents data about possible technical and musical challenges of four orchestral excerpts for viola. In addition, it presents a data analysis that aims to identify and propose possible tools that facilitate the study of those challenges. Data was collected in interviews with professional violists and the excerpts were selected from auditions of Brazilian professional orchestras. The final product is the result and continuation of my research for the article, in which is presented the result of a survey of strategies aimed for students and professionals in the area, contributing to a better understanding and study of orchestral excerpts for viola. The final product also contains scores with bowings, fingerings and other useful information, edited based on suggestions of Brazilian violists participating in this research.
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18
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DÂMARIS DOS SANTOS
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DAILY TECHNICAL WARM-UP FOR VIOLINISTS: A COMMENTATED LITERATURE REVIEW.
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Líder : ALEXANDRE ALVES CASADO
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MIEMBROS DE LA BANCA :
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ALEXANDRE ALVES CASADO
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HEINZ KARL NOVAES SCHWEBEL
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JOSE MAURICIO VALLE BRANDAO
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Data: 17-ago-2022
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Resumen Espectáculo
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This present article aims to describe and present the research process and the results obtained during the Professional Master Degree in Music course at the Federal University of Bahia – PPGPROM. It contains a memorial, an article and a final product, which consists of a violin and piano recital recorded on December 2, 2021. In the memorial, the musical trajectory of the mestrans was presented, describing important points that led her to the choice of the predent theme of this article. They were also the process of construction of the works and stages of research. The aforementioned article is an investigation into the importance of daily technical warm-ups for violinists. For this, a bibliographic review on the subject was carried out.The results show that performing a daily technical warm-up positively influences the rest of the study and decreases the risk of muscle injuries in violinists.
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19
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LÍRIDA OLIVEIRA DE LIMA
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TECHNICAL AND STRATEGIC ASPECTS OF THE PREPARATION OF THE DOUBLE STRINGS OF THE VIOLIN CONCERT IN E MINOR BY FELIX MENDELSSOHN.
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Líder : ALEXANDRE ALVES CASADO
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MIEMBROS DE LA BANCA :
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SANDRA KALINA MARTINS CABRAL DE AQUINO
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ALEXANDRE ALVES CASADO
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JOSE MAURICIO VALLE BRANDAO
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Data: 16-sep-2022
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Resumen Espectáculo
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The present work aims to present and describe the research process and the results generated during the master's course at PPGPROM - Professional Graduate Program in Music at the Federal University of Bahia. It contains a memorial, an article and a link to access the recording of the recital (product). The memorial describes the training process of the master's student, the classes and subjects taken throughout the course and the justification for choosing the research topic . The article presents an analytical description of the technical elements, problems and possible solutions present in the double stops excerpts. As a result, this research shows that the technical study of the double stops excerpts from the concerto for violin and orchestra op . 64 by Felix Mendelsohn is a slow process, however with time, the results appear and stay fixed in our memory, allowing technical evolution and less time to prepare the repertoire.
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20
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ITALO RAFAEL NOGUEIRA
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FREVOS FOR CELLO.
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Líder : SUZANA KATO
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MIEMBROS DE LA BANCA :
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SUZANA KATO
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JOEL LUIS DA SILVA BARBOSA
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FERNANDA MONTEIRO DA CRUZ SILVA
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Data: 11-oct-2022
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Resumen Espectáculo
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This final conclusion work, presented to the Professional Graduate Program in Music of the Federal University of Bahia – PPGPROM, includes a memorial, an article, the final product and the reports of professional practices. The memorial seeks to synthesize my musical trajectory, my professional master's degree and my experiences with brazilian popular music. In the article, I investigate the main aspects of the frevo genre and seek to make a relationship with the idiom of the cello, seeking theoretical subsidies in order to support my interpretative choices of the recorded works; and the final product consists of the video recording of 3 frevos for cello: Frevo para Nora, by Maria di Cavalcanti; Tic, Toque Frevo!, by Rodolfo Lima and Meloritmias n°14 (frevo), by Ernani Aguiar. Complementing, I present at the end of this work, the reports referring to the professional practices carried out during the course.
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21
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Jairo Wilkens da Costa Sousa
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SELECTION AND DESCRIPTION OF ELEVEN CONTEMPORARY WORKS FOR SOLO CLARINET BY SEVEN COMPOSERS FROM BAIANOS AND THEORETICAL-INTERPRETATIVE ANALYSIS OF THE PLAY “OP EXPERIENCES. 56: LOOK AT THE SKY!” BY PAULO COSTA LIMA.
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Líder : PEDRO ROBATTO
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MIEMBROS DE LA BANCA :
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JOEL LUIS DA SILVA BARBOSA
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LUIS ANTONIO EUGENIO AFONSO
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PEDRO ROBATTO
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Data: 22-nov-2022
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Resumen Espectáculo
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I present in this memoir facts that consist of information that lead to the article and the final product of the master's degree, based on the approaches that involve all my performance in the construction of each piece, aiming a final concert followed by recording of these eleven contemporary works for unaccompanied clarinet of seven composers from Bahia. As I highlight the biography consisted of musical background and expertise as a clarinet player and researcher of Brazilian concert music. I also described the enrollment in the Professional Graduate Program through a general perception about the course. I have tried, then, to describe in detail the experiences occurred throughout the academic development in the Graduate Program (PPGPROM) of the School of Music (EMUS) at Federal University of Bahia (UFBA). As far as my perspectives are concerned, I point out reflections about the taken courses. Along with these reflections, I have described learning strategies during the practices of each work, in addition to the recording audio equipment used, which for my understanding, became at the same time, a technical basis of research for the resolution of a good performance and recording of the final product. Therefore, the final results of this research consists of summarizing in the final conclusions, where I explain in chronological line the reason for joining this master's program and how I had access to this collection of pieces. The biggest focus is in the artistic performance of these pieces, due to the rare repertoire, which made me consider that these pieces have positively impacted the evolution of technical and musical skills within the palindrome of Brazilian music for unaccompanied clarinet. Finally, and no less important, all the pieces from this research are recorded and it is available for the general public to enjoy on my personal YouTube channel.
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22
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Carlos Marcio Pacheco de Medeiros
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SINGING TEACHING-LEARNING PROCESSES THROUGH A SENSITIVE AND EMOTIVE LANGUAGE
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Líder : KATHARINA DORING
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MIEMBROS DE LA BANCA :
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KATHARINA DORING
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LELIO EDUARDO ALVES DA SILVA
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MARINEIDE MARINHO MACIEL COSTA
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Data: 02-dic-2022
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Resumen Espectáculo
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This work presents a memorial of my personal trajectory where I mention the main references that led me to the musical environment as a chosen profession, from childhood to the choice of conducting career. Work experiences, admission to university, change of course and acceptance/experience in the professional master's degree. In this, my thesis defends the idea of using language more focused on mental and sensitive figures to help singing students understand how to perform their singing better, understanding how “better” is considered to sing faster and more comfortably. The study is not new and there are bibliographical references that corroborate the use of this language as a substitute for the well-known visualization language and conscious movement of the organs of the vocal tract. Through observations in my action-research, it is possible to present arguments that may be the basis, not for substitution, but to place them as a complement for each other, depending on the objective of vocal advisors (teachers, conductors, musical directors and others) and your mentors. In conclusion, the Oriented Professional Practices reports corroborate the result of using these techniques in individual and group classes.
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23
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José Carlos Santos dos Reis Filho
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CARTOLA SONGS: 5 ARRANGEMENTS FOR SOLO GUITAR.
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Líder : ROBSON BARRETO MATOS
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MIEMBROS DE LA BANCA :
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HORÁCIO CESAR BARROS REIS
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JOEL LUIS DA SILVA BARBOSA
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ROBSON BARRETO MATOS
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Data: 02-dic-2022
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Resumen Espectáculo
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This work is composed by a memorial, an article, a professional practices report and a final product. In the memorial I report about the paths I took from musical initiation to joining PPGPROM, then through the article, I describe the process of elaborating the arrangement for solo guitar of the song Sim, where through this I discuss about the historical contextualization , transcription, form, counterpoint and harmony, reflecting on possibilities and choices. Then I bring through the reports the details of professional practices and finally I present the final product composed of the scores of the song arrangements: Sim, A Cor da Esperança, Alvorada, Festa da Vinda and O mundo é um Moinho, in addition to a text introductory where I discuss the criteria for choosing the songs as well as the character and style of each of the pieces.
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