Dissertations/Thesis

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2023
Dissertations
1
  • Fabio Sena Santos
  • DEMOLITIONS, SPEECHES AND SILENCE: THE ITINERARY OF THE HERITAGE BUILT IN VITÓRIA DA CONQUISTA
  • Advisor : MARY WEINSTEIN
  • COMMITTEE MEMBERS :
  • GRISELDA PINHEIRO KLUPPEL
  • JOSE SIMÕES DE BELMONT PESSOA
  • MARY WEINSTEIN
  • Data: Mar 14, 2023


  • Show Abstract
  • This dissertation is the result of an investigation undertaken into economic, political, social and/or discursive aspects that, whether associated or not, resulted in the demolition or alteration of buildings located in the central area of the city, which corresponds to the founding nucleus of the municipality of Vitória da Conquista, located 515 km from Salvador. The study demonstrates, with the support of documentary and bibliographical surveys, the existence of a geographic space that should be characterized as a Historic Center, which also houses an architectural heritage with relevant artistic and historical values, deserving of an effective public preservation policy as they are buildings which, despite the threats already suffered, still represent an urban journey and, to a large extent, the memory of the city that is experiencing an accelerated pace of growth. In the development of this work, a considerable production of laws, ordinances and decrees aimed at safeguarding historical, archaeological, environmental and landscape heritage was identified, including the municipal listing law, nº 707, of 1993. Reading periodicals edited and published in Vitória da Conquista, dating from the beginning of the 1920s until the 2000s, led us to the observation of the existence of media discourses nourished by the notion of progress and modernity that, to a certain extent, contributed to the process of aesthetic renewal, with modifications and the disappearance of a significant part of a collection that deserved to be preserved.

     

2
  • Jairo José Campos da Costa
  • “A place to exhibit my arts”: poetics of the voice of the artists about their work and the Muquém Museum, in União dos Palmares/Alagoas”
  • Advisor : CLOVIS CARVALHO BRITTO
  • COMMITTEE MEMBERS :
  • CLOVIS CARVALHO BRITTO
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • FERNANDO JOSÉ FERREIRA AGUIAR
  • Data: Apr 14, 2023


  • Show Abstract
  • The present dissertation, entitled “A place to expose my arts”: the views of the artists on their work and the Muquém Museum, in União dos Palmares/Alagoas, carries out a study within the scope of the Espaço de Memória Artesã Irinéia Rosa Nunes da Silva , apparatus allocated on Campus V of the State University of Alagoas-UNEAL. The museum attempts to guarantee the right of memory of the artists who keep alive the potter's clay chain in the Muquém Quilombola Community. Our overall objective was to promote sensitive listening to the voices of masters and artists about their traditional knowledge and the Museum. This is because, almost always, this segment that makes up the great mosaic of Brazilian culture has been silenced and expropriated by the old colonial and conservative structures that dominate and impose authorized values. This study seeks grounding in theories that help us understand ideas about popular cultures, intangible heritage, decoloniality and social museology, being the transverse axis that runs through all the others, the poetics of the voice. It is a research that is developed in a qualitative methodology, in which we use life history in participant observation. The dissertation deepens studies in the field of museology, from the perspective of a state public university reality that, while maintaining the museum with a set of artifacts, does not forget that behind each museum piece, there are people: women and men with their narratives of existence loaded with meanings and identity spirit from Alagoas. The research points to some paths: the importance of scientific study among museums, popular cultures and decoloniality; studies within the scope of the poetics of the voice are a powerful methodological path for the field of museums, museology and heritage; the learner reflexivity about our own practice setting up museums, makes us move forward, learn and undo mistakes made throughout the process; The museum under our investigation was constituted from the voices of all those involved, and it was also a valuable instrument for listening, for resonance, for strengthening the potter's clay chain, fostering local development and promoting, to some extent, social justice for the African people from Alagoas in the community on this research.

3
  • Jéssica Cristina Teles dos Santos
  • From toothpicks to dental floss: exiled memories and extroversion processes in the biography of a toothpick holder from the Carlos Costa Pinto Museum collection, in Salvador, Bahia

  • Advisor : CLOVIS CARVALHO BRITTO
  • COMMITTEE MEMBERS :
  • CLOVIS CARVALHO BRITTO
  • JOSEANIA MIRANDA FREITAS
  • LUZIA GOMES FERREIRA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: May 4, 2023


  • Show Abstract
  • The present work presents reflections related to the biography of objects from museological institutions, for that it analyzes the “biographical itineraries” of a silver toothpick holder from the 19th century, safeguarded by the Carlos Costa Pinto Museum, an institution located in the city of Salvador-BA. For the development of this research, various sources were consulted, such as periodicals from the 19th and 20th centuries, articles, theses, dissertations, books and documents produced about the object at the Carlos Costa Pinto Museum, in addition to methodologies such as participant observation and conversations with servants and Museum visitors. The conception of the structure of this dissertation was inspired by the method for elaborating the biography of a museum object developed by Samuel Alberti. The method consists of studying the trajectory of the object from its manufacture to its incorporation into a museological collection and in the investigation of how the object's biography was altered from its contact with visitors to museum institutions. The work presents the toothpick holder object, approaching some aspects about its origin, functions, meanings, physical characteristics, and historical-social context. In addition, this dissertation discusses the habit of picking teeth and how this practice influenced the rise and fall of the use of silver toothpick holders. Throughout the text, information is also exposed about the paths that objects such as toothpick holders could have taken in Bahia in the 19th century. The research also presents data specifically related to the trajectory of a toothpick holder at the Carlos Costa Pinto Museum, analyzing information from the moment it became a private collection object to the paths it took when incorporated into the Museum's collection. The work also shows the contributions of the theoretical-methodological references of the object's biography.

4
  • Amélia Pereira Costa
  • HANDS THAT WEAVE, THREADS THAT COMPOSE: THE FRAME OF THE EDUCATIONAL-PEDAGOGICAL EXERCISE IN MAFRO
  • Advisor : MARCELO NASCIMENTO BERNARDO DA CUNHA
  • COMMITTEE MEMBERS :
  • ANA CAROLINA GELMINI DE FARIA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • Data: May 5, 2023


  • Show Abstract
  •  This research aimed to investigate the educational exercise implemented in the Afro-Brazilian Museum of the Federal University of Bahia (MAFRO), since 1981, before its inauguration, in 1982, when the museum began to run its first educational program, until the year 2018. For this, it is considered important, first, to address the historical relationship between museums and education, starting from the propositions of Professor Marcelle Regina Pereira Nogueira, about the educational dimensions and the educational function of museums; we approach the institutionalization of the field of museum education in Brazil; the educational exercise as part of fulfilling the social function of museums. The concept of educational exhibition is presented, understanding museological exhibitions as part of the educational project of the institutions. It also discusses how the entry into museums, and into the national heritage, of Afro-Brazilian culture and black peoples was configured. After these discussions, the field of history of educational-pedagogical practices in the context of MAFRO is entered. The institutional trajectory is presented from the threads that weave the educational practices inside the museum; going through important processes that were managed and executed over the decades and defined its performance profile, serving as a basis for the elaboration of propositions for the construction of an Educational and Cultural Program for the institution. Explaining the close relationship between the museum and education: 41 years of museum and 42 years of its educational-pedagogical exercise.

5
  • Adiane dos Santos Candeias
  • Afro-Brazilian memory and heritage in quilombola territory: the tonic of preservation in Quilombo de Buri, in Pedrão-BA

  • Advisor : SIDELIA SANTOS TEIXEIRA
  • COMMITTEE MEMBERS :
  • CÍCERA NUNES
  • JOSEANIA MIRANDA FREITAS
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • SIDELIA SANTOS TEIXEIRA
  • Data: Sep 5, 2023


  • Show Abstract
  • This work approaches the Afro-Brazilian memory theme, as well as its heritage and quilombo/territory, in the landscape of Quilombo de Buri, in Pedrão-BA, with the advent of legal recognition as a quilombola community. It analyzes the importance of the certification process for the preservation of memory and local heritage and the consequences of the lack of museum monitoring for the treatment and enhancement of cultural assets, from a decolonial museological perspective, bringing as an example the creation and dismantling of the community’s Quilombola Memorial. Regarding the research method, a qualitative approach is used, with exploratory and descriptive objectives, which includes oral and written documentation, bibliographic review, participant observation and interviews. For data analysis, the technique of Discursive Textual Analysis was explored. With a look “from inside”, intellectuals committed to the political and social struggles of subjugated populations and who think from the global south are mobilized, interdisciplinary, to speak on the subject, mainly black Brazilians. Data analysis showed the importance of quilombola certification for the memory of the community, but pointed to the complexity and diversity of this territory, therefore requiring a follow-up process, with regard to the protection and appreciation of its cultural heritage, from public policies of recognition and (re)affirmation identity. Therefore, museological follow-up is recommended during and after the certification processes.

2022
Dissertations
1
  • THANITY SILVA DE ANDRADE
  • CURATORIAL PROCESS OF BLACK MEMORIES: CATALOG ANALYSIS OF THE TEMPORARY EXHIBITION “BLACK PRESENCE IN BOGOTÁ: 1940-1960”

  • Advisor : JOSEANIA MIRANDA FREITAS
  • COMMITTEE MEMBERS :
  • ELIZEU CLEMENTINO DE SOUZA
  • JOSEANIA MIRANDA FREITAS
  • LUZIA GOMES FERREIRA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: Jun 28, 2022


  • Show Abstract
  • The present research analyzed the Catalog “We arrived at Bogotá: 1940, 1950, 1960”, resulting from the curatorial process of the temporary exhibition “Black Presence in Bogotá: 1940-1960”, held between November 5, 2013 and March 2014, in the Program Master's Degree in Museology, from the National University of Colombia. This research incorporated different ways of apprehending knowledge, including (auto)biographical studies, based on the principles of "excavation of the past", (auto)biographical method and inspiration in the literature of black women, as a way of understanding the museological curatorial process . The Catalog showed the photographic narratives in “black and white” and the oral narratives, placed as fragments of testimonies, which lead to the understanding of the constitution of a black intellectual elite in that period, formed by women and men, who migrated from the Pacific coast and from the Atlantic to the capital, Bogota.

2
  • José Ivonildo Araujo Terceiro
  • Proverbial rug: memory through language
  • Advisor : MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • COMMITTEE MEMBERS :
  • ANA HELENA DA SILVA DELFINO DUARTE
  • JOSE HENRIQUE DE FREITAS SANTOS
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • Data: Oct 7, 2022


  • Show Abstract
  • The present dissertation, entitled “Proverbial carpet: memory through language”, studies issues related to memory and the proverb. We start from the proverbial rug, understanding it as a support for the proverb and understanding this as a support for memory, which in turn is likely to be apprehended through the information presented through writing in various supports. We seek to understand the proverb as a support image that is assimilated by different cultures, permeating times and presenting itself as always current, informing, updating memory and thus serving as a communication vehicle. To do so, we focused on specialized references regarding proverbs and memory, as well as other themes and concepts. The bibliographic sources used in this research were identified from libraries and virtual collections of teaching institutions and national and international museums. The work is divided into three moments, where the first deals with the understanding of the proverbial rug and its relationship with memory and history; the second is concerned with arguing about the concept of proverb in order to expand what is understood as such; and the third tries to understand the communicational dimension of the proverbial rug. Following this route, based on studies concerning the proverb memory, among others, and anchored in museological research, it was possible to understand the proverb beyond oral/written dialogism from the proverbial rug, which was the guide so that one could broaden the understanding of the proverb.

     

3
  • AYLANA TEIXEIRA PIMENTEL CANTO
  • Online Cultural Mediation as an educational strategy: a case study at the São Paulo Museum of Art – MASP

  • Advisor : ANA HELENA DA SILVA DELFINO DUARTE
  • COMMITTEE MEMBERS :
  • ANA HELENA DA SILVA DELFINO DUARTE
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • LUCIMAR BELLO PEREIRA FRANGE
  • Data: Nov 8, 2022


  • Show Abstract
  • This academic research analyzes the Cultural Mediation educational actions conceived and carried out by the São Paulo Museum of Art (MASP), during the Covid-19 pandemic. Based on Marti's Online Education (EMO) concept (2019), we adopted the Online Cultural Mediation nomenclature for actions of this nature, carried out remotely
    by virtual callings. Based on Paulo Freire's theory of education, Ana Mae Barbosa's Triangular Approach and Greimasian semiotic theory, he analyzes our research object, as well as some productions conceived from it, by the public of MASP: the discourse of Cultural Mediation. The research assumes the importance of Cultural Mediation as a potent methodological procedure, in the context of the museum, for Museology and Art Education. To that objective, it aims to explain, exhibit, examine and praise related actions, adapted to the virtual environment, in a totally unforeseen context such as that of a pandemic, that is why our time demarcation refers to this period from March 2020 to August 2021. Through Ana Mae's approach, we will reflect on the educational actions of MASP, in the understanding that the triangulation carried out by the dialogue between mediation, public and collection conceived graphic productions through the interpretation of the works and produced meanings. In this perspective, a Greimasian semiotic theory the structures of the mechanisms of our analyzes provide methodological subsidies in text investigation: verbal, textual, visual, sound and, above all, syncretic - those that harmonize different languages. In addition, the dialogue with museological literature, with regard mainly to the definition of Museum addressed in the research, as well as the notions of Cultural Mediation and Museal Education, as fields of struggle, democratization in the service of the social. Thus, in the first moment, we present the research paths and their conceptual frameworks. In the second moment we dedicate to the field, its national importance, collection and remote educational actions. And finally, in the third moment, by collecting data from the actions and productions of the public, from the Greimasian semiotic theory and analysis, we will study the production of meanings projected by the texts mentioned together, in order to legitimize and value the work of Museal Education Online (EMO), in Brazil 2020 and 2021.

4
  • SILVIA RAQUEL DE SOUZA PANTOJA
  • Visualized and ignored black women: an analysis of expographic narratives at MABE

  • Advisor : JOSEANIA MIRANDA FREITAS
  • COMMITTEE MEMBERS :
  • CLOVIS CARVALHO BRITTO
  • FLAVIA MATEUS RIOS
  • JOSEANIA MIRANDA FREITAS
  • ROSANGELA JANJA COSTA ARAUJO
  • Data: Nov 17, 2022


  • Show Abstract
  • The object of study of this Dissertation are the expographic narratives of a long-term exhibition “Windows of the past, mirrors of the present: Belém do Pará, art, image and history”, valid from 2011 to 2017, at the Belém Museum of Art ( MABE).  The developments refer to the problem of categorizing "popular types", with regard to images of black women, as well as the absence of narratives aimed at them, since these had their images present in paintings in the exhibition, but that were little deepened in their narrative dimension.  The exhibition catalog will be used as a documentary source from the exhibition, because in addition to being a vestige, it is also an instrument to support knowledge in relation to the content that one wants to convey from what was exposed, both in relation to the works themselves and their contexts raised, as to the general narrative of the exhibition thought up by the team designated for that purpose.  In this way, I will have as my main theoretical basis to reflect on the images of black women, black feminist thought, which gives support to socially analyze stereotypes that surround the imaginary about the representation of black women, in addition to the categories of analysis of “images of control” , by Patricia Hill Collins, “tyranny of silence”, by Audre Lorde and “tyranny of the visible”, by Georges Didi-Huberman. 

5
  • JOSENILTO RODRIGUES BARBOSA
  • Almanac as affective heritage: collecting and autobiography in Santa Inês, Bahia

  • Advisor : CLOVIS CARVALHO BRITTO
  • COMMITTEE MEMBERS :
  • ANA LÚCIA DE ABREU GOMES
  • CLOVIS CARVALHO BRITTO
  • JOSEANIA MIRANDA FREITAS
  • Data: Nov 18, 2022


  • Show Abstract
  •  The almanacs are printed materials that had great repercussion in Brazil and were very influential objects in the literacy process and in the trajectory of many of its readers. Between the 19th and 20th centuries, they obtained significant print runs and reached the height of their popularity, arriving at the most diverse and distant regions of the country, spreading scientific knowledge and multiple learning forms through a playful and accessible language. Connected to the life trajectories of many readers, the almanacs motivated affections, provided cultural exchanges and, in the different spaces in which they were inserted, became a source of collecting and knowledge. This dissertation highlights the almanacs as affective patrimonies in Santa Inês/Bahia, through the interfaces between collecting, heritage and autobiography. Based on a qualitative methodology aligned with autobiographical writing, it articulates literature review, document analysis and collection of testimonies, demonstrating different memories triggered by almanacs in the period from 1980 to 1990, when they were most popular in the city. The aim is to understand the circulation, the typologies, the contributions to the habit of reading and collecting, demonstrating how it constituted an affective heritage for a portion of residents of Santa Inês/Bahia. 

6
  • Ana Leticia Rodrigues Ribeiro
  • Expographic narratives about Ancient Egypt: An analysis of the absence of the stories of the common in virtualizes exhibitions

  • Advisor : CARLOS ALBERTO ETCHEVARNE
  • COMMITTEE MEMBERS :
  • GISELA CHAPOT
  • CARLOS ALBERTO ETCHEVARNE
  • SIDELIA SANTOS TEIXEIRA
  • Data: Dec 14, 2022


  • Show Abstract
  • This dissertation was carried out in the Postgraduate Program in Museology of the Federal University of Bahia, in line 1 - museology and social development, and supported by CAPES. This dissertation reflects on the trend of narratives in virtualized exhibitions of museums about Ancient Egypt, using as cut out five exhibitions, these being in Europe and America. The analysis questions the repetition of certain narratives about Ancient Egypt, a standard inclination to bring as a thematic focus great leaders and their lives, in addition to funerary knowledge, excluding from museum exhibitions the experiences of ordinary people. Analyzing to what extent the narratives constructed from these exhibitions, bring from knowledge of the daily life of the ancient Egyptians, and their influences from concepts such as Egypomania and Orientalism. Thus interpreting the relevance of everyday life to studies of subjectivity and culture in expographic treatment, and its reflection in knowledge influenced to visitors. Thus, for the analysis of these exhibitions, the qualitative method was used, seeking museums with collection on Ancient Egypt in various parts of the world and with virtual access to their full face-to-face exhibition. The research methodology is the analytical method, constructed from the analysis of the five exhibitions: Egyptian and Rosacruz Museum, Curitiba, Brazil; Banco do Brasil Cultural Center and the exhibition on Ancient Egypt brought from the Museum of Turin, Italy; Smithsonian - National Museum of Natural History, United States; Rosicrucian Egyptian Museum, California, United States; World Museum Liverpool, UK. At the end is presented a chapter with bibliography on Egiptology of the suggested themes for possible divergent approaches from the existing ones. Seeking the plurality of representations and identification and continuous admiration, not only for the rulers of the ancient kingdoms, but also for the hands that built them.

7
  • ANA CRISTINA DIAS COELHO
  • Aspects of Cultural Policies in Brazil and the impacts of promotion policy on the process of museological heritage preservation in Bahia (2012-2016).
  • Advisor : CARLOS ALBERTO ETCHEVARNE
  • COMMITTEE MEMBERS :
  • CARLOS ALBERTO SANTOS COSTA
  • SIDELIA SANTOS TEIXEIRA
  • ELIZABETE DE CASTRO MENDONÇA
  • Data: Dec 19, 2022


  • Show Abstract
  • The present research aims to analyze the context of insertion of museums from Bahia in the support lines of the State Culture Fund (FCBA) between 2012 and 2016. The choice of period is related to significant changes and advances in the local cultural policies. Therefore, the research will seek to report the formulation and implementation of cultural policies in Bahia, the policies of Museums seeking to link the occurrences from the federal to the State level and which are the normative frameworks that allows the operationalization of the Cultural Policy for the field of Museums. In this process, we point out the operational means of implementing cultural policies, which provide opportunities for the insertion of museums in the polícia promotion, such as the Sectorial Public Notices, as well as analyzing the beneficiaries of these sectoral policies for museums. We also discuss the repercussion of the distribution of resources in the territory of Bahia, when we will characterize the institutions that used the resources of the Culture Fund, how the supported projects relate to the guidelines and structuring axes of the Museum Sectoral Policy (PSM) and, finally, the challenges and strategies for the sector.

2021
Dissertations
1
  • ANGELO AUGUSTO CORREIA DE ARAÚJO
  • VOLTAIRE FRAGA: CHOSEN PHOTOGRAPHS, REVEALED MEMORIES. A POIESIS OF “UN-FORGETFULNESS”

  • Advisor : MARCELO NASCIMENTO BERNARDO DA CUNHA
  • COMMITTEE MEMBERS :
  • CLEIDIANA PATRICIA COSTA RAMOS
  • EDGARD MESQUITA DE OLIVA JUNIOR
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • SUELY MORAES CERAVOLO
  • Data: Apr 23, 2021


  • Show Abstract
  • The research highlights the curatorship processes of two photograph exhibitions by Bahian photographer Voltaire Fraga – first, curated in 1999 by Célia Aguiar, and second, curated by Diógenes Moura between 2008-2009 – while attempting to establish the existing relationship between memory, forgetfulness and photography in its role as memory keeper. As a result of the discursive unfolding of these observations, it emerges the poiesis of “un-forgetfulness”, which aside from being the driving force of this work, it is also the application of those curative processes. The process of unveiling of the photographer and of his images/memories is ratified at the end through the iconographic and iconological reading of 9 selected photographs from his exhibitions.

2
  • ANAYLTON DE JESUS DE LIMA
  • A look at the Afro-Brazilian Museum at the Federal University of Bahia - UFBA

  • Advisor : CECILIA CONCEICAO MOREIRA SOARES
  • COMMITTEE MEMBERS :
  • CECILIA CONCEICAO MOREIRA SOARES
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • ERISVALDO PEREIRA DOS SANTOS
  • Data: May 3, 2021


  • Show Abstract
  • This work reflected on the conceptions and representations about African and Afro-Brazilian culture through the long-term exhibitions of the Afro-Brazilian Museum (MAFRO) of the Federal University of Bahia, from the exhibitions of the African Material Culture Collection and Afro Material Collection -Brazilian. The conceptions and analyzes were based on bibliographic research on the history of the Museum, analysis of photographs on the exhibitions and through qualitative research through semi-structured interviews conducted with the current coordinator of the Museum, professor Marcelo Cunha and with the former coordinator Maria das Graças. When confronting the history of creation of the Museum, the process of recognizing pieces from the African and Afro-Brazilian cultural universe as valuable goods, in addition to understanding the processes that involved the management of the Museum in the last 30 years, it was possible to understand how it happened. definition of the Museum's expographic narratives about African and Afro-Brazilian material culture. We conclude that the Museum promotes the appreciation of African and Afro-Brazilian cultures through expography, seeking to demystify the pejorative view on cultures represented through expographic narratives that highlight the strength and beauty of African-based religions, and the wisdom that ancestrality of culture of the western part of the African continent. 

3
  • LÍLIAN BASTOS ALVES
  • CARYBÉ DE ARTES SPACE: STUDY ON THE EXPOGRAPHIC PROCESS IN CONFLUENCE BETWEEN THE PROJECTED IMAGES AND THE AESTHETICS OF BALANCY
  • Advisor : JOSE CLAUDIO ALVES DE OLIVEIRA
  • COMMITTEE MEMBERS :
  • AGNES FRANCINE DE CARVALHO MARIANO
  • ANA HELENA DA SILVA DELFINO DUARTE
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • Data: Jun 11, 2021


  • Show Abstract
  • This research seeks to offer an interpretation of the Espaço Carybé de Artes, located in the Fort of São Diogo, Salvador-Bahia. The exhibition was conceived to promote a space of memory about Carybé, an Argentine artist living in Bahia since the 1950s, and to highlight the traces of “Baianidade” present in his works. The conceptualization of the term Cultural Heritage proposed by Funari and Pelegrini correlated with the meanings of John B. Thompson and Stuart Hall on culture and identity initiate the discussion. Then, an incursion into the symbolic universe of “baianidade” is carried out, based on the ideas of Modernism, to contextualize the artist's life and work. In this way, the history and a summary description of the physical and communicational characteristics of the cultural space are presented. Studies and experiences reported by Marília Xavier Cury, together with the discussions and theoretical contextualization of Lisbeth Rebollo Gonçalves, support the investigation in the field of museological communication, trying to unveil the social discourse of the exhibition. In addition to providing information about the exhibition's expo graphics, the text also explains the typology of the cultural space, the media, and the followers of the social network Facebook, which, like the media (A Tarde e Correio), attribute the success of the shows the use of new technologies, physical interactivity with the projections of the works and the possibilities of “virtual immersion” of the public in the artist's work.

4
  • LARISSA SALDANHA OLIVEIRA
  • José Valladares' museological and pedagogical perspective at the Museum of the State of Bahia (1939-1959)
  • Advisor : SIDELIA SANTOS TEIXEIRA
  • COMMITTEE MEMBERS :
  • ALAMO PIMENTEL GONÇALVES DA SILVA
  • SIDELIA SANTOS TEIXEIRA
  • SUELY MORAES CERAVOLO
  • Data: Jun 14, 2021


  • Show Abstract
  • This dissertation aims to investigate the museological and pedagogical perspective of José Antônio do Prado Valladares at the Museu do Estado da Bahia during his management as director between the years 1939 and 1959. From this, we aimed to relate Education and Museology - highlighting the analysis of educational processes, to demonstrate the existence of a relationship between these concepts in José Valladares' management, and to analyze the importance of his attitude for the historical process of the Museum. The research was developed in the city of Salvador, Bahia, Brazil, in the Museu de Arte da Bahia - a centennial heritage of the capital of Bahia. The methodological procedure adopted was bibliographic and documental research - the option for written historical sources coheres with the choice for a qualitative research. In this case, the Museum had archived most of the material sources consulted, which were very important for the research. This study included the documents written by José Valladares himself: the books he wrote and the management reports. In addition, the documents referring to his management, the publications of the Museu do Estado da Bahia, and the journalistic articles reporting on his life were analyzed. We highlight here the importance of the photographic documentation to verify the facts that occurred, as well as to enrich and illustrate this work. The results of this research pointed to the importance of José Valladares' ideas about visual education and his books as a reference for Museology. Moreover, his work was also important for Education representing a commitment in the attempt to improve people's education, especially in museums. The contribution of this work highlights a period in the history of the Art Museum of Bahia and enriches the history of museum institutions in Bahia. We conclude that the museological and pedagogical conception of José Valladares is articulated in his work, contributing to social development and the exercise of citizenship in museums, especially in the Museu do Estado da Bahia during the twenty years of his administration. 

5
  • EDNALDO SOARES
  • Museums: the management of museological institutions at the Federal University of Bahia

  • Advisor : SIDELIA SANTOS TEIXEIRA
  • COMMITTEE MEMBERS :
  • MANUELINA MARIA DUARTE CÂNDIDO
  • CARLOS ALBERTO SANTOS COSTA
  • SIDELIA SANTOS TEIXEIRA
  • Data: Jun 14, 2021


  • Show Abstract
  • Starting from a previous study, which confirmed the lack of a Museological Plan in the oldest and most expressive state museums at Salvador City, this research turned to the analysis of three university museological institutions - Museu de Arte Sacra (MAS), Museu Afro-Brasileiro (MAFRO) and Museu de Arqueologia e Etnologia (MAE) -, all of them linked to the Federal University of Bahia (UFBA), with the aim of investigating managerial aspects in each of them, given the lack of strategic planning (Museum Strategic Plan) - management instrument of mandatory implantation, since determined by law. This is an exploratory research ex post facto, conducted under the qualitative approach. The method used was the narrative interview with the directors of these institutions. While documentary research, it used UFBA’s documents (e.g., Regiment, Statute) and sources of bibliographic evidence about museums. The result of the study showed the persistence of the lack of elaboration and use of a museological plan in the three mentioned university museums. It also showed the lack of a single managerial direction, indicative of the autonomy of the directors to manage each institution, whose managerial aspects are characterized by being aligned with the personal character of each administrator. The research also brings to light possible consequences resulting from the lack of strategic planning for any organization, be it for profit purposes, be it non-profit, such as running the risk of not perpetuating itself. Based on this understanding, the need to implement a museum plan for the longevity of these university museums is elucidated. In addition, with scientific basis and practical examples, the University's attention is drawn, through the competent institutional departments (Rectory, Pro-Rectories) to what concerns the need for active participation in the construction of museum plans to avoid future adversities to museums, arising from this lack. The root of all is the lack of a specific policy for museums at the Federal University of Bahia.

6
  • ELIENE SILVA DE LIMA
  • Praça da Sé in Salvador, Bahia, and the Archaeological Heritage: A Critical Analysis for the Musealization of Archeology.
  • Advisor : CARLOS ALBERTO SANTOS COSTA
  • COMMITTEE MEMBERS :
  • ALEJANDRA SALADINO
  • CARLOS ALBERTO SANTOS COSTA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: Jun 15, 2021


  • Show Abstract
  • This research work was developed in the Graduate Program in Museology of the Federal University of Bahia (UFBA), in the line of research 1: Museology and Social Development. The objective of this work is to analyze the Cathedral Square and the remaining constructions of the three musealized archaeological sites, in loco, namely: the old Cathedral Church (1552-1933), D. Isabel Square (1860-1933), and the General Studies Courtyard of Jesuit School (1552-1801) evidenced from 1998 to 2002, period of the last requalification of the area, for the celebrations of the 450 years of Salvador, which had occurred in 1999. The theoretical axis adopted runs through the areas of Museology and Archeology, having as a point of debate the possibilities and challenges of the studies of material culture linked, specifically, by the outlines that guide the Musealization of Archeology. To achieve the objective of the investigation, we link the theoretical basis to contextualization in the historical archaeological perspective of the object of study, briefly addressing the process of installation, performance, and demolition of these important architectural representatives of the colonial period, in addition to explaining about the archaeological interventions, which resulted in archaeological sites. The locus of observation occurred from the spatial delimitation of the main monuments and buildings that are in the area of the Cathedral Square and the archaeological heritage exposed there. In addition, we seek, through this theoretical and methodological path, to present the current situation of the Cathedral Square and the archaeological sites in museums in situ in its perimeter, discussing the institutional and social responsibilities in the conservation and socialization of this cultural asset. In our view, what we find in the Cathedral Square reveals the neglect of preservationist institutions and the municipal public power in relation to this cultural heritage, exempting themselves from their legal responsibilities regarding the management of the area. Given the above, the research intends to raise contributions to propose actions that aim to minimize the process of degradation and disappearance of the archaeological heritage in the Cathedral Square de Salvador, Bahia.

7
  • RAFAEL DOS SANTOS MACHADO
  • Cartographies of transmuseality: museological processes in LGBT Shelter Houses in Brazil.

  • Advisor : CLOVIS CARVALHO BRITTO
  • COMMITTEE MEMBERS :
  • BRUNO SANCHES RANZANI DA SILVA
  • JEAN TIAGO BAPTISTA
  • CLOVIS CARVALHO BRITTO
  • JOSEANIA MIRANDA FREITAS
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: Sep 10, 2021


  • Show Abstract
  • The dissertation develops a cartography of LGBT Shelter Houses in Brazil and the museological processes existing in these community spaces. Faced with the Brazilian reality marked by exclusions, silencing and invisibility of LGBT memories, bodies and stories in museum spaces, it investigates how LGBT Shelter Houses are configured as resistance to the creation and production of museological imaginaries that transgress the cisheteronormative logic. Therefore, it presents LGBT activism networks and their impact on the configuration of cultural politics, especially in the field of museums and museology. The investigation maps some experiences of the Brazilian trans movement, highlighting the role of trans people in social and collective mobilization initiatives in the construction of spaces to safeguard LGBT bodies and memories, having as case studies the Casa Nem, in Rio de Janeiro, the Casa Chama, in São Paulo, and CasAmor, in Aracaju. The analysis of the museological processes carried out in these spaces contributed to the delineation of the concept of transmuseality, translating museological forms that transcend and transgress the limits imposed by cisheteronormativity by breaking with the museological imaginary that reproduces asymmetric, hierarchical and binary relationships and that oppresses sexualities and identities of gender dissidents of the cisgender and heterosexual matrix.

8
  • RÉGIA IGNÊZ MOURA RIBEIRO DOS ANJOS
  • CASA DO BENIN: REFLECTIONS ON A PEDAGOGICAL HERITAGE
  • Advisor : MARCELO NASCIMENTO BERNARDO DA CUNHA
  • COMMITTEE MEMBERS :
  • CARLOS EDUARDO CARVALHO DE SANTANA
  • CLOVIS CARVALHO BRITTO
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • SUZANE TAVARES DE PINHO PEPE
  • Data: Dec 17, 2021


  • Show Abstract
  • This work presents a few considerations about The House of Benin, a museum space located in Salvador-Bahia which was idealized to value the African culture in the civilizing constructions of the city. From the experience as an art educator for over a decade in the referred space, the researcher introduces correlated assumptions between Art Education, Museology and Education for the ethnic racial relations prospecting the relationship between Afro-Brazilian material and immaterial heritage in prerogatives about Museum education and patrimonial education. The text presents a brief history about the foundation of the referred museum, occurred in May 1988 in the centenary year of the abolition of slavery in Brazil, this fact summarizes the motivation of this work to correlate the African and Afro-Brazilian material culture in new museographic proposals so the cultural equipment can rise in its condition as a favorable space for educational actions on Afro-descendant identities. The work offers some suggestions for the insertion of new museological and museographic elements in its cultural constitution since, idealized for the appreciation of African, AfroSoteropolitan and Beninese culture, can corroborate positively for the deconstruction of paradigms and prejudices that affect society in regards to their afro descent and citizenship.

2020
Dissertations
1
  • CÁTIA BRAGA MOREIRA DE PINHO
  • A shelter for the Old See Church collection: institutionalisation and implementation of the Museum of Sacred Art of the Federal University of Bahia (1939-1959)

  • Advisor : SUELY MORAES CERAVOLO
  • COMMITTEE MEMBERS :
  • SUELY MORAES CERAVOLO
  • CLOVIS CARVALHO BRITTO
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • SABRINA DAMASCENO SILVA
  • Data: Mar 6, 2020


  • Show Abstract
  • The research investigates the institutionalisation and implementation of the Museum of Sacred Art of the Federal University of Bahia (MAS-UFBA), in the chronological cut from 1939 to 1959 – making it a case study in the area of preservation of the national patrimony representing an idea of regional identity. The experiment of the university museum from Bahia is highlighted as a pioneer in Brazil. However, it did not happen without disputes and power games among agents and agencies, like Rodrigo Melo Franco de Andrade, director of the Service of Historical and Artistic Heritage (SPHAN), Godofredo Filho, representative of SPHAN’s Second District, Edgard Rêgo Santos, dean of UFBA, and D. Augusto Álvaro Cardeal da Silva, archbishop of Bahia and Primate of Brazil. Signs of previous attempts, so far unknown, of implementing the intended museum motivated this dissertation, seeking clarification that highlights which actions compose the trajectory. The documentation analysed ìs, in it’s majority, sourced from the archives of the Service of Historical and Artistic Heritage (SPHAN) and can clarify this path, highlighting three attempts of implementation and the indication of different buildings for hosting the museum – Basilica of Salvador, Saint Damasus Manor and the Convent of Saint Teresa. In the historiographic transient in which this path takes part, the demolition of the Primate of Brazil can be emphasized. Such an episode originated the debate of preservation of historic monuments in the first years of the XX century and, as a consequence, formed a sacred art collection owned by the Archdiocese Primate. Considering the political changes in the cultural scope, the need for protecting the valuable collection is made evident with the implantation of a museum that could serve it as a “shelter”. This project was extensively negotiated by SPHAN’s Second District, however, only to be realized after the partnership with UFBA was established.

2
  • JOÃO GOULART DE SOUZA GOMES
  • THE OTHER FACE OF THE MEDAL: MEMORY AND INVISIBILITY OF SOCIAL GROUPS IN THE MEDAL COLLECTION OF THE EUGÊNIO TEIXEIRA LEAL MUSEUM IN SALVADOR - BAHIA
  • Advisor : CECILIA CONCEICAO MOREIRA SOARES
  • COMMITTEE MEMBERS :
  • ANTONIO LUIGI NEGRO
  • CECILIA CONCEICAO MOREIRA SOARES
  • RITA DE CASSIA MAIA DA SILVA
  • Data: Oct 8, 2020


  • Show Abstract
  • This research analyzes the representation of social groups - women, Afro-descendants, indigenous people and workers - in Brazilian medal production, mainly in medals produced by governmental institutions, at the federal, municipal and state levels, considering the form, the approaches and the historical and socio-political context where such representations are inserted, having as reference the collection of the Eugênio Teixeira Leal Museum, located in Salvador, Bahia. For the proper development of the studied theme, notions of national numismatics and medals are presented and their relationship with Museology. Additional sources and data were compared with the medals identified in the museum, providing greater statistical reliability to the results obtained. Next, it was analyzed how the exhibition of such medals is carried out at the museum and the difficulties, which also occur in other numismatic museums, for the exhibition of their pieces, also considering the communicational aspects. For a better understanding of how the invisibility process of the social groups mentioned above materializes, we sought to understand the relationships between individual and collective Memory, the powers that be and the forms of ideological manipulation of the images of characters represented in the medals, which promote their legitimation or concealment.

3
  • MENDERSON CORREIA BULCÃO
  • The busts-reliquaries of the church of the former Jesuit College in Bahia: The museological and communicational potential of sacred art images

  • Advisor : ANA HELENA DA SILVA DELFINO DUARTE
  • COMMITTEE MEMBERS :
  • ANA HELENA DA SILVA DELFINO DUARTE
  • CLÁUDIA MARIA FRANÇA DA SILVA
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • Data: Dec 1, 2020


  • Show Abstract
  • This dissertation sought to analyze the collection of reliquaries of the Cathedral Basilica of Salvador, 30 busts-reliquaries allocated on two side altars of the nave of the church. Through historical, iconographic, and iconological research it was possible to correlate the main hypotheses for the identification of busts-reliquaries and their association with sculptural production in the context of the Catholic and Protestant reforms since the 16th century and its developments in the modern age. Some aspects of the methodology, by way of example, can be mentioned, such as the use of procedures, from bibliographic research, documentary research and the systematization of information, photographic survey and analysis of the collection of shrines that were under the custody of the Museum of Sacred Art at the Universidade Federal da Bahia. The present study constituted an attempt to understand the collection, the Church, and the Museum from the survey of the documentation, from the analysis of the Tridentine determinations of the Catholic Church, with emphasis on the correlation of the images with the Christian canons and the cult of the relics. The history of the Christian church in Brazil, the Jesuit presence, the production of polychrome sculptures, the cult of relics, devotion to saints and holy martyrs, and the spread of representations about the Christian faith in the social history of the city of Salvador were elucidated. Debating on the curation of the Jesuit busts-reliquary collection, through documentary research, the documentation process, research, and communication of the collection of reliquaries at the Museum of Sacred Art were glimpsed. The construction of the museological discourse and the mediation of the collection is guided by curatorial research, and the collection consists of 30 polychrome sculptures. The exhibition of the Benedictine and Jesuit Reliquaries in the Frei Agostinho da Piedade Exhibition Hall reveals the museum's intentions to allocate the two collections in the same place. The process of identifying the busts-reliquaries and the unfolding of the non-identification of the saints represented in the sculptures were discussed, thus trying to identify the iconographiciconological program of the Society of Jesus through the documentation and correlation of this collection in the Museum of Sacred Art with other collections of busts-reliquaries from other schools. The collection was analyzed in its entirety and the unfolding of its characteristics, from the perception of sculptures in its material culture, linked to history, art and archeology, to reliquaries and their forms throughout history, to the production of busts- reliquaries as receptacles of hierophanies that contemplate the demand of the church, which institutes sacred art through religious program and patronage and the artist's performance in the making of religious works. This dissertation was conceived from the understanding of the image as a historical document and its potential for the extroversion of senses and meanings by the collection and for the enjoyment of audiences in the environments to which these reliquaries were exposed.

4
  • GABRIELA SANTOS DA SILVA
  • Memory, museums, cultural and educational policies: reflections on cultural and educational action in the Sacred Art Museums, Afrobrasileiro Museum and Museum of Archeology and Ethnology at the Federal University of Bahia

  • Advisor : SIDELIA SANTOS TEIXEIRA
  • COMMITTEE MEMBERS :
  • EDILZA CORREIA SOTERO
  • MÁRIO DE SOUZA CHAGAS
  • SIDELIA SANTOS TEIXEIRA
  • Data: Dec 2, 2020


  • Show Abstract
  • This research analyzes the relations between memory, power and museums, and aspects of cultural and educational policies in Brazil, aiming at contextualizing and understanding cultural and educational actions in museums at the Federal University of Bahia (UFBA). It also seeks to demonstrate the importance of university museums as centers that produce and disseminate scientific knowledge. We work with The Sacred Art Museum, The Afro-Brazilian Museum, and The Museum of Archeology and Ethnology. To this end, we developed bibliographic and archival research, and interviews with museum directors and technicians. The investigation demonstrates the absence of specific policies for UFBA university museums. Despite this, it is also noticed that the cultural and educational actions in these museums occur, over the years, in an irregular way, pointing out, at times, advances about the concepts of museum and education, mainly due to the performance of professionals official bodies and museum institutions.

5
  • RAFAEL JESUS DA SILVA DANTAS
  • THE MEMORIAL OF BAIANAS IN SALVADOR: MEMORY, EXHIBITION AND COMMUNICATION
  • Advisor : CECILIA CONCEICAO MOREIRA SOARES
  • COMMITTEE MEMBERS :
  • CECILIA CONCEICAO MOREIRA SOARES
  • MARIA DE FATIMA HANAQUE CAMPOS
  • RITA DE CASSIA MAIA DA SILVA
  • Data: Dec 3, 2020


  • Show Abstract
  • This work proposes to analyze the exhibition of the Memorial of the Baianas in Salvador-Bahia, and the representation of the Baianas Seller of Acarajé in the exhibition of the Memorial. Analyzing the memorial as a place of memory and stories built from social and cultural representations. The problem arises through the absence of black representation in memory spaces. Also understanding the existence of the Memorial as a space for preserving the visual and gastronomic memory of these women, leads us to question the information projected in this environment. It is about seeking to understand Museology as a social practice, an accomplice in the emission of ideas, or even simplicity in apprehending cultural processes, committing to document, interpret and communicate within a social educational practice. In this aspect, the work discusses the articulation between culture, religion and heritage of the representations at the Memorial das Baianas in Salvador - Bahia. Highlighting the difficulties faced by Bahian women in maintaining the museum space and how the memorial becomes a space of resistance in a society still marked by racism and religious intolerance. For this work, we propose an analysis of how museums and museology have positioned themselves in the “battles of memories”.

6
  • TATIANA ARAGÃO PEREIRA
  • The political, poetical and ethical dimensions of expographic texts: the Museu da Maré’s case

  • Advisor : MÁRIO DE SOUZA CHAGAS
  • COMMITTEE MEMBERS :
  • CLOVIS CARVALHO BRITTO
  • ELTON LUIZ LEITE DE SOUZA
  • MÁRIO DE SOUZA CHAGAS
  • Data: Dec 15, 2020


  • Show Abstract
  • This work offers an overview of the issue of wall texts in museums - here called expographic texts - indicating different approaches in relation to their form and content, presenting possible textual solutions and reaffirming the importance of the diversity of narratives for culture and social development. The research, of the exploratory type, aims to understand the political, poetical and ethical aspects of expographic texts, through bibliographic review associated with the theme and case study of the Museu da Maré. To this end, visits were made to the museum, where the texts of the long-term exhibition “Os 12 Tempos da Maré” were photographed and analyzed. Interviews were also conducted with the museum staff to learn about the process of creating the space, the design of the exhibition and the writing of its texts.

7
  • RITTA MARIA MORAIS CORREIA MOTA
  • GLAZED CROCKERY: FROM PORTUGAL TO THE CEMETERY OF NAZARÉ-BA
  • Advisor : JOSEANIA MIRANDA FREITAS
  • COMMITTEE MEMBERS :
  • FABIANA COMERLATO
  • JOSEANIA MIRANDA FREITAS
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: Dec 17, 2020


  • Show Abstract
  • This research, conducted at the Post Graduate Program of Museology (PPGMuseu), focused on the study of fourteen Portuguese vases that make up the decoration of the central corridor of the oldest wing of the Cemetery Nosso Senhor dos Aflitos in the city of Nazareth in Bahia (Brazil). This study privileges the prism of material culture and through bibliographic, documentary and field research sought to identify materiality, to analyze meanings and to recognize stories and contexts linked to the import of the glazed pots and their historical, political, economic and social relations in that city of Recôncavo Baiano that is reference in clay’s pottery making. The region of Recôncavo is known as a ceramic pole of Bahia State. This study also brings a historical approach to the city of Nazaré and its identifications as a producer of manioc flour and clay's pots and a city integrated on Jaguaripe River. Its strategic geographical position contributed to its political and economic development, resulting in influences from the metropolis, such as the creation of Santa Casa da Misericórdia de Nazareth. Studying the technique of glazed ceramics required a bibliographic review on the evolution of ceramic technical and the identification of its historical-cultural mark in the development of human being on earth. In addressing the technical specificities of glazing, a methodological approach was adopted based on decolonial studies and historical approaches on the trajectory of the technique of enameled ceramic, presented from national and international studies that punctuate the occupation of the European continent in the Seventh century and the cultural relations established with the Arab peoples and their ceramic work. A historical analysis was also built on the Carvalhinho factory - a registered trademark on twelve of the fourteen glazed vessels - showing the predominance of this manufacturing center in the Portuguese glassware and porcelain trade. Finally, we bring reflections on the paths found in this dissertation and the relationships established through the fourteen pots of crockery. 

8
  • MARIS STELLA SCHIAVO NOVAES
  • Routes of a patrimonial recognition: memories, permanences and reframings of Tropeirismo in Vitória da Conquista- Ba.

  • Advisor : JOSE CLAUDIO ALVES DE OLIVEIRA
  • COMMITTEE MEMBERS :
  • FABIANO LOPES DE PAULA
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • KARINA JANZ WOITOWICZ
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • Data: Dec 17, 2020


  • Show Abstract
  • In order to deal with themes such as memory, conceptual reframing and Tropeirismo as phenomena within the field of museology and applied social sciences, the objective of this dissertation was to study, analyze and contribute to the valorization and recognition of Tropeirismo as a constitutive element of Brazilian cultural heritage. As well as, collaborate with the preservation and conservation of this memory, also present in the social constitution of the Northeast, as protagonized in this study that had as its guiding axis socio-cultural actions of preservation developed in Vitória da Conquista-BA. From a vast bibliographic survey around the tropeira theme approached by theorists from different areas, many points of analysis were possible, some of which were unpublished on this object of study. As a result, it was possible to observe that the understanding of the tropeiro imaginary kept Tropeirismo segregated as a historical element within the economic and regional cycles of the South and Southeast axis, to the detriment of its presence also in the Northeast of the country. This dissertation is constituted not only as an important restoration of recognition of the existence of this phenomenon from a perspective greater than that sustained by traditional historiography, but which is also present in other fields, such as communication, heritage and museology, and that, likewise, occurs throughout the entire Brazilian territory.

2019
Dissertations
1
  • RAFAELA CAROLINE NORONHA ALMEIDA
  • Promotion for the area of Brazilian museum heritage: the tax incentive, the Rouanet Law and the museums of the Northeast region.
  • Advisor : MARCELO NASCIMENTO BERNARDO DA CUNHA
  • COMMITTEE MEMBERS :
  • CARLOS ALBERTO SANTOS COSTA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • SABRINA DAMASCENO SILVA
  • Data: Jan 21, 2019


  • Show Abstract
  • The projects presented by or for the museums of the Northeast region are the starting point of this dissertation, which aims to analyze the impact of the Fiscal Incentive via Rouanet Law in the safeguarding of Brazilian museum heritage, which is under the custody of these museums. In order to identify which are the valid projects for the research, we took the total of proposals presented in all cultural areas and expenditures attributed to the states: Alagoas, Bahia, Ceará, Maranhão, Paraíba, Pernambuco, Piauí, Rio Grande do Norte and Sergipe - comprehending the period from 1991 to 2016, which corresponds to 25 years of the Rouanet Law. Later, we selected the valid projects and identified the recurrent expenses in each item, which became the areas defined by the research itself: edification, exhibition, collection and others. The research also elucidates the participation of museums in the trajectory of the construction of public policies in Brazil; discusses the advance in the set of laws that shape the museological field; the creation of regulatory frameworks in order to build specific legislation for sustentation and autonomy of the sector; the difficulties in adapting the cultural marketing carried out by museums to the requirements of the Market; and the development of a sectorial policy (National Museum Policy).

2
  • MANUELA DE OLIVEIRA SANTOS RIBEIRO
  • The Street Theater Wheel turned into the Cabocla Fountain and a Museum took place

  • Advisor : RITA DE CASSIA MAIA DA SILVA
  • COMMITTEE MEMBERS :
  • CECILIA CONCEICAO MOREIRA SOARES
  • ELIENE BENICIO AMANCIO COSTA
  • RITA DE CASSIA MAIA DA SILVA
  • Data: Mar 22, 2019


  • Show Abstract
  • Bringing to light the concept of museum-phenomenon and starting from the observation of three groups of street theater of Salvador that realize their spectacles around monuments and claim what they call street theater by memory, the present dissertation aims to understand  what strategy these groups use to muse the Cabocla Fountain and to make a museum event there. Considering that a museum can happen on the street, we try to think of the museum not as an museum building, but as a place of presentiment of ideas and manifestation of memories, that is, the museum can happen anywhere just by human presence. The research methodology of qualitative bias allowed us to observe the participation of the presentations of the street theater groups by memory in the Cabocla Fountain, from 2015 to 2018, and to construct the corpus / research material through a field notebook, interviews and photographs. In addition, we used magazines, newspapers, websites and blogs where it was possible to consult the history of the Collective Marginal Art Salvador, the Popular Art Group A Pombagem and the Collective Women Warriors. In this way, the research facilitated the understanding on how the mentioned groups musealize the Cabocla Fountain and allow the museum event around this monument.

3
  • CARINE NOVAES MORAES
  • MUSEOLOGICAL INVENTORY OF THE BAHIA HIGH SERTÃO MUSEUM IN THE QUILOMBOLA COMMUNITY PAU FERRO DO JOAZEIRO, CAETITÉ, BAHIA

  • Advisor : CARLOS ALBERTO SANTOS COSTA
  • COMMITTEE MEMBERS :
  • CAMILA AZEVEDO DE MORAES WICHERS
  • CARLOS ALBERTO SANTOS COSTA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: Mar 29, 2019


  • Show Abstract
  • The social practices related to the museological processes guided by Sociomuseologia optics, made in the Museum of the High Sertão of Bahia (Masb), in its museological nuclei, especially the quilombola community Pau Ferro de Joazeiro, constitute the object of this dissertation. These actions involve the use of museological experiences in the processes of social transformation, with the preservation and enhancement of local cultural heritage. In order to observe this reality, it was necessary to question the scope of Sociomuseology as a vector of social actions or as a practice of an area of knowledge. From this, the analysis fell on the guidelines of social participation in the inventory of the cultural heritage, its conformation and institutionalization, in the scope of the implantation of a museum. The main focus was the Patrimonial Paths project in Alto Sertão da Bahia, which aimed to provide a participatory inventory in nine of the ten museums of the Masb, especially that of the quilombola community Pau Ferro do Joazeiro. The Masb, as a museum space, derives from the processes of environmental licensing of the archaeological area, which generated a large collection that demands adequate site for safeguarding; associated with this, the institution gained contours of territory museum, with wide social insertion. Throughout the implantation, there was an intense participation of the technical museological team in the elaboration of the guidelines of institutional action with the communities, followed by the removal of the same team as a result of the suspension of the financing. This distance resulted in the discontinuity of the experience based on the guidelines of Sociomuseologia. It is about this process that we seek to reflect.

4
  • ROBERTO FERNANDES DOS SANTOS JUNIOR
  • FOR A “MUSEOLOGY OF RELEASE”: IMPACTS OF THOUGHT OF VARINE HUGUES ON THE BRAZILIAN MUSEUM
  • Advisor : CLOVIS CARVALHO BRITTO
  • COMMITTEE MEMBERS :
  • CLOVIS CARVALHO BRITTO
  • JUDITE SANTOS PRIMO
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • SABRINA DAMASCENO SILVA
  • Data: Apr 25, 2019


  • Show Abstract
  • The research analyzes by the theoretical-practical bias, the trajectory of the researcher and international development consultant Hugues de Varine. It aims to understand the impacts of his thought in the conception of unfolding for the theoretical current of New Museology, from the proposal of "Museology of Liberation" in Brazil. It uses as a subsidy the concepts of "trajectory", "field" and "theory of practice" by sociologist Pierre Bourdieu, to problematize the mechanisms and actions that consolidated it as a pioneer of neomuseological practices in the Brazilian context and international. From the production of a legacy, built on the basis of activities, especially the Round Table of Santiago de Chile in 1972, referring to the period of his stay on the board of the International Council of Museums (ICOM), and the production of agencies and agencies derived from the consulting services he has carried out in several countries, focusing on his relationship with the pedagogue Paulo Reglus Neves Freire, investigates the consolidation and dissemination of new museum standards in Brazil. From then on, using a collection of sources, such as: interviews, testimonies, photographs and bibliographic production, reveals points and specificities of his trajectory that impacted Brazilian museological form and thought. The work demonstrates how Varine's actions have resulted in the dissemination of events and the creation of new institutions that have as background the work as a consultant. In this regard, the I International Meeting on Ecomuseums (1992) and, as a cut, the creation of the Ecomuseum of Itaipu (PR), the Ecomuseum of the Amazon (PA), the Ecomuseum of Serra de Ouro (MG) and the Community Ecomuseum of Santa Cruz (RJ), as well as a brief analysis of the impacts of his thought on the public policies of museums, as mechanisms of production of a museum "griffe" recognized by some researchers as "Museology of Liberation", a concept coined by the museologist Odalice Miranda Priosti.

5
  • ANNA LUÍSA SANTOS DE OLIVEIRA
  • Hands that sew a memory: as Saubara lacemakers and the protagonism of black women in heritage

  • Advisor : CECILIA CONCEICAO MOREIRA SOARES
  • COMMITTEE MEMBERS :
  • CECILIA CONCEICAO MOREIRA SOARES
  • JOSEANIA MIRANDA FREITAS
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • ZELINDA DOS SANTOS BARROS
  • Data: May 24, 2019


  • Show Abstract
  • This research aims to analyze the House of Rendeiras from Bahia’s county of Saubara, as a space for safeguarding of patrimony and black female protagonism by knowledge of how to make laces of the bilro. The study is proposed from the use of the theoretical framework in museology, having as locus the reflections on the importance of the individual and collective memory of black women for the local cultural patrimony. For that, the concepts of social museology, memory, cultural heritage, gender, race and work were used. The narratives of the experiences of these lacemakers women constitute main sources of research for this dissertation. The understanding of the cultural patrimony, starting from the office of the lacemakers while holding the know how to make the lace of the bilros, make them an object of museology, making possible the discussion about the representation of cultural identity through immaterial memory, of the work that covers bobbin laces of the bilros in addition to his technique, their intersectionalities between gender and race in confluence with sociomuseology and the relations between crafts, economy and the world of work.

6
  • JISLAINE SANTANA DOS SANTOS
  • The Sergipe Afro-Brazilian Museum: Between Scenery, Speech, Silences and Cultural Heritage.

  • Advisor : MARCELO NASCIMENTO BERNARDO DA CUNHA
  • COMMITTEE MEMBERS :
  • FERNANDO JOSÉ FERREIRA AGUIAR
  • JOSEANIA MIRANDA FREITAS
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • Data: Aug 19, 2019


  • Show Abstract
  • This work analyzes the representation of Afro-Brazilian cultural heritage in the Museu Afro-brasileiro de Sergipe (MABS) exhibition, located in Laranjeiras city, since its creation / inauguration, with emphasis on the period 2012-2018, based on the analysis of the MABS musealization process. For this, from the methodological point of view, the investigations are developed through bibliographic reference, structured interview, besides the use of old and current photographs of the museum institution's expography. Cultural action photography developed by the institution with the dialogue between photo and event, as a means of situating the event and its problematic. Thus, and based on this understanding, we will present some of the memories that highlight the idealization of this institution, the possible ones involved in its development, the formation of collections, revealing when possible missing or forgotten aspects in the trajectory of this museum over the long years of its existence. and the development of their social activities in Laranjeiras.

7
  • JARRYER DE JESUS PINHEIRO
  • Ruins of Remanso Velho from a perspective of museology: relations between community and archaeological site.

  • Advisor : CARLOS ALBERTO SANTOS COSTA
  • COMMITTEE MEMBERS :
  • CARLOS ALBERTO ETCHEVARNE
  • CARLOS ALBERTO SANTOS COSTA
  • MARINA REGIS CAVICCHIOLI
  • Data: Oct 11, 2019


  • Show Abstract
  • After the conclusion of the Archeology and Heritage Preservation course entitled “The use and transformation of urban space: an archaeological study of the city of Remanso Velho, Bahia”, a significant set of ruins of the first seat of the municipality of Back up. , called Old Backwater. Considering the need to understand the perspective of the community linked to this archaeological site, this dissertation sought to know and highlight the existing sociocultural relations between the community of the current city of Remanso and the archaeological site Remanso Velho. Thus, we present the main ruins, pointing out their functions while they were urban architectural structures, as well as highlighting the historical processes from the emergence until its disuse as municipal headquarters. Then, we conduct a theoretical discussion regarding the studied scenario, pointing reflections related to the archaeological heritage and the museological exercise. In addition to highlighting the socio-cultural links between the community and its archaeological site, the study conducted for this master's research also made it possible to characterize the historical processes and the agents that led to the construction of these relationships, the identification of the symbolic value that is given by the community to the community. Remanso Velho archaeological site and the identification of the role played by the archaeological site in the memory of its community. The problematic proposed as the outline axis of this dissertation is the scenario in which the ruins of Remanso Velho are not recognized as archaeological heritage by the official institutions, nor is it understood the representativeness that this archaeological asset has for its community. We deduce, then, that such a condition would put these structures out of public policies that would enable their knowledge and safeguard, as well as make it difficult to implement social management processes of this legacy, placing it outside the axis of archaeological research. Against this background, it has been hypothesized that being outside official public policies would not necessarily make it impossible for your community to enjoy its cultural good in the forms and ways they choose. According to the results obtained, we confirm the hypothesis presented and understand that the community linked to the archaeological site Remanso Velho uses its cultural good in the way that understands its desires.

8
  • CAMILA PAES LOPES
  • REFLECTIONS ON THE MUSEALIZATION OF THE ART OF PERFORMANCE
  • Advisor : MARIELA BRAZON HERNANDEZ
  • COMMITTEE MEMBERS :
  • CLOVIS CARVALHO BRITTO
  • LUDMILA DA SILVA RIBEIRO DE BRITTO
  • MARIELA BRAZON HERNANDEZ
  • Data: Nov 7, 2019


  • Show Abstract
  • This research analyzes the relationship between museology and contemporary art, focusing on performance art. The research is based on musealization triad (acquisition, research and communication) to structure the main features of performance art, inserted into contemporary art museums. In each step of the musealization process, the singularities of performance art are explored in order to comprehend the differences and the similarities between museology and performance art scenarios. This Masters dissertation intends to reduce the distance and noise that arise during the institutionalization of performance art as it analyzes the procedure from the artist point of view, searching for ways to approach artistic and museum fields and the specific performance art museum methodologies, and thus thinking about issues to build memory of performance art collaborating for the fields of art and museology.  

9
  • LUCIANA MONIZ DE ARAGÃO SIMÕES
  • “WE ARE THE REVOLUTION ”: OUTLINE OF A MUSEAL SCULPTURE FROM THE ALCHEMY OF JOSEPH BEUYS.
  • Advisor : MARIELA BRAZON HERNANDEZ
  • COMMITTEE MEMBERS :
  • MARIELA BRAZON HERNANDEZ
  • LUDMILA DA SILVA RIBEIRO DE BRITTO
  • CLOVIS CARVALHO BRITTO
  • Data: Nov 8, 2019


  • Show Abstract
  • This work is a reflection on the object of study of Museology, which here is understood as the integral Heritage, linked to the values of the human spirit, as described by the museologist Tomislav Šola, or the Spiritual Goods according to the concept of the German artist Joseph Beuys . More than a Beuys concept, his entire system of thought was used as the basis for this exercise of decompression of the theory of Museology from poetic thought. The idea was to make approximations between Art and Museology to reflect on how the introduction of other epistemic methods can point to other possible models of museums and other museological concepts. To this end, an intersection was made between the field of Art in Beuys and the field of Museology, using the systematization of Peter van Mensch to base the philosophical-critical approach on a tertiary level of analysis (reflections on the conceptual foundations of the museum field) , and to justify the enrollment of this work in the School of Critical Museology, whose main characteristic is to reflect, question - rather than define - the museological frameworks, thinking Museology as a science, as a place of reflection on Heritage, and not as a set theories and methods that only guide practical work in the museum. Šola, representative of Critical Museology, joins Beuys as an interlocutor for arguing that it is absurd to think of Heritage from a normative approach, and from approaches committed to the cultural industry, which work with heritage as a consumer market product. Šola argues that the poetic approach to Heritage is the main element in the transformation of Museology and the concept of museum. As a practical reference, I use my professional experience as an advisor to the management and then executive director of MAM Bahia, and as part of the collective Museu do Mato, to demonstrate possible models of the approximation between the two fields: at the Museum-School of Lina Bo Bardi of the years 1960; at MAM-BA between 2013 and 2015, which re-enacted the Museu-Escola de Lina, and expanded this museum experience at the 3rd Bahia Biennial; and at the Museu do Mato, a collective of Art and Museology, a museum experiment as a poetic exercise. According to Beuys, society can be thought of as an artistic work, shaped as a collaborative sculpture, the Social Sculpture. This dissertation is the outline of another work, the Museal Sculpture, related to the idea of a museum as a symbolic space of transdisciplinary articulation and transmission of fragments of human heritage. Museum as a tool for change, part of the collective effort to reach a new evolutionary stage of humanity. Museum as a tool for reconnecting social bonds of solidarity, affection, empathy; reconnecting with subjectivities to produce other perceptions of the world. In contrast to systems that fragment and block time. Time that is necessary to reconnect with subjectivities, to believe and build utopias, other possibilities for the future.

10
  • MOARI CASTRO RAMOS DE OLIVEIRA ALFREDO
  • Industrial Heritage: narrativess of a santamarense’s destillery

  • Advisor : JOSEANIA MIRANDA FREITAS
  • COMMITTEE MEMBERS :
  • GRISELDA PINHEIRO KLUPPEL
  • JOSEANIA MIRANDA FREITAS
  • MARIA ESTELA ROCHA RAMOS
  • SUELY MORAES CERAVOLO
  • Data: Nov 20, 2019


  • Show Abstract
  • This paper aims to understand the historical course of the Modello Distillery, an industrial building located in the city of Santo Amaro, state of Bahia, highlighting the narratives built by the various occupations attributed to the building, as devices inherent in its conversion process. The building, currently in ruins, is one of the reminiscent architectural records of the local industrial heritage that survived the time action. Its restoration is foreseen in the occupation project developed to house a teaching center of the Federal University of Recôncavo da Bahia. Nowadays, the ruins are nominally referred to as the Tarzan factory, a denomination crystallized in the local imagination by the occupation of the Tarzan Steel Mill in the 40s of the twentieth century and which worked at the site for about fifteen years. However, its factory origin occurs with the creation of Companhia União dos Lavradores, still in the nineteenth century. The company, linked to the regional oligarchy, worked for about a decade in the transformation of sugar cane into brandy. Its grandiose architectural composition, still evident, refers to the opulence of other times, the once most important city of the sugar cycle and its historical trajectory is the product of a period marked by the development of the industry of the Bahian Recôncavo, which highlights the need for contemporaneity takes ownership of space by understanding its history and the shared memories that were constituted through the various meanings of space.

     

11
  • GISLAINE BARBOSA CALUMBI DA SILVA
  • The Historic City Of Cachoeira In Bahia: Museological Approach about Preserving Architectural Heritage

  • Advisor : MÁRIO DE SOUZA CHAGAS
  • COMMITTEE MEMBERS :
  • JOSEANIA MIRANDA FREITAS
  • MÁRIO DE SOUZA CHAGAS
  • SUZANE TAVARES DE PINHO PEPE
  • Data: Nov 21, 2019


  • Show Abstract
  • This work aims to understand the historical city from a museological approach. Specifically attuned to the sight of Social Museology. The historical city of Cachoeira - Bahia was choice for case study, considering its condition of City and National Monument. From the contemporary perspective of museums as instruments of social development, a dialogue was established with the population of Cachoeira, delimited in two groups: the residents of the city center and the residents of the Tororó neighborhood, in order to understand their perceptions as an integral part of the daily life of a preserved city. The research finds the complexity that characterizes the preservation of urban centers of heritage value and understands the need for intervention and creation of museological actions in the context of the historic city. As a result Museology in the city is defended as a continuous process. 

12
  • MILENA DE JESUS SANTOS
  • The Memorial A Casa do Rio Vermelho: the performance of Zélia Gattai at the base of the Museum-House

  • Advisor : SUELY MORAES CERAVOLO
  • COMMITTEE MEMBERS :
  • SUELY MORAES CERAVOLO
  • ALZIRA QUEIROZ GONDIM TUDE DE SA
  • CLOVIS CARVALHO BRITTO
  • SABRINA DAMASCENO SILVA
  • Data: Dec 6, 2019


  • Show Abstract
  • This disseration addresses the universe of the museum-home of Brazilian writers from the analysis of the processes instituted by the writer Zélia Gattai (1916 - 2008), born in São Paulo and based in Salvador, Bahia, whose art of narrating through of photography and literature has characteristics framed in the self writing. Considering aspects of the writer's trajectory and the personal experience thatand developed backstage for the opening of the exhibition at Casa da Rua Alagoinhas, 33, this research seeks unravel the plots that originated the opening of the Memorial A Casa do Rio Vermelho -  Jorge Amado and Zélia Gattai, in Salvador, in the State of Bahia. To this end, it mobilizes references based on Museology, in order to understand the musealization of the residence that became a museum-house and its relationship with commercial purposes with regard to cultural tourism in the city of Salvador. How much at actions undertaken by Zélia Gattai, the present work weaves ties with authors who are dedicated to issues of gender and female memory, to the subjectivities present in the self writing and personal files, with the objective of giving visibility to their practices anarchicin relation to the Rio Vermelho residence. To this end, an approach was made to the particularities of the curatorship and exhibition scenography proposed for the memorialistic institution, in order to highlight the transformation of Casa do Rio Vermelho into a memorial, the result of Zélia Gattai's planning. It is concluded that if the exhibition musealization was possible thanks to the narrative processes instituted by the writer herself over five decades, the same museum spelling ends up silencing its presence in the result implanted in the House.   

13
  • THAÍS PEREIRA DA SILVA
  • Museology and immaterial heritage: reflections of the patrimonialization in the celebration of the stick of the Flagstick of Santo Antônio in Barbalha – CE.

  • Advisor : SIDELIA SANTOS TEIXEIRA
  • COMMITTEE MEMBERS :
  • CARLA FAÇANHA DE BRITO
  • CARLOS ALBERTO ETCHEVARNE
  • SIDELIA SANTOS TEIXEIRA
  • Data: Dec 17, 2019


  • Show Abstract
  • This present research has as its object of study the “Festa da Pau da Bandeira de Santo Antônio”, which takes place in the city of Barbalha, in the countryside of Ceará. The investigation takes place through the registration mark as national intangible cultural heritage through IPHAN. The research addresses the historical process and the conceptions about Museology as a field of knowledge, relating it to cultural heritage, more precisely to the festival, it also considers the concepts of preservation and safeguarding of the immaterial cultural assets. It establishes as methodology the bibliographic and descriptive research with qualitative nature. As an instrument for data collection, the use of interviews was made, the research dad collected the testimony of six people who are related to different sectors of the festival. This work aims to: investigate what opinions, perspectives and changes are perceived by the community that produces and participates in the Festa do Pau da Bandeira. It has as specific objectives: to contextualize the historical process of the festival, from its creation to the present day, characterizing the region of Cariri Cearense, where the Pau da Bandeira manifestation occurs for the theoretical understanding of the research object. The results demonstrate that some recommendations and protection mechanisms were perceived by the interviewees, such as, for example, security in relation to the festival. Another aspect perceived was the visibility and repercussion that the registration caused in the community, and as a consequence contributed to the dissemination of the festival nationwide, and also led to an increase in the number of events and academic research. 

14
  • IRACI OLIVEIRA DOS SANTOS
  • THE PATH OF THE MUSEOLOGY COURSE OF THE FEDERAL UNIVERSITY OF BAHIA (1969-2010).
  • Advisor : SUELY MORAES CERAVOLO
  • COMMITTEE MEMBERS :
  • SIDELIA SANTOS TEIXEIRA
  • MARCELO NASCIMENTO BERNARDO DA CUNHA
  • ALAMO PIMENTEL GONÇALVES DA SILVA
  • Data: Dec 19, 2019


  • Show Abstract
  •  The present work is motivated by the results of research developed in the Graduate Program in Museology, for the conclusion of a Master's dissertation at the Federal University of Bahia. I point out that this is a historical research on the trajectory of the first course created in Brazil in university, conceived, gestated and born as an undergraduate course, at the Federal University of Bahia. It resumes the curricula that underpinned the formation of this genesis, passing through all the approved minimum curricula, until the current Pedagogical Project of the course. This paper presents historical aspects involving the development of the UFBA Museology Undergraduate Course, which this year celebrates its 50th anniversary. The methods of documental analysis were used, with the objective of raising the historical facts of the creation and development of the course of Museology of UFBA. The methods used were bibliographic research, literature review and documentary research. The primary sources of research in this dissertation consisted of legal texts, programs, projects, reports, and newspapers. Initially, I present the context of its creation, following its performance and development, exposing its activities and its curricular matrices that contributed to the modernization of the teaching of Museology in Brazil.

2018
Dissertations
1
  • AMANDA DE ALMEIDA OLIVEIRA
  • : A documentação museológica como suporte para a comunicação com o público

  • Advisor : JOSE CLAUDIO ALVES DE OLIVEIRA
  • COMMITTEE MEMBERS :
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • LIDIA MARIA BATISTA BRANDAO TOUTAIN
  • CECILIA CONCEICAO MOREIRA SOARES
  • Data: Jul 31, 2018


  • Show Abstract
  • A presente pesquisa tem como propósito analisar o processo de informação produzido e gerido pelo Sistema de Documentação Museológica (SDM) e averiguar como a sua operação repercute no conteúdo apresentado na exposição de longa-duração do museu, a partir do estudo de caso da cadeirinha de arruar do Museu de Arte da Bahia (MAB). Considerando que a representação está sujeita ao modo como o objeto é documentado no museu e, caso haja equívocos na sua aplicação, pode causar distorções, o que influenciará nas interpretações do objeto ou mesmo torná-lo imperceptível ao público na exposição. A pesquisa possui aspectos teóricos e práticos. A teoria envolveu um levantamento bibliográfico que perpassa as discussões nas áreas da Museologia, Comunicação e Ciência da Informação; e a prática ocorre na análise da poiese do MAB, em específico visualizada no SDM, e na pesquisa de campo com a utilização do método da observação da exposição do MAB. A partir dessa análise, foi realizado um estudo comparativo com o Museu Histórico Nacional, do Rio de Janeiro e o Museu Nacional dos Coches, de Portugal, que possuem exemplares de cadeirinhas de arruar nas suas coleções, para verificar o processo da informação na relação SDM/exposição. Esse trabalho envolveu também a pesquisa histórica com o uso de fontes iconográficas, anúncios de jornais de época e relatos dos viajantes para investigar as relações que envolvem a cadeirinha de arruar, compreendendo o contexto histórico de seu uso e produção, a mão-de-obra escrava e a evolução do transporte urbano.  Do mesmo modo, foi realizado estudos para identificar as origens desse meio de transporte e o uso em outras culturas. Os resultados da pesquisa constataram que a produção de informação no SDM e a comunicação contínua com outros sistemas do museu possibilitam a disseminação de informação, refletindo no conteúdo apresentado sobre o objeto e as coleções na exposição, foco da comunicação do museu mediadora para com o público

2
  • CÁSSIO EDUARDO MACHADO BÊRIBÁ
  • Nossa Senhora da Conceição: a recuperação do vetor folkcomunicacional na produção da imaginária popular e erudita do século XVIII

  • Advisor : JOSE CLAUDIO ALVES DE OLIVEIRA
  • COMMITTEE MEMBERS :
  • FABIO RODRIGUES CORNIANI
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • RITA DE CASSIA MAIA DA SILVA
  • Data: Aug 1, 2018


  • Show Abstract
  • O presente estudo tem como objetivo, analisar a produção da imaginária não oficial/popular do século XVIII, partindo de duas esculturas sacras (objetos musealizados que estão sob guarda do MAS/UFBA), que representam a invocação de Nossa Senhora da Conceição, sendo cada imagem o resultado de uma linha de produção da imaginária brasileira. Entendendo assim,  a imaginária não oficial/popular, enquanto partícipe de um   processo folkcomunicacional, que aconteceu paralelamente a produção da imaginária oficial/erudita, considerada nesse víeis de pesquisa como sendo representante e  participante da comunicação de massa, observando com isso, o diálogo existente entre essas duas linhas de produção, a imaginária oficial/erudita que atendia a uma necessidade devocional/comunicacional dos grupos sociais mais favorecidos, ou seja, a cultura de elite, e a imaginária não oficial/popular  identificada enquanto cultura popular, na qual é possível perceber aspectos de um processo folkcomunicacional. Percebendo o potencial comunicacional desses objetos museológicos e buscando a partir da análise da documentação museológica produzida pelo setor de Documentação do Museu de Arte Sacra da Universidade Federal da Bahia encarando-a não somente como uma atividade técnica dentro da instituição mais atrelada a pesquisa bibliográfica, buscou-se entender a imaginária não oficial/popular como uma comunicação que atendia a um determinado grupo, e região, que difere, da comunicação em torno da produção oficial/erudita, que é marcada por se uma produção mais institucionalizada e difusa que na época de sua produção era considerada a oficial. Nesse caso buscou-se compreender e recuperar o vetor folkcomunicacional da produção da imaginária não oficial/popular e após a recuperação desse vetor, analisou-se o resultado desse processo folkcomunicacional nas imaginárias estudadas através da análise iconográfica e iconológica. Foram utilizadas bases teóricas referentes ao desenvolvimento da imaginária brasileira, assim como, bases teóricas referentes à teoria da folkcomunicação, a exemplo de Luiz Beltrão (1980), que apresentou e defendeu este novo conceito a respeito da teoria da comunicação, por ele chamada de comunicação dos marginalizados, Além de Beltrão foram utilizados outros autores a exemplo de Benjamin (2008) e Oliveira (2006). Fazendo um paralelo, intercruzando os conceitos da folkcomunicação, com os referentes ao desenvolvimento da imaginaria brasileira do século XVIII

3
  • EDUARDO DE ARAÚJO FRÓES

  • A Heritage in Motion: the coffee carts in the streets of Salvador

  • Advisor : MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • COMMITTEE MEMBERS :
  • MARIA DAS GRACAS DE SOUZA TEIXEIRA
  • PAULO CESAR MIGUEZ DE OLIVEIRA
  • MARY WEINSTEIN
  • Data: Sep 28, 2018


  • Show Abstract
  • The street informal trade of Salvador city, Bahia State, Brazil, have a peculiarity that express one representative element of local popular culture that is the coffee ambulant trade with allegoric little cars that simulate trucks and mini “trios elétricos”. The search allowed the interpretation of one special social reality, that of the Little Coffee Salesmen and their coffee little cars. These little cars are understood as objects that carry on the values of a qualified thus identity and symbolic patrimony of Bahia capital culture and quotidian. These social subjects changed the work activity in one genuine product of creative imagination from the survival necessity. They aggregate symbolic values that stimulate the awakening of various glances including the Museology render problematic and reflexion when four coffee little cars are received and signify again in the Museum space what also insert them in the process of their patrimony character recognition. The study was structured from three versants: the historic trajectory of coffee chairman activity in Salvador streets and the inventiveness of his work instrument; the appropriation of this work instrument by other glances and the relationship with people that experiment them in the streets; and at last the coffee little car as an object received in the Museu Afro Brasil and their new signifies. To analyses the way the Salvador Little Coffee Salesmen use and their representation as a cultural good concurs to Bahia popular culture enforcement and for the visibility of creative anonymous people that changed the urban scenery of one city and printed a stamp that call for valorization and recognition. Each salesman that circulate with his coffee little car has a combined of values, knowledge, choices and ways of life. The search promotes one museum practice linked with the importance of to establish a contemporary and inter-discipline museum field able to make the dialog between the social and the patrimonial. It preconizes actions that not privilege only the object of museum but also the manifestation space where they were and its relation with human being, for to consolidate it in Social Sciences epistemological field.

4
  • MEIRILUCE SANTOS PERPETUO
  • MEMORY, IDENTITY AND FAITH IN THE BRAZILIAN CHAPEL: ANALYSIS OF THE RELATIONSHIPS OF POWER IN THE RESTORATION OF IGREJINHA OUR LADY OF FATIMA
  • Advisor : HELOISA HELENA FERNANDES GONCALVES DA COSTA
  • COMMITTEE MEMBERS :
  • HELOISA HELENA FERNANDES GONCALVES DA COSTA
  • JOSE DIRSON ARGOLO
  • SUELY MORAES CERAVOLO
  • Data: Nov 6, 2018


  • Show Abstract
  • This work aims to discuss the relations established between the community of Brasilia and its cultural heritage, considering the controversy that followed the restoration of the Igrejinha Nossa Senhora de Fátima, conducted by the National Institute of Historical and Artistic Heritage of the Federal District - Iphan / DF, when the painting of a local artist – Francisco Galeno was placed over what was before a painting by the artist Alfredo Volpi, that allegedly was irretrievably destroyed in the 1960s. The methodology for surveying the problem was through interviews with the community that works, attends, administers, and lives around the temple, through articles published in the local and national press, through a bibliographical survey about the city, and through the study of documentation related to the restoration of the temple, seeking to understand the process that involved the restoration and how the relationship between Iphan and the community was developed. From the historical and artistic contextualization of the city, it discusses its value as a Cultural Heritage of Humanity and problematizes some issues related to its preservation. The heritage material is based on the foundation of monuments and their social and symbolic representations activated by memory, affectivity and the identity of groups. In this context, this work seeks to understand how the relationships developed between the community and the church are processed, being mindful that the monument is a symbolic space, loaded with values and meanings. It is considered, therefore, the possibility of contributing to the favoring and formalization of affirmative action proposals in favor of the city and its inhabitants.

5
  • MELISSA SANTOS DOS SANTOS
  • CONCEPTION AND DEVELOPMENT OF THE GRAFFITI MUSEUM (VIRTUAL) MADE BY WOMEN
  • Advisor : RITA DE CASSIA MAIA DA SILVA
  • COMMITTEE MEMBERS :
  • RITA DE CASSIA MAIA DA SILVA
  • CARMEN LUCIA SOUZA DA SILVA
  • CECILIA CONCEICAO MOREIRA SOARES
  • Data: Nov 26, 2018


  • Show Abstract
  • This research aims at the experimentation of theoretical and technical aspects for the construction of the virtual museum of graffiti made by women that makes us understand the interlacings between cyberculture and museology, highlighting the importance of the insertion and use of technology in museum spaces. need to create spaces capable of meeting the needs of museology and that help in the process of musealization of graffiti, considered as an artistic manifestation, characteristic of hip-hop culture, which uses techniques of the visual arts and urban space as resources for his expression. Graffiti, now decriminalized, as stated in art. 6 of Law 12,408 / 2011, which updates the wording of art. 65 of Law 9,605 of February 12, 1998, is often confused with the graffiti which, in turn, is expressed exclusively by lawyers and is still prohibited by law. This form of artistic expression stands out for its ephemerality and challenges faced by graffiti artists and grafiteiras during its production process. Within this universe of possibilities, our proposal focuses on the production of women who take to the streets their art as expressions of their lives and social positions. Graffiti has great historical importance within contemporary society, since it was from this artistic expression that many young people from the peripheries stood in the face of adversity in society. From this table, we search, through analyzes and observations of models of museums on the Internet, a way to musealize in order to preserve its memory given its ephemerality. In this dissertation, we look for parameters to construct and transport this museum, addressing all the functions of a museum institution and the possibilities that cyberspace provides.

2017
Dissertations
1
  • NEILA DE JESUS ANDRADE
  • The Image of the postcards of Salvador-Bahia in Exhibition (1920 to 1940).

  • Advisor : JOSE CLAUDIO ALVES DE OLIVEIRA
  • COMMITTEE MEMBERS :
  • SABRINA MARA SANT'ANNA
  • JOSE CLAUDIO ALVES DE OLIVEIRA
  • RITA DE CASSIA MAIA DA SILVA
  • Data: Nov 1, 2017


  • Show Abstract
  • The present dissertation aims to analyze a set of illustrated postcards - iconographic source - with themes of the City of Salvador in Bahia between the years of 1920 and 1940 trying to understand how it was represented and what memories are contained in the images. Influences on the choices of the images disseminated in this medium of correspondence and, above all, how the illustrated postcards would be a source of information and museological communication when in exhibitions. The research presents a brief history and the concept of what would be an illustrated postcard. This approach allowed us to understand that the image was the carrier of a discourse elaborated and disseminated in its visual environment. The methodology for the analysis of the illustrated postcards, corroborates them as documents / representations, narrators of urban transformations, message carriers and excellent objects of museological communication. We came across a collection that has a discourse on heritage and modernity, and so we sought the importance of this discourse for the period and its contribution in the construction of knowledge for the visitors of an exhibition with this type of collection and we found that the potential information is scarcely explored in exhibition space.

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